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The Letter (1940)

The Letter (1940)
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William Wyler's dark and poisonous melodrama, based on the W. Somerset Maugham novel, features Bette Davis in one of her nastiest roles. The story begins in the shimmering moonlight on a tropical Malayan rubber plantation. Shots ring out and a wounded man, Geoffrey Hammond (David Newell) staggers from a bungalow as Leslie Crosbie (Bette Davis) coldly follows him, pumping the remaining bullets into his body. She later tells her husband Robert (Herbert Marshall) that she shot Geoffrey, a mutual friend, because he was drunk and tried to take advantage of her. Robert, who owns the plantation, believes her story and hires high-powered lawyer Howard Joyce (James Stephenson) to defend her. But then a letter surfaces in which it is revealed that Leslie had invited Geoffrey to the plantation on the night of his murder. When Howard confronts her with the letter, Leslie admits writing it and implies that she and Geoffrey were lovers. Howard, nevertheless, agrees to continue defending her; he explains to Leslie, "I won't tell you what I personally thought when I read the letter. It's the duty of counsel to defend his client, not to convict her even in his own mind. I don't want you to tell me anything but what is needed to save your neck." Meanwhile, the letter becomes the object of a $10,000 blackmail scheme from Geoffrey's widow (Gale Sondergaard). ~ Paul Brenner, Rovi

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Starring:
Bette DavisHerbert Marshall, (more)
Director(s):
William Wyler
Theatrical MPAA Rating:
NR
Format(s):
DVD
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Synopsis of The Letter

William Wyler's dark and poisonous melodrama, based on the W. Somerset Maugham novel, features Bette Davis in one of her nastiest roles. The story begins in the shimmering moonlight on a tropical Malayan rubber plantation. Shots ring out and a wounded man, Geoffrey Hammond (David Newell) staggers from a bungalow as Leslie Crosbie (Bette Davis) coldly follows him, pumping the remaining bullets into his body. She later tells her husband Robert (Herbert Marshall) that she shot Geoffrey, a mutual friend, because he was drunk and tried to take advantage of her. Robert, who owns the plantation, believes her story and hires high-powered lawyer Howard Joyce (James Stephenson) to defend her. But then a letter surfaces in which it is revealed that Leslie had invited Geoffrey to the plantation on the night of his murder. When Howard confronts her with the letter, Leslie admits writing it and implies that she and Geoffrey were lovers. Howard, nevertheless, agrees to continue defending her; he explains to Leslie, "I won't tell you what I personally thought when I read the letter. It's the duty of counsel to defend his client, not to convict her even in his own mind. I don't want you to tell me anything but what is needed to save your neck." Meanwhile, the letter becomes the object of a $10,000 blackmail scheme from Geoffrey's widow (Gale Sondergaard). ~ Paul Brenner, Rovi

Theatrical Feature Running Time:
95 mins

Complete Cast of The Letter


Director(s):
William Wyler
Writer(s):
Howard Koch
Producer(s):
Robert Lord
Theatrical MPAA Rating:
NR(Adult Situations, Mild Violence)
The Letter Awards:
  • 1941 - National Board of Review - Best Acting
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Member Reviews
 
Linda D.

This William Wyler 1940 remake of the original 1929 movie is a great watch. Bette plays the wife of a rubber plantation owner. They live there in Malaysia on the plantation and one night while he is away at work she guns down a man in their front yard - and the plot thickens...heh-heh-hehhh. Intrigue and murder looks great on Bette Davis. One of her best performances and a really great classic movie.

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James H.

Wow, what an incredible movie and one of Bette Davis' finest performances. Superb screenplay and cinematography. The score is excellent. The supporting cast is amazing, especially James Stevenson. A true classic in every sense of the word.

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John H.

Well, I can't think of anything quite as iconic in 40's Hollywood cinema as the opening scene in which Bette Davis empties a revolver into a man on the veranda. Magnficent! As the capsule states, it's one of Davis' nastier roles, but Davis preserves Leslie's humanity--and our empathy for her--throughout the film without turning her into a monster. The stereotype of the inscrutable Chinese is on full display here, a weakness of the film, but if you're able to overlook that, it's amazing to watch Davis at the very top of her powers.

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