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Take Out (2004)

Take Out (2004)
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Sean Baker and Shih-Ching Tsou make their feature debut as writer/directors with the documentary-style DV drama Take Out. Korean-American actor Charles Jang stars as Ming Ding, a Chinese illegal immigrant struggling to make ends meet working as a deliveryman at a take-out restaurant. His day begins when he is rousted, beaten, and threatened with more violence by two men over an 800-dollar debt, which he incurred because he felt obligated to send some money back to his wife and child in China. Ming scrapes together what he can. His co-worker, Young (Jeng-Hua Yu), lends him some money, and offers to forgo his deliveries for the day so Ming can make more cash. The film follows the stoic Ming, who speaks little English, over the course of the day as he interacts with the cooks and restaurant manager (Wang-Thye Lee, an actual employee of the restaurant where Take Out was filmed), and races in the rain on a multitude of deliveries on the Upper West Side of Manhattan, interacting with a broad spectrum of New Yorkers. The filmmakers made Take Out on an extremely low budget, even by indie standards, using the Internet to find their cast, and shooting at the restaurant during business hours with a skeleton crew. Take Out was shown at the 2004 New York Asian American Film Festival and at the 2004 Nashville Film Festival, where it won the Grand Jury Prize. ~ Josh Ralske, Rovi

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Starring:
Charles JangJeng-Hua Yu, (more)
Director(s):
Shih-Ching TsouSean Baker, (more)
Format(s):
DVD
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Synopsis of Take Out

Sean Baker and Shih-Ching Tsou make their feature debut as writer/directors with the documentary-style DV drama Take Out. Korean-American actor Charles Jang stars as Ming Ding, a Chinese illegal immigrant struggling to make ends meet working as a deliveryman at a take-out restaurant. His day begins when he is rousted, beaten, and threatened with more violence by two men over an 800-dollar debt, which he incurred because he felt obligated to send some money back to his wife and child in China. Ming scrapes together what he can. His co-worker, Young (Jeng-Hua Yu), lends him some money, and offers to forgo his deliveries for the day so Ming can make more cash. The film follows the stoic Ming, who speaks little English, over the course of the day as he interacts with the cooks and restaurant manager (Wang-Thye Lee, an actual employee of the restaurant where Take Out was filmed), and races in the rain on a multitude of deliveries on the Upper West Side of Manhattan, interacting with a broad spectrum of New Yorkers. The filmmakers made Take Out on an extremely low budget, even by indie standards, using the Internet to find their cast, and shooting at the restaurant during business hours with a skeleton crew. Take Out was shown at the 2004 New York Asian American Film Festival and at the 2004 Nashville Film Festival, where it won the Grand Jury Prize. ~ Josh Ralske, Rovi

Theatrical Feature Running Time:
87 mins

Complete Cast of Take Out


Director(s):
Shih-Ching TsouSean Baker
Writer(s):
Shih-Ching TsouSean Baker
Producer(s):
Shih-Ching TsouSean Baker
Categories:
Drama
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Member Reviews
 
STUART G.

I couldn't believe this was a movie with actors. As a documentary, it was miserable and tedious. To think these guys were merely acting like they were miserable and bored out of their minds was excruciating. Still, I suppose I'll tip the delivery guy a little better in the future. Yucchhh.

Yes   |   No

 
Keith G.

This verite style study of a Chinese food deliveryman in a desperate rush to earn $800 to pay off the loan sharks that helped pay his way to the US has an almost documentary realism. The acting is very real and understated (the cast are both actors and non-pros), and the tension level is high. But while avoiding movie cliches for the most part, a couple of key story twists are broadcast a mile off, dampening their impact. Also, by making his lead character such a cipher (he not only does not speak English, but is inward and withdrawn even among his fellow Chinese), that it is hard to build up a connection with him as a character. Yes, we can pity his plight, but I wanted to understand what was going on in his head. Also, the "shaky-cam" shooting style occasionally called more attention to itself then I think it was intended to. It reminded me of a less poetic, less rich variation on the terrific film "Man Push Cart". None-the-less, an intelligent, well-meaning micro budget film.

Yes   |   No

 
ILHAN B.

what a waste of time!!!!!!

Yes   |   No

 
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