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Raise the Red Lantern (1991)
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The phenomenal success and international acclaim of Raise the Red Lantern, cemented Zhang Yimou's status as a leading figure in world cinema and reaffirmed the vibrancy of Chinese cinema. Though the film was the topic of great political controversy in China upon its release, it received armfuls of awards from Belgium, Italy, the United Kingdom and a nomination for an Academy Award.

This sumptuously photographed drama, set in Northern China in the 1920s and based on the novel Wives and Concubines by Su Tong, stars Gong Li as Songlian, the fourth wife of an elderly landlord. Songlian is a college student who has been married off by her stepmother, so it is with tremendous frustration that this woman, who had hopes of using her education to broaden her horizons, now finds herself reduced to a small enclosure at the beck and call of her husband. Despite being given a maid (Kong Lin) and luxurious surroundings, she feels trapped inside the cheerless walls. Upon her arrival, Songlian realizes that she must keep one step ahead of her rivals, the three other wives. She also learns of her husband's tradition of lighting a lantern outside of the house of the wife with whom he intends to spend the night. During the first night together with her husband, she finds he is called away to tend to his spoiled third wife (He Caifei). Songlian then becomes acquainted with his other wives -- his first wife (Jin Shuyuan), an elderly woman who ignores Songlian; the third wife, an ex-opera singer; and the second wife (Cao Cuifeng), who offers Songlian friendship and helpful advice. But it turns out that the second wife's motives are not exactly innocent--she is conspiring with Songlian's maid to undermine both the third wife and Songlian. Raise the Red Lantern is a moving exploration of power in a suffocating world of ossified tradition and naked ambition-a masterpiece of 1990s world cinema. ~ Paul Brenner, Rovi

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Starring:
Gong LiHe Caifei, (more)
Director(s):
Zhang Yimou
Theatrical MPAA Rating:
PG
Format(s):
DVD
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Linda D.

The "Master" and his four mistresses - the rules, the rebellion of the "house" and the consequences there-of. We never see the Master's face - we never leave the house, perhaps to promote some feeling of what the "mistresses" felt - to never really know the man and the feeling of being trapped within his slavery. Sad and haunting film.

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Owen L.

It's true, Zhang Yimou has gone through lots of phases. But I'll always remember this period of his work: obsessed with the "primitive," Freudian, grisly historical situations. Feminist film studies students, read Laura Mulvey and watch this film. The shot composition, narrative construction, Gong Li's acting - everything is totally perfect.

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Francine G.

I enjoyed this movie, though I found the ending to be quite sad. The plot and sub plots were fascinating. Since I have been to China, I found the scenery quite beautiful.

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