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The Last Emperor (1987)

The Last Emperor (1987)
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The Last Emperor is the true story of Aisin-Gioro Pu Yi, the last ruler of the Chinese Ching Dynasty. Told in flashback, the film covers the years 1908 to 1967. We first see the three-year-old Pu Yi being installed in the Forbidden City by ruthless, dying dowager Empress Tzu-Hsui (Lisa Lu). Though he'd prefer to lark about like other boys, the infant emperor is cossetted and cajoled into accepting the responsibilities and privileges of his office. In 1912, the young emperor (Tijer Tsou) forced to abdicate when China is declared a republic, is a prisoner in his own palace, "protected" from the outside world. Fascinated by the worldliness of his Scottish tutor (Peter O'Toole), Pu Yi plots an escape from his cocoon by means of marriage. He selects Manchu descendant Wan Jung (Joan Chen), who likewise is anxious to experience the 20th century rather than be locked into the past by tradition. Played as an adult by John Lone, Pu Yi puts into effect several social reforms, and also clears the palace of the corrupt eunuchs who've been shielding him from life. In 1924, an invading warlord expels the denizens of the Forbidden City, allowing Pu Yi to "westernize" himself by embracing popular music and the latest dances as a guest of the Japanese Concession in Tientsin. Six years later, his power all but gone, Pu Yi escapes to Manchuria, where he unwittingly becomes a political pawn for the now-militant Japanese government. Humiliating his faithful wife, Pu Yi falls into bad romantic company, carrying on affairs with a variety of parasitic females. During World War II, the Japanese force Pu Yi to sign a series of documents which endorse their despotic military activities. At war's end, the emperor is taken prisoner by the Russians; while incarcerated, he is forced to fend for himself without servants at his beck and call for the first time. He is finally released in 1959 and displayed publicly as proof of the efficacy of Communist re-education. We last see him in 1967, the year of his death; now employed by the State as a gardener, Pu Yi makes one last visit to the Forbidden City...as a tourist. Bernardo Bertolucci's first film after a six-year self-imposed exile, The Last Emperor was released in two separate versions: the 160-minute theatrical release, and a 4-hour TV miniseries. Lensed on location, the film won nine Academy Awards, including Best Picture and Best Director. ~ Hal Erickson, Rovi

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Starring:
John LoneJoan Chen, (more)
Director(s):
Bernardo Bertolucci
Theatrical MPAA Rating:
PG13
Format(s):
DVD  |  Blu-ray
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Synopsis of The Last Emperor

The Last Emperor is the true story of Aisin-Gioro Pu Yi, the last ruler of the Chinese Ching Dynasty. Told in flashback, the film covers the years 1908 to 1967. We first see the three-year-old Pu Yi being installed in the Forbidden City by ruthless, dying dowager Empress Tzu-Hsui (Lisa Lu). Though he'd prefer to lark about like other boys, the infant emperor is cossetted and cajoled into accepting the responsibilities and privileges of his office. In 1912, the young emperor (Tijer Tsou) forced to abdicate when China is declared a republic, is a prisoner in his own palace, "protected" from the outside world. Fascinated by the worldliness of his Scottish tutor (Peter O'Toole), Pu Yi plots an escape from his cocoon by means of marriage. He selects Manchu descendant Wan Jung (Joan Chen), who likewise is anxious to experience the 20th century rather than be locked into the past by tradition. Played as an adult by John Lone, Pu Yi puts into effect several social reforms, and also clears the palace of the corrupt eunuchs who've been shielding him from life. In 1924, an invading warlord expels the denizens of the Forbidden City, allowing Pu Yi to "westernize" himself by embracing popular music and the latest dances as a guest of the Japanese Concession in Tientsin. Six years later, his power all but gone, Pu Yi escapes to Manchuria, where he unwittingly becomes a political pawn for the now-militant Japanese government. Humiliating his faithful wife, Pu Yi falls into bad romantic company, carrying on affairs with a variety of parasitic females. During World War II, the Japanese force Pu Yi to sign a series of documents which endorse their despotic military activities. At war's end, the emperor is taken prisoner by the Russians; while incarcerated, he is forced to fend for himself without servants at his beck and call for the first time. He is finally released in 1959 and displayed publicly as proof of the efficacy of Communist re-education. We last see him in 1967, the year of his death; now employed by the State as a gardener, Pu Yi makes one last visit to the Forbidden City...as a tourist. Bernardo Bertolucci's first film after a six-year self-imposed exile, The Last Emperor was released in two separate versions: the 160-minute theatrical release, and a 4-hour TV miniseries. Lensed on location, the film won nine Academy Awards, including Best Picture and Best Director. ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
165 mins

Complete Cast of The Last Emperor


Director(s):
Bernardo Bertolucci
Writer(s):
Enzo UngariMark PeploeBernardo Bertolucci
Producer(s):
Jeremy Thomas
Theatrical MPAA Rating:
PG13(Adult Situations, Brief Nudity, Violence, Drug Content)
The Last Emperor Awards:
  • 1988 - British Academy of Film and Television Arts - Best Picture
  • 1987 - Directors Guild of America - Best Director
  • 1988 - European Film Academy - Special Jury Award
  • 1987 - French Academy of Cinema - Best Foreign Film
  • 1987 - Golden Globe - Best Picture - Drama
  • 1987 - Hollywood Foreign Press Association - Best Original Score
  • 1987 - Hollywood Foreign Press Association - Best Screenplay
  • 1987 - Hollywood Foreign Press Association - Best Original Score
  • 1987 - Hollywood Foreign Press Association - Best Picture - Drama
  • 1987 - Hollywood Foreign Press Association - Best Director
  • 1987 - Hollywood Foreign Press Association - Best Screenplay
  • 1987 - Hollywood Foreign Press Association - Best Original Score
  • 1986 - Los Angeles Film Critics Association - Best Cinematography
  • 1986 - Los Angeles Film Critics Association - Best Music Score
  • 1986 - Los Angeles Film Critics Association - Best Music Score
  • 1986 - Los Angeles Film Critics Association - Best Music Score
  • 1987 - New York Film Critics Circle - Best Cinematography
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    Ioan B.

    It's an exceptional movie. I cried at the end of the movie. This is what I call a real art movie: a great historical drama with a crew of great actors. John Lone plays a credible Chinese Emperor. This movie won the Academy Award in 1987 for the Best Picture. For movie lovers this masterpiece is a must see movie.

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    Keith G.

    A film of great successes, deep flaws. Visually ravishing, an epic about an empty man, the last emperor of China,. Raised with no experience of the outside world, trained only to fulfill his role as a symbol we watch Pu Yi swept along by the great tides of history. (spoilers ahead) Only after ten years “re-education” at the hands of the Chinese communists does he start to connect to the world. While clearly not forgiving the cultural revolution, the harshness of the communists was better for Pu Yi than the false kindness that surrounded him much of his life. There are weak spots. Peter O’Toole is so theatrical as Pu Yi’s western tutor, it feels like he’s in a different film. Some scenes are pure exposition, And it is sometimes hard to stay connected to a 165 minute epic about an empty man (though Citizen Kane could be seen that way). But in the end, when Pu Yi finds a measure of happiness as a simple gardener, there is a powerful feeling of emotional reward.

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    Terry H.

    A truly enjoyable movie. Very long, but worth the time spent watching. It is extremely well done in every way and all ages should see and enjoy it.

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