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El Mar (2000)

El Mar (2000)
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Agusti Villaronga directs this intensely morbid love story about fascist executions, disease, bloody animal abuse, and violent homoeroticism. Set in a small village on the island of Mallorica during the Spanish civil war, four children witness the execution of leftists at the hands of pro-Franco villagers. In a desperate act of revenge, one of the children kills the son of the lead executioner. Ten years later, the three survivors of the incident find themselves recuperating in a sanitarium. Fragile Manuel (Bruno Bergonzini), who suffers from TB, has fervently embraced Christianity, while violent Andreu (Roger Casamajor), who also suffers from the disease, boasts about his womanizing exploits while secretly longing for Morell (Juli Mira), an elderly male black marketeer. The third survivor is Francisca (Antonia Torrens) who, after losing her virginity to Andreu, became a nun working as a nurse at the institute. As the two young men's sickness deepens, they grow increasingly tormented. Manuel violently reacts to his attraction to Andreu by growing even more fanatically religious, while Andreu's sexual frustration results in him brutally killing a cat. This film was screened at the 2000 Berlin Film Festival. ~ Jonathan Crow, Rovi

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Starring:
Bruno BergonziniRoger Casamajor, (more)
Director(s):
Agustín Villaronga
Format(s):
DVD
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Synopsis of El Mar

Agusti Villaronga directs this intensely morbid love story about fascist executions, disease, bloody animal abuse, and violent homoeroticism. Set in a small village on the island of Mallorica during the Spanish civil war, four children witness the execution of leftists at the hands of pro-Franco villagers. In a desperate act of revenge, one of the children kills the son of the lead executioner. Ten years later, the three survivors of the incident find themselves recuperating in a sanitarium. Fragile Manuel (Bruno Bergonzini), who suffers from TB, has fervently embraced Christianity, while violent Andreu (Roger Casamajor), who also suffers from the disease, boasts about his womanizing exploits while secretly longing for Morell (Juli Mira), an elderly male black marketeer. The third survivor is Francisca (Antonia Torrens) who, after losing her virginity to Andreu, became a nun working as a nurse at the institute. As the two young men's sickness deepens, they grow increasingly tormented. Manuel violently reacts to his attraction to Andreu by growing even more fanatically religious, while Andreu's sexual frustration results in him brutally killing a cat. This film was screened at the 2000 Berlin Film Festival. ~ Jonathan Crow, Rovi

Theatrical Feature Running Time:
107 mins

Complete Cast of El Mar


Director(s):
Agustín Villaronga
Writer(s):
Agustín Villaronga
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Member Reviews
 
Kenneth B.

Incredible! It takes you through an emotional rollercoaster! A bit of confusion to make you think who did what in this film. I found myself full of terror, full of hate, full of lust and sorrow the characters. Each one had such a story that could have been a small series of shorts to understand where they had been and how they came to be. You find yourself in each struggle, thinking, MY GOD! I know someone like that or looking at yourself thinking, that is or was me. Your heart pounds when the action happens, then your mind scrambles thinking how could this happen. This was a good movie!

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Brian S.

This movie is rather disturbing as it look at these young guys in this sanitorium. At times, rather violent, with stabbings, and against, believe it or not a cat. The movie makes you think about how strangely the mind can work against you. Yes, there is frontal nudity, of the guys as well. I wasnt expecting what the film offered, but it was o.k. for a foreign film. See what you think...

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James V.

A disappointing attempt to track how a trauma of childhood leads into that maze of becoming adult, Augusti Villaronga's EL MAR uses an event during the Spanish Civil War to lock four children into a horror that one excuses himself from immediately, and two others internalize until they implode/explode on the verge of their adulthood. The look of the film is lovely and the actors do what they can. But everything here is pre-determined to the point that there is no room for growth, change, surprise, or--for that matter--life. Nowhere near as transgressive as his earlier "Tras el Cristal," the film does features attractive young men (and one young woman) plus some adept old-timers and a constant undercurrent of sexuality, hetero and homo. Though "El Mar" is not a waste of time, it offers, finally, much less than it might.

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