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Crash (1996)

Crash (1996)
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After surviving a brutal car wreck, commercial director James Ballard finds himself slowly drawn to a mysterious subculture of people who have transformed automobile accidents into erotic events. Like the J.G. Ballard novel that inspired it, David Cronenberg's study of the sexual dimension of man's relationship to technology was a magnet for controversy, drawing a NC-17 rating and criticism from several sources, including studio owner Ted Turner, who attempted to prevent the film's American release. But though some have leveled charges of pornography, James' descent into this fetishistic underworld is approached with cold, scientific detachment. Characters like Vaughn, the charismatic group leader who stages recreations of celebrity car crashes, seem more like driven researchers than sexual renegades, which is undoubtedly part of the film's point. This impression is reinforced by the pristine cinematography by Peter Suschitzsky, which proves particularly haunting during a crucial accident scene, and Howard Shore's superb score. Far from exploitative, Crash in fact proves less transgressive than the original novel, but is still undoubtedly not for all tastes. ~ Judd Blaise, Rovi

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Starring:
James SpaderHolly Hunter, (more)
Director(s):
David Cronenberg
Theatrical MPAA Rating:
NC17
 
 
 
 

Synopsis of Crash

After surviving a brutal car wreck, commercial director James Ballard finds himself slowly drawn to a mysterious subculture of people who have transformed automobile accidents into erotic events. Like the J.G. Ballard novel that inspired it, David Cronenberg's study of the sexual dimension of man's relationship to technology was a magnet for controversy, drawing a NC-17 rating and criticism from several sources, including studio owner Ted Turner, who attempted to prevent the film's American release. But though some have leveled charges of pornography, James' descent into this fetishistic underworld is approached with cold, scientific detachment. Characters like Vaughn, the charismatic group leader who stages recreations of celebrity car crashes, seem more like driven researchers than sexual renegades, which is undoubtedly part of the film's point. This impression is reinforced by the pristine cinematography by Peter Suschitzsky, which proves particularly haunting during a crucial accident scene, and Howard Shore's superb score. Far from exploitative, Crash in fact proves less transgressive than the original novel, but is still undoubtedly not for all tastes. ~ Judd Blaise, Rovi

Complete Cast of Crash


Director(s):
David Cronenberg
Writer(s):
David Cronenberg
Producer(s):
David Cronenberg
Theatrical MPAA Rating:
NC17(Strong Sexual Content, Nudity, Graphic Violence, Not For Children)
Crash Awards:
  • 1996 - Cannes Film Festival - Special Jury Prize
  • 1996 - Genie Awards - Best Sound Editing
  • 1996 - Genie Awards - Best Sound Editing
  • 1996 - Genie Awards - Best Cinematography
  • 1996 - Genie Awards - Best Editing
  • 1996 - Genie Awards - Best Sound Editing
  • 1996 - Genie Awards - Best Sound Editing
  • 1996 - Genie Awards - Best Adapted Screenplay
  • 1996 - Genie Awards - Best Director
Warning:  This product is intended for mature audiences only. It may contain violence, sexual content, drug abuse and/or strong language. You must be 17 or older to purchase it. By ordering this item you are certifying that you are at least 17 years of age.

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Member Reviews
 
Jeremy R.

it's more than "sex and car crashes"(as it seems most people say).if you don't like the critique of how modern sex is fetishized,then stick to all the straight-to-video flicks that continue to lie to you.this one's outlandish and even silly at some points,but if you can't understand why then it's just another weird cronenberg film to you;sex in the u.s. today is very silly and outlandish,and if you don't realize that then try looking at TV commercials with a sociological perspective,because "crash" is all over the place in advertising culture.if what i've said sounds interesting then try this one out,but if you're lost in confusion or have already dismissed me as a pretentious douche...you'll probably never get it.whatever the #1 film@the box office was this week...run,don't walk.

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Steve L.

pass

Yes   |   No

 
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