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Death in Venice (1971)

Death in Venice (1971)
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Based on a novel by Thomas Mann, Death in Venice stars Dirk Bogarde as a German composer who is terrified that he has lost all vestiges of humanity. While visiting Venice, Bogarde falls in love with a beautiful young boy (Bjorn Andresen). The relationship is ruined by Bogarde's obsession with the boy's youth and physical perfection; the composer realizes that the child represents an ideal that he can never match. The character played by Dirk Bogarde is evidently intended to be Gustav Mahler, whose haunting music is featured on the film's soundtrack. ~ Hal Erickson, Rovi

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Starring:
Dirk BogardeBjorn Andresen, (more)
Director(s):
Luchino Visconti
Format(s):
DVD  | Digital SD
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Synopsis of Death in Venice

Based on a novel by Thomas Mann, Death in Venice stars Dirk Bogarde as a German composer who is terrified that he has lost all vestiges of humanity. While visiting Venice, Bogarde falls in love with a beautiful young boy (Bjorn Andresen). The relationship is ruined by Bogarde's obsession with the boy's youth and physical perfection; the composer realizes that the child represents an ideal that he can never match. The character played by Dirk Bogarde is evidently intended to be Gustav Mahler, whose haunting music is featured on the film's soundtrack. ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
131 mins

Complete Cast of Death in Venice


Director(s):
Luchino Visconti
Writer(s):
Luchino ViscontiNiccola Badalucco
Producer(s):
Luchino Visconti
Death in Venice Awards:
  • 1971 - British Academy of Film and Television Arts - Best Soundtrack
  • 1971 - British Academy of Film and Television Arts - Best Costume Design
  • 1971 - British Academy of Film and Television Arts - Best Art Direction
  • 1971 - British Academy of Film and Television Arts - Best Cinematography
  • 1971 - Cannes Film Festival - 25th Anniversary Prize
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Member Reviews
 
Robert R.

This film exemplifies the term, "masterpiece." An older man on holiday suddenly finds mortality staring him in the face as he observes youth embodied, in its real, pure form; in an adolescent boy who (with family) is staying in the same hotel during a summer in Venice. It is not a gay story. The older man is happlessly drawn to the boy (representing his lost youth). The two never actually meet, but the man seems to feel youth now taunts him in his old age, as the boy innocently returns the man's gazes with long, almost knowing stares. It is like a slow death for the man. His ego is wrecked by the boy's beauty and youth like an afront to his own aging; his realization of what he has lost and will never have again. The film is richly embellished in symbolism. The sad music of Gustav Mahler sets off the story and the ageless Venice backdrop. This rare style of art film is nearly extinct. A magnificent film.

Yes   |   No

 
Anne S.

This film is based on Gustav Mahler's last days. The soundtrack draws from Mahler's stunning 2nd and 5th symphonies. Although the film is visually (art direction/film technology) dated, it is a time-less masterpiece. The story is slow and perhaps emotionally difficult to digest, but it allows for acting and soundtrack to take over and drive this film. This movie is not for everyone. If you like light-hearted shallow happy ending type films, you will HATE this one. If on the other hand you like to be challenged, enjoy the unusual, and can LISTNE and understand sound, you will love this movie.

Yes   |   No

 
Donald K.

Minimalist dialogue. The story is told through gestures, looks, camera techniques. The story slows down when there are sections of Mann's story that reflect his philosophy. Other than that the story is better than reading the book.

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