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Private Fears in Public Places (2006) Reviews

Private Fears in Public Places (2006)
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A handful of characters struggle to hold on to relationships with the people they care for in this collaboration between playwright Alan Ayckbourn and filmmaker Alain Resnais. Dan (Lambert Wilson) has recently finished up a hitch in the Army, but rather than deal with his emotional issues, Dan prefers to get drunk. While he barely communicates with his girlfriend, Nicole (Laura Morante), she's convinced they will still marry and opts to ignore his obvious problems. Lionel (Pierre Arditi) is a bartender who has become increasingly isolated and cut off from his friends as he looks after his father, Arthur. Arthur, however, is in failing health and has little appreciation of his son's sacrifices. Thierry (André Dussollier) is a real-estate salesman who has fallen for one of his co-workers, Charlotte (Sabine Azéma); however, Charlotte's mild-mannered exterior hides a personality that thrives on emotional gamesmanship. And Gaëlle (Isabelle Carré), Thierry's sister, is lonely and looking for a relationship, but her efforts bring her neither joy nor companionship. Coeurs (aka Petites Peurs Partagées) received its world premiere at the 2006 Venice Film Festival. ~ Mark Deming, Rovi

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Starring:
Laura MoranteLambert Wilson, (more)
Director(s):
Alain Resnais
Format(s):
DVD
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Average Ratings

(9 member reviews)  


Member Reviews


Eric F.

It may seem initially surprising that the lives of quiet desperation chronicled in Alain Resnais' French language "Private Fears In Public Places" seem so jarringly "un-French." (What are the odds in a movie about the French that all six main characters would be sexually or emotionally repressed?) It is therefore not surprising that the film is based on a very British play, of the same title, by Alan Ayckbourn. I caught the original stage production in 2005 when Ayckbourn's own Scarborough theater company brought it to New York. Praised by the critics, it seemed to me rather pedestrian. And Resnais' film recreation seems like ... well, a rather pedestrian play -- very un-cinematic. In partial compensation, there are a few genuinely poignant moments, thanks to a well chosen cast, as well as atmospheric mood music.

Yes   |   No


William S.

When I saw this film had no reviews, I had to get the ball rolling. Its a great story, combining events of several people who are connected to each other, some unknowingly. All the characters are sharp, and fascinating. The production values perfectly reflect the melancholic mood. Just when one thinks the French couldn't have anything left, a gem like this appears. It will stay with you.

Yes   |   No


David Donna S.

Good movie. Donna S

Yes   |   No


Richard L.

I generally like ensemble pieces, with separate plot lines radiating from a group of casually connected characters. This one, however, is plodding and sad. Ayckborn writes wonderful comedy, but not here. I suppose the disappointment I felt at the end was not so much from the failed relationships, but from my frustration with the characters who don't speak up or sieze the moment when they have the chance. Snow is the film's symbol for alienation, but it is distractingly fake when it doesn't melt indoors, calling attention to the fact that this is really just a recorded play with little cinematic value.

Yes   |   No


May B.

excellent film. highly recommend. the cast is outstanding ... gave me lots to think about.

Yes   |   No


Lisa R.

When Alain Resnais makes films these days, they seem predictably indie'ish but because it's Resnais (the master with years of filmmaking behind him) it is complex and meaningful. This is quirky because it is funny and comedy ain't Resnais' usual style. This is a good little film about just sort of getting 'real' with each other-abou relationships and honesty.

Yes   |   No


Myles S.

This a story of people who cross paths, but don't realize it. They all seem depressed as they try to continue unsatisfying relationships, or for Gaelle, trying to get into a relationship. Charlotte was very quiet and claimed to be religious, but she also loaned tapes to men that had apparently home-made movies of her acting very sexually, which puts her as very confused. Overall, I thought this movie was quite depressing.

Yes   |   No


Robin I.

If you enjoy foreign movies I think you will really enjoy this one. I like that the stories intertwince and all the characters are likeable. there is humour, pathos and interest in all the characters. I give it 4 stars.

Yes   |   No


Randall B.

Who knew it could snow for 96 hours straight in Paris with little accumulation?

Yes   |   No


 
 
 

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    Member Reviews
     
    Eric F.

    It may seem initially surprising that the lives of quiet desperation chronicled in Alain Resnais' French language "Private Fears In Public Places" seem so jarringly "un-French." (What are the odds in a movie about the French that all six main characters would be sexually or emotionally repressed?) It is therefore not surprising that the film is based on a very British play, of the same title, by Alan Ayckbourn. I caught the original stage production in 2005 when Ayckbourn's own Scarborough theater company brought it to New York. Praised by the critics, it seemed to me rather pedestrian. And Resnais' film recreation seems like ... well, a rather pedestrian play -- very un-cinematic. In partial compensation, there are a few genuinely poignant moments, thanks to a well chosen cast, as well as atmospheric mood music.

    Yes   |   No

     
    William S.

    When I saw this film had no reviews, I had to get the ball rolling. Its a great story, combining events of several people who are connected to each other, some unknowingly. All the characters are sharp, and fascinating. The production values perfectly reflect the melancholic mood. Just when one thinks the French couldn't have anything left, a gem like this appears. It will stay with you.

    Yes   |   No

     
    David Donna S.

    Good movie. Donna S

    Yes   |   No

     
    Read All 9 Reviews