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High Plains Drifter (1973)

High Plains Drifter (1973)
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"Who are you?" the dwarf Mordecai (Billy Curtis) asks Clint Eastwood's Stranger at the end of Eastwood's 1973 western High Plains Drifter. "You know," he replies, before vanishing into the desert heat waves near California's Mono Lake. Adapting the amorally enigmatic and violent Man With No Name persona from his films with Sergio Leone, Eastwood's second film as director begins as his drifter emerges from that heat haze and rides into the odd lakefront settlement of Lago. Lago's residents are not particularly friendly, but once the Stranger shows his skills as a gunfighter, they beg him to defend them against a group of outlaws (led by Eastwood regular Geoffrey Lewis) who have a score to settle with the town. He agrees to train them in self-defense, but Mordecai and innkeeper's wife Sarah Belding (Verna Bloom) soon suspect that the Stranger has another, more personal agenda. By the time the Stranger makes the corrupt community paint their town red and re-name it "Hell," it is clear that he is not just another gunslinger. With its fragmented flashbacks and bizarre, austere locations, High Plains Drifter's stylistic eccentricity lends an air of unsettling eeriness to its revenge story, adding an uncanny slant to Eastwood's antiheroic westerner. Seminal western hero John Wayne was so offended by Eastwood's harshly revisionist view of a frontier town that he wrote to Eastwood, objecting that this was not what the spirit of the West was all about. Eastwood's audience, however, was not so put off, and an exhibitors' poll named Eastwood a top box-office draw for 1973. ~ Lucia Bozzola, Rovi

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Starring:
Clint EastwoodVerna Bloom, (more)
Director(s):
Clint Eastwood
Theatrical MPAA Rating:
R
Format(s):
DVD  | Digital SD
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Synopsis of High Plains Drifter

"Who are you?" the dwarf Mordecai (Billy Curtis) asks Clint Eastwood's Stranger at the end of Eastwood's 1973 western High Plains Drifter. "You know," he replies, before vanishing into the desert heat waves near California's Mono Lake. Adapting the amorally enigmatic and violent Man With No Name persona from his films with Sergio Leone, Eastwood's second film as director begins as his drifter emerges from that heat haze and rides into the odd lakefront settlement of Lago. Lago's residents are not particularly friendly, but once the Stranger shows his skills as a gunfighter, they beg him to defend them against a group of outlaws (led by Eastwood regular Geoffrey Lewis) who have a score to settle with the town. He agrees to train them in self-defense, but Mordecai and innkeeper's wife Sarah Belding (Verna Bloom) soon suspect that the Stranger has another, more personal agenda. By the time the Stranger makes the corrupt community paint their town red and re-name it "Hell," it is clear that he is not just another gunslinger. With its fragmented flashbacks and bizarre, austere locations, High Plains Drifter's stylistic eccentricity lends an air of unsettling eeriness to its revenge story, adding an uncanny slant to Eastwood's antiheroic westerner. Seminal western hero John Wayne was so offended by Eastwood's harshly revisionist view of a frontier town that he wrote to Eastwood, objecting that this was not what the spirit of the West was all about. Eastwood's audience, however, was not so put off, and an exhibitors' poll named Eastwood a top box-office draw for 1973. ~ Lucia Bozzola, Rovi

Theatrical Feature Running Time:
106 mins

Complete Cast of High Plains Drifter


Director(s):
Clint Eastwood
Writer(s):
Ernest Tidyman
Producer(s):
Robert Daley
Theatrical MPAA Rating:
R(Western Violence, Not For Children)
Categories:
Westerns
Warning:  This product is intended for mature audiences only. It may contain violence, sexual content, drug abuse and/or strong language. You must be 17 or older to purchase it. By ordering this item you are certifying that you are at least 17 years of age.

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Member Reviews
 
Xochitl D.

Not as good as the Sergio Leone trilogy of 'spagetti Westerns', this film relies on some heavy-handed mysticism not present in other westerns. Eastwood's 'man with no name' character in the earlier films simply never had a name; it wasn't an important element; in this film, it's a plot-point. There's also an undertone of misogyny present that may have been fine in '73, but hasn't aged at all well. In many ways, it seems that this film mis-identified the elements that made the prior films so effective, and over-emphasizes themes of corruption, complicity, and vengance. The film stands on Eastwood's performance, as the script has no other characters with any depth or meaning. The film's strengths are in the cinemetography & direction, not in the script.

Yes   |   No

 
Edward F.

This movie is a classic. It is truly a dark film that has some great ideas regarding the failure of good men to act. Dark, desolate, and brutal. They should make kids watch this in school.

Yes   |   No

 
Pamela H.

This movie was great. Starting to watch all the Eastwood films. This one is a classic

Yes   |   No

 
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