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Pete Kelly's Blues (1955)

Pete Kelly's Blues (1955)
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Pete Kelly's Blues is arguably the most stylish of director/star Jack Webb's theatrical features. Beginning with a brilliantly evocative pre-credits prologue, wherein we see how WWI vet Pete Kelly (Webb) came into possession of his precious trumpet, the film traces Kelly to his 1927 gig at a Kansas City speakeasy. Most of the film concerns Kelly's efforts to keep his "Big Seven" aggregation together, his off-and-on romance with socialite Ivy Conrad (Janet Leigh), and his frequent confrontations with mob boss Fran McCarg (Edmond O'Brien). The Richard L. Breen screenplay is full of the deliciously hyperbolic allusions, similes, and metaphors that characterized Webb's radio version of Pete Kelly's Blues, while the musical score is graced by the jazz artistry of such greats as Ella Fitzgerald and Teddy Buckner. Peggy Lee, cast as a mob mistress who is rendered an imbecile after falling down a flight of stars, deservedly earned an Academy Award nomination for her performance. Likewise superb is Andy Devine, cast against type as a corrupt, brutal Kansas City detective, and Lee Marvin as Kelly's best pal. Disney art director Harper Goff, who'd been performing miracles on Webb's TV series Dragnet, brilliantly sustains the smoky zeitgeist of the Prohibition era. Pete Kelly's Blues was later spun off into a TV series starring William Reynolds as Kelly. ~ Hal Erickson, Rovi

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Starring:
Jack WebbJanet Leigh, (more)
Director(s):
Jack WebbHarry S. Webb, (more)
Format(s):
DVD
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Synopsis of Pete Kelly's Blues

Pete Kelly's Blues is arguably the most stylish of director/star Jack Webb's theatrical features. Beginning with a brilliantly evocative pre-credits prologue, wherein we see how WWI vet Pete Kelly (Webb) came into possession of his precious trumpet, the film traces Kelly to his 1927 gig at a Kansas City speakeasy. Most of the film concerns Kelly's efforts to keep his "Big Seven" aggregation together, his off-and-on romance with socialite Ivy Conrad (Janet Leigh), and his frequent confrontations with mob boss Fran McCarg (Edmond O'Brien). The Richard L. Breen screenplay is full of the deliciously hyperbolic allusions, similes, and metaphors that characterized Webb's radio version of Pete Kelly's Blues, while the musical score is graced by the jazz artistry of such greats as Ella Fitzgerald and Teddy Buckner. Peggy Lee, cast as a mob mistress who is rendered an imbecile after falling down a flight of stars, deservedly earned an Academy Award nomination for her performance. Likewise superb is Andy Devine, cast against type as a corrupt, brutal Kansas City detective, and Lee Marvin as Kelly's best pal. Disney art director Harper Goff, who'd been performing miracles on Webb's TV series Dragnet, brilliantly sustains the smoky zeitgeist of the Prohibition era. Pete Kelly's Blues was later spun off into a TV series starring William Reynolds as Kelly. ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
95 mins

Complete Cast of Pete Kelly's Blues


Director(s):
Harry S. WebbJack Webb
Writer(s):
Richard L. Breen
Producer(s):
Jack Webb
Categories:
Drama
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Member Reviews
 
Lovitt H.

Really great jazz artists. Story a little weak but needs to be watched in order to hear the REAL artists.

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Mike C.

Yes, those of you who grew up with "Just the facts, ma'm" Jack Webb probably remember this attempt by Jack Webb to prove he was an actor, director, whatever, in the motion picture industry.....However, this movie only proved one thing, Jack Webb was not an actor ! ! ! It was actually funny to watch.....his attempts at being something else other than "Joe Friday, Sgt., LAPD" are really something.....(this film and "The D. I.", another Jack Webb) I would only recommend this film to the "BabyBoomers" ......they grew up being a fan of Jack Webb.....and any other generation would only wonder, "What on earth was that?"...

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