EXILES is a Tony Gatlif fantasy, complete with music & dance, of what it might be like for a young French couple of Algerian roots to hitch their way from France back to Algeria (for most these days it's the other way 'round). The two seem not to have money and so occasionally work their way (with a rather laissez-faire attitude, I must say), screw (not always with each other), and have beaucoup psychological problems. For a couple who carries no baggage, there is way too much emotional baggage here. That's usually the mark of a young filmmaker but as Mr. Gatlif is nearing 60, I guess we'll have to chalk it up to something else. His characters sneak aboard a ship without knowing where it's going, have no idea that certain of Algeria's borders are closed and--worse--have no clue that women in Arab countries are expected to cover themselves (the year here is 2004, well post-9/11/01). On the plus side we have lots of color, music & dance, nice cinematography & the gorgeous Romain Duris.
This is one of those flicks where you can keep the remote handy and your finger near the FF button. There are large parts of the film where there is very repetitive music or long dialog free scenes. Use the FF button, you won't miss anything other than an attempt at artistic color. I'm a Romain Duris fan but this is probably my least favorite of his films that I have seen.
EXILES is a Tony Gatlif fantasy, complete with music & dance, of what it might be like for a young French couple of Algerian roots to hitch their way from France back to Algeria (for most these days it's the other way 'round). The two seem not to have money and so occasionally work their way (with a rather laissez-faire attitude, I must say), screw (not always with each other), and have beaucoup psychological problems. For a couple who carries no baggage, there is way too much emotional baggage here. That's usually the mark of a young filmmaker but as Mr. Gatlif is nearing 60, I guess we'll have to chalk it up to something else. His characters sneak aboard a ship without knowing where it's going, have no idea that certain of Algeria's borders are closed and--worse--have no clue that women in Arab countries are expected to cover themselves (the year here is 2004, well post-9/11/01). On the plus side we have lots of color, music & dance, nice cinematography & the gorgeous Romain Duris.
This is one of those flicks where you can keep the remote handy and your finger near the FF button. There are large parts of the film where there is very repetitive music or long dialog free scenes. Use the FF button, you won't miss anything other than an attempt at artistic color. I'm a Romain Duris fan but this is probably my least favorite of his films that I have seen.