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Buena Vista Social Club (1998)

Buena Vista Social Club (1998)
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Wim Wenders' documentary Buena Vista Social Club is about the adventures of Ry Cooder in Cuba. Cooder, best remembered by film fans for the wailing slide guitar theme of Wenders' Paris, Texas, went to Cuba in 1996 to meet with some legendary 'soneros' musicians of the '30s, '40s and '50s. The result was the album Buena Vista Social Club, recorded with such colorful characters as the 90-year-old singer/guitarist Compay Segundo, guitarist Eliades Ochoa, baritone Ibrahim Ferrer and Omara Portuondo, "the Cuban Edith Piaf." The album won a Grammy, and in this refreshing documentary, Wim Wenders shows these exceptional musicians in their hometown, following them into their usual hang-outs -- the cafes, clubs and even living rooms -- as well as to concerts in Amsterdam and New York's Carnegie Hall, capturing their incredible vitality. "In Cuba, music flows like a river," according to Ry Cooder, who adds "Music is like a treasure hunt; you dig and dig and sometimes find something." Pursuing this metaphor, Wenders wanted to make a film that would "just float on this river ... not interfering with it, just drifting along." The result is a film full of vitality and positive energy, which is also an absolute delight to musical ears. ~ Gönül Dönmez-Colin, Rovi

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Director(s):
Wim Wenders
Theatrical MPAA Rating:
G
Format(s):
DVD  | Digital SD
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Synopsis of Buena Vista Social Club

Wim Wenders' documentary Buena Vista Social Club is about the adventures of Ry Cooder in Cuba. Cooder, best remembered by film fans for the wailing slide guitar theme of Wenders' Paris, Texas, went to Cuba in 1996 to meet with some legendary 'soneros' musicians of the '30s, '40s and '50s. The result was the album Buena Vista Social Club, recorded with such colorful characters as the 90-year-old singer/guitarist Compay Segundo, guitarist Eliades Ochoa, baritone Ibrahim Ferrer and Omara Portuondo, "the Cuban Edith Piaf." The album won a Grammy, and in this refreshing documentary, Wim Wenders shows these exceptional musicians in their hometown, following them into their usual hang-outs -- the cafes, clubs and even living rooms -- as well as to concerts in Amsterdam and New York's Carnegie Hall, capturing their incredible vitality. "In Cuba, music flows like a river," according to Ry Cooder, who adds "Music is like a treasure hunt; you dig and dig and sometimes find something." Pursuing this metaphor, Wenders wanted to make a film that would "just float on this river ... not interfering with it, just drifting along." The result is a film full of vitality and positive energy, which is also an absolute delight to musical ears. ~ Gönül Dönmez-Colin, Rovi

Theatrical Feature Running Time:
101 mins
Director(s):
Wim Wenders
Producer(s):
Ry CooderUlrich FelsbergDeepak Nayar
Theatrical MPAA Rating:
G
Categories:
Music & Performing ArtsIndependent FilmsDocumentary
Buena Vista Social Club Awards:
  • 1999 - Broadcast Film Critics Association - Best Documentary
  • 1999 - European Film Academy - Best Documentary
  • 1999 - Los Angeles Film Critics Association - Best Documentary
  • 1999 - National Board of Review - Best Documentary
  • 1999 - National Society of Film Critics - Best Documentary
  • 1999 - New York Film Critics Circle - Best Documentary
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Barry S.

Incredible music. Absolutely brilliant. Also, the production quality I excellent.

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Richard W.

Fantastic look at Cuban music and culture and some 70-90 year old men (and a woman) who perform with Ry Cooder. When the director tours the streets of Havana you have to wonder why we as a country have any fear of Cuba- it is a third world country with a memory of US money whose people live under an iron dictatorship. The glimpses of fine musicians playing for love of music in the most squallid conditions was inspirational to me.

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Richard B.

What a glorious project! For decades, Ry Cooder had been tantalized by an old tape of Cuban "son" that had fallen into his collection. When he finally had an opportunity to look around Havana for the musicians who made that feisty and rich style of music, he assembled a band of gifted artists who had been justly famous in pre-revolutionary Cuba and beyond. The charming artists describe briefly in this film how they had drifted away from music, but the film's emphasis is on their joyful, rejuvenating, miraculous reunion with their music, with each other, and with an adoring international audience.

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