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The Eel (1997)

The Eel (1997)
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Veteran filmmaker and perennial iconoclast Shohei Imamura directs this darkly comic tale about love, redemption, and a man's beloved pet eel. The film opens with Takuro Yamashita (Koji Yakusho), a seemingly normal salaryman, learning that his wife might be having an affair. When he catches the couple in flaganto delicto, he freaks out and brutally stabs them both to death. Eight years later, Yamashita is released on parole into the care of a Buddhist priest living in rural Chiba prefecture. Far away from his former life, yet still plagued with memories of his crime, Yamashita decides to start anew by opening a barbershop on a quiet road next to a canal. Though inward looking and self-conscious, he eventually befriends a bumptious but good-hearted day laborer, and a construction worker who's obsessed with UFOs. His most fateful encounter though is with a woman named Keiko (Misa Shimizu), who he discovers unconscious following a suicide attempt. Looking to put a few of her own demons to bed, Keiko decides to stay in this sleepy corner of Japan and help her savior with his barbershop. Initially against the idea -- she bears a striking resemblance to his dead spouse -- he eventually agrees and even grows to like having her around. This film won the Grand Prix at the 1997 Cannes Film Festival. ~ Jonathan Crow, Rovi

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Starring:
Koji YakushoMisa Shimizu, (more)
Director(s):
Shohei Imamura
Theatrical MPAA Rating:
NR
Format(s):
DVD
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Synopsis of The Eel

Veteran filmmaker and perennial iconoclast Shohei Imamura directs this darkly comic tale about love, redemption, and a man's beloved pet eel. The film opens with Takuro Yamashita (Koji Yakusho), a seemingly normal salaryman, learning that his wife might be having an affair. When he catches the couple in flaganto delicto, he freaks out and brutally stabs them both to death. Eight years later, Yamashita is released on parole into the care of a Buddhist priest living in rural Chiba prefecture. Far away from his former life, yet still plagued with memories of his crime, Yamashita decides to start anew by opening a barbershop on a quiet road next to a canal. Though inward looking and self-conscious, he eventually befriends a bumptious but good-hearted day laborer, and a construction worker who's obsessed with UFOs. His most fateful encounter though is with a woman named Keiko (Misa Shimizu), who he discovers unconscious following a suicide attempt. Looking to put a few of her own demons to bed, Keiko decides to stay in this sleepy corner of Japan and help her savior with his barbershop. Initially against the idea -- she bears a striking resemblance to his dead spouse -- he eventually agrees and even grows to like having her around. This film won the Grand Prix at the 1997 Cannes Film Festival. ~ Jonathan Crow, Rovi

Theatrical Feature Running Time:
117 mins

Complete Cast of The Eel


Director(s):
Shohei Imamura
Writer(s):
Motofumi TomikawaDaisuke TenganShohei Imamura
Producer(s):
Hisa Iino
Theatrical MPAA Rating:
NR(Sexual Situations, Adult Humor, Violence, Rape & Sexual Abuse, Not For Children, Brief Nudity, Adult Language)
Categories:
Independent Films
The Eel Awards:
  • 1997 - Cannes Film Festival - Palme d'Or
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Member Reviews
 
Dawn B.

I am glad I chose this film, despite the two very negative reviews posted. Unlike these reviewers, I found The Eel to be a very good film. The story is unusual and the acting very good. It's a surprising movie in that it is sometimes funny, sometimes dark, sometimes erotic, sometimes violent. I liked the sparse honesty of it and the way the story unfolded in many different ways (we learn many different things about the various characters) but, at the same time, follows a central path. In the end, the power of love triumphs, but not in a way that most of us would expect. In some ways Imamura and his movie reminded me of the Korean director Kim Ki-Duk and his strangely haunting films. If you like foreign films and are willing to explore the shadow a bit, then check this movie out. I hope you enjoy it as much as I did!

Yes   |   No

 
Donald A.

Its hard to get american viewers to watch this kind of foreign fim, not crazy like a japanese horror film, not an intellectual think piece like a french drama, its just a good portrait of a man trying to get his life together on the fringes of society after being in prison. Lots of good characters and plot situations, at the end it began to remind me of world according to garp a little. Its the kind of little but entertaining movie about real people i wish hollywood would make more of between Fantastic Four 2: Surfs Up & Spider Man 7:CGI Clusterf....

Yes   |   No

 
Denna B.

This is not a comedy, nor is there anything funny in it. Once again, Koji Yakusho plays the anhedonic hermit / loner type in a film that is reminiscent of those written and directed by Kiyoshi Kurosawa. The acting, directing and writing were slightly below the level of a made for TV movie. The movie is very quiet, subdued and had an arthouse feel. Even the murder scene seemed cheap as blood is spattered on the camera lens to hide the attack. Out of the entire cast, only Misa Shimizu gave a good performance while everyone else performed as if they were in a sophomoric stage play. While the movie was released in 1996, it had the appearance of a film produced in the early 1980's. The picture quality had a washed out appearance and wasn't very sharp. The audio defaults to stereo. As for extras, there's a trailer for the movie, a "Profiles" option containing filmographies for the director and the two main characters and trailers for four other movies. Not recommended.

Yes   |   No

 
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