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The Night of the Hunter (1955)

The Night of the Hunter (1955)
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Adapted by James Agee from a novel by Davis Grubb, The Night of the Hunter represented legendary actor Charles Laughton's only film directing effort. Combining stark realism with Germanic expressionism, the movie is a brilliant good-and-evil parable, with "good" represented by a couple of farm kids and a pious old lady, and "evil" literally in the hands of a posturing psychopath. Imprisoned with thief Ben Harper (Peter Graves), phony preacher Harry Powell (Robert Mitchum) learns that Ben has hidden a huge sum of money somewhere near his home. Upon his release, the murderously misogynistic Powell insinuates himself into Ben's home, eventually marrying his widow Willa (Shelley Winters). Eventually all that stands between Powell and the money are Ben's son (Billy Chapin) and daughter (Sally Jane Bruce), who take refuge in a home for abandoned children presided over by the indomitable, scripture-quoting Rachel Cooper (Lillian Gish). The war of wills between Mitchum and Gish is the heart of the film's final third, a masterful blend of horror and lyricism. Laughton's tight, disciplined direction is superb -- and all the more impressive when one realizes that he intensely disliked all child actors. The music by Walter Schumann and the cinematography of Stanley Cortez are every bit as brilliant as the contributions by Laughton and Agee. Overlooked on its first release, The Night of the Hunter is now regarded as a classic. ~ Hal Erickson, Rovi

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Starring:
Robert MitchumShelley Winters, (more)
Director(s):
Charles Laughton
Format(s):
DVD  |  Blu-ray
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Synopsis of The Night of the Hunter

Adapted by James Agee from a novel by Davis Grubb, The Night of the Hunter represented legendary actor Charles Laughton's only film directing effort. Combining stark realism with Germanic expressionism, the movie is a brilliant good-and-evil parable, with "good" represented by a couple of farm kids and a pious old lady, and "evil" literally in the hands of a posturing psychopath. Imprisoned with thief Ben Harper (Peter Graves), phony preacher Harry Powell (Robert Mitchum) learns that Ben has hidden a huge sum of money somewhere near his home. Upon his release, the murderously misogynistic Powell insinuates himself into Ben's home, eventually marrying his widow Willa (Shelley Winters). Eventually all that stands between Powell and the money are Ben's son (Billy Chapin) and daughter (Sally Jane Bruce), who take refuge in a home for abandoned children presided over by the indomitable, scripture-quoting Rachel Cooper (Lillian Gish). The war of wills between Mitchum and Gish is the heart of the film's final third, a masterful blend of horror and lyricism. Laughton's tight, disciplined direction is superb -- and all the more impressive when one realizes that he intensely disliked all child actors. The music by Walter Schumann and the cinematography of Stanley Cortez are every bit as brilliant as the contributions by Laughton and Agee. Overlooked on its first release, The Night of the Hunter is now regarded as a classic. ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
93 mins

Complete Cast of The Night of the Hunter


Director(s):
Charles Laughton
Writer(s):
James Agee
Producer(s):
Paul Gregory
Categories:
Mystery & Suspense
The Night of the Hunter Awards:
  • 1991 - Library of Congress - U.S. National Film Registry
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Member Reviews
 
Dorothy D.

I have seen Night of the Hunter several times over a period of years. It has breath-holding suspense, superb acting and numerous subtle photographic nuances easily missed the first time around. It remains on my list of best movies of all time

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James S.

DVD Beaver critics named this the best Blu-Ray release of 2010. A classic brilliant restored and handsomely presented with great supplements. Laughton's film, so underappreciated in its day, has become a recognized masterpiece presenting the eternal struggle of good and evil through the eyes of children. The style of the film, which relies heavily of the techniques of German expressionism and film noir, takes a little getting used to but the rewards are many. The Criterion edition is far superior to the old MGM/UA version.

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David M.

Surprisingly good, but James Agee's work always is. Stark black and white film. Lillian Gish's charisma comes through; no wonder she was a movie star for 40 years. It was also interesting to see where the LOVE and HATE tatoos on everyone's knuckles come from--Robert Mitchum's fists. The concept of a wolf in sheep's clothing--the devil in a pastor's guise--could be relearnt today.

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