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Marnie (1964)
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Condemned as being a "disappointing" and "unworthy" Alfred Hitchcock effort at the time of its release, Marnie has since grown in stature; it is still considered a lesser Hitchcock, but a fascinating one. Tippi Hedren plays Marnie, a compulsive thief who cannot stand to be touched by any man. She also goes bonkers over the sight of the color red. Her new boss, Mark Rutland (Sean Connery) is intrigued by Marnie -- to such an extent that he blackmails her into marriage when he stumbles onto her breaking into his safe. Rutland is in his own way as "sick" as his wife because of his fetishist desire to cohabit with a thief. After innumerable plot twists and turns, Marnie is "cured" by a facile but mesmerizing flashback sequence involving her ex-hooker mother (Louise Latham). Among the critical carps aimed at Marnie was the complaint that the studio-bound sets -- particularly the waterfront locale where the film ends -- were tacky and artificial; curiously, this seeming "carelessness" adds to the queasy, off-setting mood that Hitchcock endeavored to sustain. Even when the direction seems to falter, the film is buoyed by the driving musical score of Bernard Herrmann (his last for Hitchcock). Among the supporting actors in Marnie are Mariette Hartley as a secretary and Bruce Dern as a sailor; twelve years later, Dern would star in Hitchcock's final film, Family Plot. ~ Hal Erickson, Rovi

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Starring:
Tippi HedrenSean Connery, (more)
Director(s):
Alfred Hitchcock
Theatrical MPAA Rating:
PG
Format(s):
DVD  | Digital SD
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Jeffrey A.

Beautifully filmed and scored, and the acting was better than I anticipated. Hitchcock biographers have blamed some of the film's lesser moments to his anger at Tippi Hedren's rebuffing his advances; ironically, those touches are now elevated to artform by critics. I found the documentary very informative -- I always felt like Sean Connery's character was too much like a therapist, for example. But whatever shortcomings there are with respect to character motivation are FAR overshadowed by brilliant, memorable sequences -- the almost split screen in the office with the cleaning lady, the hunt, the party with the surprise guest. I put this up with some of Hitchcock's better efforts. It is perhaps not as well appreciated because it deals with characters more deeply than with a story ("Vertigo" vesus "Psycho").

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Catherine E.

I loved how well done each scene was. Everything exact. Very staged. Wonderful clothes, every camera angle painstakingly set. Sad tragic story, good ending, you never really figure out Marnie. Sean Connery, gorgeous and great actor.

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Zenna A.

I kept thinking about the character Marnie for days after watching this movie. Her mental problems were a bit stereotyped, but likely new for the era. The bonus feature was entertaining too.

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