Activate your BLOCKBUSTER On Demand device

The Little Foxes (1941)

The Little Foxes (1941)
Play Trailer and Clips
Member Rating:  
Playwright Lillian Hellman first wrote of the horrible Hubbard family in her 1939 play The Little Foxes. In this lavish 1941 film version, Bette Davis takes over for Broadway's Tallulah Bankhead in the role of conniving turn-of-the-century Southern aristocrat Regina Hubbard Giddens. Regina's equally odious brothers (Charles Dingle and Carl Benton Reid) want her to lend them 75,000 dollars to help build a cotton mill. To do this, she must make peace with her long-estranged husband, Horace (Herbert Marshall) -- and failing that, she tries to arrange a wealthy marriage between her daughter, Alexandra (Teresa Wright), and her slimy nephew Leo (Dan Duryea). Horace refuses to give Regina the money, whereupon Leo is pressured by his father (Reid) to steal bonds from the family business. Regina uses this information as a means of blackmailing her brothers for a share in the new mill. In retaliation, Horace claims that he gave Leo the bonds as a loan, thereby cutting Regina out of the deal. When Horace suffers a heart attack, Regina makes no effort to give him his medicine, and he dies without revealing his willingness to loan the money to Leo. Regina is thus still able to strongarm her brothers into giving her a piece of the mill -- but the price for her evil machinations is the loss of her daughter's love and respect. The Little Foxes caused a censorship stir in 1941; by refusing to give Horace his medicine, Regina technically gets away with murder. However, the censors decided that Regina was punished enough when her daughter left her to marry an honest newspaperman (Richard Carlson). Given the usual Tiffany treatment by producer Sam Goldwyn, The Little Foxes was a success; several years later, Lillian Hellman wrote a "prequel" to The Little Foxes, titled Another Part of the Forest. ~ Hal Erickson, Rovi

 Read More


Starring:
Bette DavisHerbert Marshall, (more)
Director(s):
William Wyler
Theatrical MPAA Rating:
PG13
Format(s):
DVD
View All Versions to rent and buy
 
 
 
 

Synopsis of The Little Foxes

Playwright Lillian Hellman first wrote of the horrible Hubbard family in her 1939 play The Little Foxes. In this lavish 1941 film version, Bette Davis takes over for Broadway's Tallulah Bankhead in the role of conniving turn-of-the-century Southern aristocrat Regina Hubbard Giddens. Regina's equally odious brothers (Charles Dingle and Carl Benton Reid) want her to lend them 75,000 dollars to help build a cotton mill. To do this, she must make peace with her long-estranged husband, Horace (Herbert Marshall) -- and failing that, she tries to arrange a wealthy marriage between her daughter, Alexandra (Teresa Wright), and her slimy nephew Leo (Dan Duryea). Horace refuses to give Regina the money, whereupon Leo is pressured by his father (Reid) to steal bonds from the family business. Regina uses this information as a means of blackmailing her brothers for a share in the new mill. In retaliation, Horace claims that he gave Leo the bonds as a loan, thereby cutting Regina out of the deal. When Horace suffers a heart attack, Regina makes no effort to give him his medicine, and he dies without revealing his willingness to loan the money to Leo. Regina is thus still able to strongarm her brothers into giving her a piece of the mill -- but the price for her evil machinations is the loss of her daughter's love and respect. The Little Foxes caused a censorship stir in 1941; by refusing to give Horace his medicine, Regina technically gets away with murder. However, the censors decided that Regina was punished enough when her daughter left her to marry an honest newspaperman (Richard Carlson). Given the usual Tiffany treatment by producer Sam Goldwyn, The Little Foxes was a success; several years later, Lillian Hellman wrote a "prequel" to The Little Foxes, titled Another Part of the Forest. ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
116 mins

Complete Cast of The Little Foxes


Director(s):
William Wyler
Writer(s):
Lillian HellmanArthur KoberDorothy Parker
Producer(s):
Samuel Goldwyn
Theatrical MPAA Rating:
PG13(Adult Situations)
The Little Foxes Awards:
  • 1941 - Film Daily - 10 Best Films
  • 1941 - National Board of Review - Best Acting
  • 1941 - National Board of Review - Best Acting
Looking for special editions of The Little Foxes?
See All Versions
Subtitles:
Check All Versions
Closed Captioning:
Check All Versions
 
 
 
 

IN-STORE

 

What's Your Take?

Add to FavoritesIn Favorites  |  Share:     Email to a friendShare on FacebookShare on Twitter
YOUR REVIEW
WRITE A REVIEW
 
1000 
 
Member Reviews
 
James S.

Among the more common and middle class families in turn of the century Alabama, there were the Hubbards. A husband and father, who had provided adequately, is stricken with a weak heart. Regina, his wife (Bette Davis), aspires to live among the upper class and travel the world. She fetches him home from treatment in Baltimore and aims to funnel his money into a new cotton gin investment, with the prospect of millions in return. The deal was spun by her disreputable brothers; a dimwitted nephew pays the fool as a bank teller. Underhanded play ensues when hubby won't fork over the dough and things get ugly. Sad family truths are revealed to their coming-of-age daughter, who starts to find her nerve. Bette is a buzz saw, cutting right to what she wants, fending off various interlopers--some greedy, some morally indignant. It's powerful, classic, and make a statement about a woman who would outfox everyone.

Yes   |   No

 
Lauralyn F.

Deep and complex for its day, with Davis as a tough, scheming matriarch. Not much lightness or cheer, so it's a job to watch it. It's adapted from a play and retains some theatrical ambiance.

Yes   |   No

 
Patrice J.

Lillian Hellman is a great playwrite. There was nothing charmng about Bette Davis' performance; a little overplayed in my opinion. But she looked so austere (which is what she's known for) that you had to wonder what sweet Horace saw in her in the first place. The story of familial relationships coveting money and doing anything to get to it are masterful. Always was/will be topical.

Yes   |   No

 
Read All 3 Reviews