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Movies Similar to All That Heaven Allows (1955)

All That Heaven Allows (1955)
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One of director Douglas Sirk's best and most successful romantic soapers of the 1950s, All That Heaven Allows is predicated on a May-December romance. The difference here is that the woman, attractive widow Cary Scott (Jane Wyman), is considerably older than the man, handsome gardener-landscaper Ron Kirby (Rock Hudson). Sirk builds up sympathy for Cary by showing how empty her life has been since her husband's death, even suggesting that the marriage itself was no picnic. Throwing conventionial behavior to the winds and facing social ostracism, Cary pursues her romance with Ron, who is unjustly perceived as a fortune-hunter by Cary's friends and family--especially her priggish son Ned (William Reynolds). Amusingly, Conrad Nagel was to have had a much larger part as Harvey, an elderly widower who carries a torch for Cary, but his role was trimmed down during previews when audiences disapproved of an implicit romance between a sixtyish man and a fortysomething woman! All That Heaven Allows was remade by unabashed Douglas Sirk admirer Rainer Werner Fassbinder as Ali--Fear Eats the Soul (1974), in which the age gap between hero and heroine was even wider. ~ Hal Erickson, Rovi

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Starring:
Jane WymanRock Hudson, (more)
Director(s):
Douglas Sirk
Format(s):
DVD
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    Member Reviews
     
    Amanda B.

    This is one of my favorite films. I also love Magnificent Obsession with the same actors, (Rock Hudson, Jane Wyman and Agness Moorehead). The story is wonderful and has its deep points as well. For an older movie it is great that the bonus features were acutally something usefull. I loved all the photos and promotional posters. There is nothing like the "soap opera" films of the '50s

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    Kathleen W.

    Throroughly enjoyed watching an old favorite with two of my favorite actors.

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    Patrice J.

    There was no romantic chemistry between Rock Hudson (who was great with Doris Day) and Jane Wyman. What compelled them to fall in love was a total mystery. And I LOVE old 30s,40s & early 50s movies. Wyman didn't change expresson from devastated widow during the entire movie; she was stiff and dull thruout. All Rock had going for him was his looks. He wasn't convincing as a 'rebel' or 'drop-out'-type personality. All he had here was looks. Agnes Moorhead had the best part. A big disappointment.

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