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Cure (1997)

Cure (1997)
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Oddball Japanese director Kiyoshi Kurosawa directed this haunting police thriller about murder, mind control, and the power of charisma. Police Detective Takabe (Koji Yakusho) is tracking a series of bizarre murders, all committed in exactly the same manner: a giant X is slashed in the flesh of the victims. But that's where the similarities end. In each case, seemingly well-adjusted people suddenly kill without understanding why. Baffled, Takabe consults his psychologist friend Sakuma (Tsuyoshi Ujiki), who finds no relationships among the perpetrators and rules out any connection with the media. The investigation eventually leads to a young drifter named Mamiya (Masato Hagiwara), who asks everyone he meets the same simple question: "Who are you?" Usually people respond with such stock answers as "doctor" or "police detective," to which the drifter responds with the same question. Part of Mamiya's reason for this bizarre behavior is that he has been turned inside-out; his interior world is completely empty. He has no memory, no identity, and he does not recognize his own self-image. Yet he does have an insidious, hypnotic ability to get inside the minds of others and unleash their repressed desires to murder. His victims' inability to answer Mamiya's maddeningly simple question shows their own tenuous grasp of their identity. Only Takabe seems to understand the other meaning behind Mamiya's query. His wife Fumie (Anna Nakagawa)'s own personality is slowly being destroyed by mental illness, making her act in increasingly inexplicable ways. Frustrated by Mamiya's sphinx-like ability to fend off the most rigorous interrogation, and yet drawn to his charms, Takabe undergoes a journey into the dark recesses of his own self, while slowly uncovering the secrets of the drifter's power. This film, which first brought international attention to Kurosawa, transcends the boundaries of its genre to become a riveting exploration of the collapse of identity in a postmodern age. It was screened at the 1999 Toronto Film Festival as a part of the Director's Spotlight. ~ Jonathan Crow, Rovi

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Starring:
Koji YakushoTsuyoshi Ujiki, (more)
Director(s):
Kiyoshi Kurosawa
Format(s):
DVD
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Synopsis of Cure

Oddball Japanese director Kiyoshi Kurosawa directed this haunting police thriller about murder, mind control, and the power of charisma. Police Detective Takabe (Koji Yakusho) is tracking a series of bizarre murders, all committed in exactly the same manner: a giant X is slashed in the flesh of the victims. But that's where the similarities end. In each case, seemingly well-adjusted people suddenly kill without understanding why. Baffled, Takabe consults his psychologist friend Sakuma (Tsuyoshi Ujiki), who finds no relationships among the perpetrators and rules out any connection with the media. The investigation eventually leads to a young drifter named Mamiya (Masato Hagiwara), who asks everyone he meets the same simple question: "Who are you?" Usually people respond with such stock answers as "doctor" or "police detective," to which the drifter responds with the same question. Part of Mamiya's reason for this bizarre behavior is that he has been turned inside-out; his interior world is completely empty. He has no memory, no identity, and he does not recognize his own self-image. Yet he does have an insidious, hypnotic ability to get inside the minds of others and unleash their repressed desires to murder. His victims' inability to answer Mamiya's maddeningly simple question shows their own tenuous grasp of their identity. Only Takabe seems to understand the other meaning behind Mamiya's query. His wife Fumie (Anna Nakagawa)'s own personality is slowly being destroyed by mental illness, making her act in increasingly inexplicable ways. Frustrated by Mamiya's sphinx-like ability to fend off the most rigorous interrogation, and yet drawn to his charms, Takabe undergoes a journey into the dark recesses of his own self, while slowly uncovering the secrets of the drifter's power. This film, which first brought international attention to Kurosawa, transcends the boundaries of its genre to become a riveting exploration of the collapse of identity in a postmodern age. It was screened at the 1999 Toronto Film Festival as a part of the Director's Spotlight. ~ Jonathan Crow, Rovi

Theatrical Feature Running Time:
111 mins

Complete Cast of Cure


Director(s):
Kiyoshi Kurosawa
Writer(s):
Kiyoshi Kurosawa
Producer(s):
Junyuki ShimobaTsutomu Tsuchikawa
Categories:
Mystery & Suspense
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Member Reviews
 
Matt C.

Actually this movie has cured me from this fixation that I have had recently with japanese movies. I've always been fascinated by oriental culture and cartoons but the movies are dissapointing me. The rave reviews of this movie on Amazon.com baffle me. The pretext was interesting but the plot was choppy and confusing. No real climax and no soundtrack whatsoever. It's mistakenly categorized as a horror movie, and it's not a thriller either; this movie does however manage to make gruesome murders loathsomely dull. There is absolutely NO ANTICIPATION for any of the murders; they just happen and the viewer is left saying "oh, hey look, he got killed". Kurosawa's directing is very interesting and smart however. There's certainly a level of social commentary attempted here, regarding the inner dark side of anyone in society; I just don't think it works out succesfully.

Yes   |   No

 
Charles R.

Very much enjoyed Yakusho's performance as a detective; reminded me of Harry Callahan at a few points. The way the movie was executed, I was able to appreciate and get interested in the premise even though I'm not necessarily a believer in such things.

Yes   |   No

 
Erik B.

Director Kiyoshi Kurosawa perfects the concept of hypnotic villainy in this film, which features a battle of wills between a detective and a genius who uses the power of suggestion to set in motion a series of killings throughout a city. Showcasing innovative suspense sequences, plot twists, and rich psychological/philosophical concepts, this film will have viewers pondering well after the movie ends. Kurosawa again manages to elude the pitfalls of popular cinema to contribute not only a chilling masterpiece, but arguably one of the most awesome villains in motion picture history.

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