Activate your BLOCKBUSTER On Demand device

Nashville (1975) Reviews

Nashville (1975)
Member Rating:  
Following 24 characters through 5 days in the country music capital, Robert Altman's 1975 epic presents a complexly textured portrayal (and critique) of American obsessions with celebrity and power. Among the various stars, aspirants, hangers-on, observers, and media folk are politically ambitious country icon Haven Hamilton (Henry Gibson) and his fragile star protegée Barbara Jean (Ronee Blakley); Tom (Keith Carradine), a self-absorbed rock star who woos lonely married gospel singer Linnea Reese (Lily Tomlin); Sueleen Gay (Gwen Welles), a talentless waitress painfully humiliated at her first singing gig; Albuquerque (Barbara Harris), a runaway wife with dreams of stardom; nightclub owner Lady Pearl (Barbara Baxley), who reminisces about "those Kennedy boys"; single-minded groupie L.A. Joan (Shelley Duvall); vapid BBC commentator Opal (Geraldine Chaplin); and campaign guru John Triplette (Michael Murphy), who is trying to organize a concert rally for the unseen but always heard populist presidential candidate-cum-demagogue Hal Phillip Walker. Everything comes to a head during a climactic concert at Nashville's replica of the Parthenon temple, as the entertainment-hungry audience is momentarily woken out of its stupor by unexpected violence, only to be lulled into a restorative sing-along to "It Don't Worry Me." ~ Lucia Bozzola, Rovi

 Read More


Starring:
Henry GibsonBarbara Baxley, (more)
Director(s):
Robert Altman
Theatrical MPAA Rating:
R
Format(s):
DVD
View All Versions to rent and buy
 
 
 
 

Average Ratings

(16 member reviews)  


Member Reviews


Roberta D.

The best thing about this movie is Barbara Harris's performance as Albuquerque (Winifred). Robert Altman's films are always really different from mainstream films, but that's what makes them so interesting. I love the Keith Carradine character of "Tom" and Lily Tomlin's portrayal of the gospel singing mother of two deaf children. There's a lot in this film for those who pay attention and can appreciate the satire.

Yes   |   No


Keith G.

Brilliant, funny, sad and epic look at 1970s America, following 24 characters over a few key days in Nashville. If one wants to quibble there are minor flaws; overstated performances at moments, ironies that are a bit too easy, but the overall sweep and power and the number of moments that make you want to laugh and cry simultaneously, are overwhelming. Certainly one of the great films of the 70s, and arguably among the greatest American films ever made.

Yes   |   No


Tom I.

What a waste of time. And 160 minutes of time, to boot!

Yes   |   No


John B.

Overall, I didn't care for this movie (Despite watching it for a second time after the commentary). If you could endure the first third of the movie, the story became more interesting as it progressed. With 24 or so 'main characters' it was difficult to appreciate any one of them fully. I don't think Altman was as concerned about a well-crafted story as much as he was with innovation. This is a creative and novel film that film critics/lovers may appreciate. But for the casual viewer who prefers a well written story, this one (for me) falls miserably short.

Yes   |   No


Bobbee N.

I found this movie to boring to follow and wasn't able to sit through it. That says I lot because I normally try to watch the entire movie before passing judgment on it. I wouldn't recommend this one for anyone.

Yes   |   No


Michael S.

Perhaps I was just tired, but I fell asleep three times during this movie -- something I never do except with the worst flicks. I rented this based on all the awards and nominations, but it failed to hold my interest.

Yes   |   No


Robert P.

This could possibly be the worst movie I have ever seen in my life, and I have seen thousands of movies...The characters act like they are just improvising the script which is actually written, the plot is non existent, and to make things worse it has the worst ending I have ever seen on film, ever, bar none... No salvaging points for this film.... original film should be burnt in a garbage dump...

Yes   |   No


Ann S.

Okay, I saw this on late night TV one night and thought I might not have 'gotten it' (understood why it was such a cinematic masterpiece) because the flow was interrupted by commercials. So I added it to my queue to watch it all the way through. I'm still left wondering. Within the context of when it was filmed (early 1970s) and how (many first takes and improvise), I give it a resounding, uh, okay. I couldn't really care about the characters and found many parts just down right annoying. I was about 18 when this came out and may have found it more groundbreaking and a seminal statement in filmmaking then, but now it just feels trite. The director's commentary and interview brought some more insight of the time and place, but still, not enough to save it being a pretty forgettable experience for me. What I knew when before I saw it, that I liked the Keith Carradine song "I'm Easy" is about the only thing I came away with at the end.

Yes   |   No


JHD A.

This movie made no sense and seemed to pride itself on that. Why would Lily Tomlin's character go from loving mom, even if not perfectly happy wife, to adulterer with almost a complete stranger though an obvious womanizer and then be nonplussed and actually kiss him goodby as she hears him calling another woman on her way out? Who was that Barbara Harris character and why is she running away from her husband (besides the obvious looking reasons) and how does she manage to be hanging around with the so-called successful singers? Why did Shelley Duvall's character bothering visiting her uncle and aunt anyway? And the point of the celebrity drop ins? Well, no point actually. Robert Altman explained in his commentary that these people just came through Nashville while he was filming so he just put them in. He may think that's a clever explanation but it's more revealing than that. His commentary revealed that this movie had no focus, no real story to tell. It showed.

Yes   |   No


MIsty M.

This is why movies were made in the first place.

Yes   |   No


 
 
 

IN-STORE

 

What's Your Take?

Add to FavoritesIn Favorites  |  Share:     Email to a friendShare on FacebookShare on Twitter
YOUR REVIEW
WRITE A REVIEW
 
1000 
 
Member Reviews
 
Roberta D.

The best thing about this movie is Barbara Harris's performance as Albuquerque (Winifred). Robert Altman's films are always really different from mainstream films, but that's what makes them so interesting. I love the Keith Carradine character of "Tom" and Lily Tomlin's portrayal of the gospel singing mother of two deaf children. There's a lot in this film for those who pay attention and can appreciate the satire.

Yes   |   No

 
Keith G.

Brilliant, funny, sad and epic look at 1970s America, following 24 characters over a few key days in Nashville. If one wants to quibble there are minor flaws; overstated performances at moments, ironies that are a bit too easy, but the overall sweep and power and the number of moments that make you want to laugh and cry simultaneously, are overwhelming. Certainly one of the great films of the 70s, and arguably among the greatest American films ever made.

Yes   |   No

 
Tom I.

What a waste of time. And 160 minutes of time, to boot!

Yes   |   No

 
Read All 16 Reviews