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Fellini's Roma (1972)
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Fellini's Roma is a virtually plotless autobiographical tribute to Rome, Italy, featuring narration by Fellini himself and a mixture of real-life footage and fictional set pieces. It flows from episode to episode, beginning with the director's early years arriving in Rome in 1931 during the time of Mussolini. Played by Stefano Mayore as a child, he visits the city with classmates and becomes infatuated. Played by Peter Gonzales at age 18, the young Fellini moves in to a tenement building and explores the wild characters living in neighborhood. The events that follow switch between the past and contemporary times, including a story line that involves a 1970s film crew making a movie about Rome. He also incorporates segments of Roman history and problems in the government, including an improvised speech from Gore Vidal. Throughout this journey there are visits to an outdoor restaurant, a movie theater, a music hall, and a brothel. In one famously surreal segment, groups of clergymen gather together for a Catholic fashion show spectacle. After a visit to a street festival and some on-camera interviews, the film concludes with shots of motorcycles driving by the Colosseum. ~ Andrea LeVasseur, Rovi

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Starring:
Britta BarnesFederico Fellini, (more)
Director(s):
Federico Fellini
Theatrical MPAA Rating:
R
Format(s):
DVD
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Susan B.

After watching this movie, I read up on Fellini and his style. Then, it all made sense. I especially liked the Vatican fashion show and the last scene on the motor bikes... highlighted my favorite sites in Rome.

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Andrea P.

Fellini must have a love-hate relationship with Rome, leaning heavily toward hate. In "Roma", he portrays the citizens as loud, brash and uncouth, all leading wanton, decadent lives. None are so decadent, however, as the subway tunnel diggers who illicitly break through a hollow wall into an archaeological site instead of suspending work and notifying authorities of their potential discovery. When 2,000-year-old frescoes are in fact uncovered by the diggers, the inrushing fresh air causes the frescoes immediately to fade and disintegrate. Due to its jaded nature and severe disjointedness, I found this film hard to watch (and could barely finish it over the course of two nights). The only parts I found remotely interesting were (1) the famously surreal scene in which the clergy attend a fashion show and (2) the shots of modern life juxtaposed with ancient Roman ruins. If "Roma" is anything like the real Rome, I'm staying home.

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