DCSIMG
 
 

Fanny & Alexander (1982)

Fanny & Alexander (1982)
Member Rating:  
Though he made allusions to his own life in all of his films, Fanny and Alexander was the first overtly autobiographical film by Ingmar Bergman. Taking his time throughout (188 minutes to be exact), Bergman recreates several episodes from his youth, using as conduits the fictional Ekdahl family. Alexander, the director's alter ego, is first seen at age 10 at a joyous and informal Christmas gathering of relatives and servants. Fanny is Alexander's sister; both suffer an emotional shakedown when their recently-widowed mother (Ewa Froling) marries a cold and distant minister. Stripped of their creature comforts and relaxed family atmosphere, Fanny and Alexander suddenly find their childhood unendurable. The kids' grandmother (Gunn Wallgren) "kidnaps" Fanny and Alexander for the purpose of showering them with the first kindness and affection that they've had since their father's death. This "purge" of the darker elements of Fanny and Alexander's existence is accomplished at the unintentional (but applaudable) cost of the hated stepfather's life. Ingmar Bergman insisted that Fanny and Alexander, originally a multipart television series pared down to feature-film length, represented his final theatrical film, though within a year after its release he was busy with several additional Swedish TV projects, and his final work, the 2003 Saraband (also produced for Swedish television), eventually received global theatrical distribution. Oscars went to Fanny and Alexander for Best Foreign Film, Best Cinematography (Sven Nykvist), Best Costume Design and Best Art Direction/Set Decoration. ~ Hal Erickson, Rovi

 Read More


Starring:
Pernilla AllwinBertil Guve, (more)
Director(s):
Ingmar Bergman
Theatrical MPAA Rating:
R
Format(s):
DVD
View All Versions to rent and buy
 
 
 
 

Synopsis of Fanny & Alexander

Though he made allusions to his own life in all of his films, Fanny and Alexander was the first overtly autobiographical film by Ingmar Bergman. Taking his time throughout (188 minutes to be exact), Bergman recreates several episodes from his youth, using as conduits the fictional Ekdahl family. Alexander, the director's alter ego, is first seen at age 10 at a joyous and informal Christmas gathering of relatives and servants. Fanny is Alexander's sister; both suffer an emotional shakedown when their recently-widowed mother (Ewa Froling) marries a cold and distant minister. Stripped of their creature comforts and relaxed family atmosphere, Fanny and Alexander suddenly find their childhood unendurable. The kids' grandmother (Gunn Wallgren) "kidnaps" Fanny and Alexander for the purpose of showering them with the first kindness and affection that they've had since their father's death. This "purge" of the darker elements of Fanny and Alexander's existence is accomplished at the unintentional (but applaudable) cost of the hated stepfather's life. Ingmar Bergman insisted that Fanny and Alexander, originally a multipart television series pared down to feature-film length, represented his final theatrical film, though within a year after its release he was busy with several additional Swedish TV projects, and his final work, the 2003 Saraband (also produced for Swedish television), eventually received global theatrical distribution. Oscars went to Fanny and Alexander for Best Foreign Film, Best Cinematography (Sven Nykvist), Best Costume Design and Best Art Direction/Set Decoration. ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
188 mins

Complete Cast of Fanny & Alexander


Director(s):
Ingmar Bergman
Writer(s):
Ingmar Bergman
Theatrical MPAA Rating:
R(Questionable for Children, Adult Situations)
Fanny & Alexander Awards:
  • 1983 - British Academy of Film and Television Arts - Best Cinematography
  • 1983 - French Academy of Cinema - Best Foreign Film
  • 1983 - Golden Globe - Best Foreign Film
  • 1983 - Hollywood Foreign Press Association - Best Foreign Film
  • 1983 - Los Angeles Film Critics Association - Best Cinematography
  • 1983 - Los Angeles Film Critics Association - Best Foreign Film
  • 1983 - National Board of Review - Best Foreign Film
  • 1983 - New York Film Critics Circle - Best Director
  • 1983 - New York Film Critics Circle - Best Foreign Film
Warning:  This product is intended for mature audiences only. It may contain violence, sexual content, drug abuse and/or strong language. You must be 17 or older to purchase it. By ordering this item you are certifying that you are at least 17 years of age.

Looking for special editions of Fanny & Alexander?
See All Versions
Subtitles:
Check All Versions
Closed Captioning:
Check All Versions
 
 
 
 

BY MAIL

Monthly Subscription
NEW! 7 - Day Rental
No subscription required. Usually ships in 24 hours.
 
Buy New  $22.99
 

IN-STORE

 

ON DEMAND

Blockbuster Instant Video

Watch thousands of movies instantly on your TV, tablet, mobile phone or computer with no monthly subscription. You pay only for what you watch.
 

What's Your Take?

Add to FavoritesIn Favorites  |  Share:     Email to a friendShare on FacebookShare on Twitter
    YOUR REVIEW
    WRITE A REVIEW
     
    1000 
     
    Member Reviews
     
    Dawn K.

    I saw this movie many years ago and decided to give it another try. It's a visually beautiful movie. The stark comparison of Bergman's early childhood years growing up with lighthearted, loving family members to the austerity of the home they live in when their mother remarries. You ask yourself, how could this woman choose to live in the confines of a warm and caring family and then marry someone so ice cold and sadistic? I am not sure I understand the psychological symbolism that the austerity represents, however, the contrast is bold and out there. How confusing for Ingmar Bergman and his sister. Did his mother feel she needed to be punished because she felt she couldn't keep her husband alive? What would cause someone to willfully choose such an oppressive environment for herself, and, her two dear children? The ending was the way you'd want to see things thurn out. I enjoyed the movie although it gets off to a really slow start.

    Yes   |   No

     
    Thea S.

    Accidentally watched this movie ten years ago, and have been looking for it ever since. It's FANTASTIC. Beautiful and strange and amazing. I don't know what Tom and Matthew's problems are. They are clearly intellectual monkeys.

    Yes   |   No

     
    Lawrence F.

    This is one of the most beautiful movies ever put on the screen. The interior settings in the Ekdahl house and Isaac's house with the puppets are beyond praise. The bishop's house with its spareness and bleakness makes a perfect contrast. The acting is excellent. The movie abounds in memorable scenes. The bishop is an unforgettable and unique monster. The main problem is that I don't beleive the central action. The mother's decision to marry the bishop is unmotivated, and such a marriage would never happen in real life. If you ignore that, the scenes set in the bishop's house generate tremendous power.

    Yes   |   No

     
    Read All 14 Reviews