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3 Women (1977)

3 Women (1977)
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Robert Altman's Three Women takes a surreal, improvisational and rather eerie look at the lives of three women in a western desert town. The plot centers around the youngest of the women, Pinky (Sissy Spacek), an eccentric, withdrawn woman trying to begin a new life. She finds work as an attendant at a hot springs spa catering to the elderly and infirm. There she befriends her co-worker Millie (Shelley Duvall), an equally strange but more outgoing woman; the two bond, and are soon sharing an apartment. Pinky becomes increasingly dependent on Millie, eventually adopting aspects of her personality and appearance. This obsessive attachment is threatened when Pinky discovers Millie with a man -- Edgar (Robert Fortier), the macho, faux-cowboy husband of local artist Willie (Janice Rule), the last of the title's three women. Pinky's subsequent, desperate actions precipitate the film's enigmatic conclusion, involving an unexpected series of confrontations and role reversals amongst the three women. This story tends to take a backseat to the elliptical, spooky imagery, particularly the desert landscapes, and the quirky performances -- not surprising, given that the film was reportedly shot without a full screenplay and inspired by Altman's own dreams. ~ Judd Blaise, Rovi

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Starring:
Shelley DuvallSissy Spacek, (more)
Director(s):
Robert Altman
Theatrical MPAA Rating:
PG
Format(s):
DVD  |  Blu-ray  | Digital SD
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Synopsis of 3 Women

Robert Altman's Three Women takes a surreal, improvisational and rather eerie look at the lives of three women in a western desert town. The plot centers around the youngest of the women, Pinky (Sissy Spacek), an eccentric, withdrawn woman trying to begin a new life. She finds work as an attendant at a hot springs spa catering to the elderly and infirm. There she befriends her co-worker Millie (Shelley Duvall), an equally strange but more outgoing woman; the two bond, and are soon sharing an apartment. Pinky becomes increasingly dependent on Millie, eventually adopting aspects of her personality and appearance. This obsessive attachment is threatened when Pinky discovers Millie with a man -- Edgar (Robert Fortier), the macho, faux-cowboy husband of local artist Willie (Janice Rule), the last of the title's three women. Pinky's subsequent, desperate actions precipitate the film's enigmatic conclusion, involving an unexpected series of confrontations and role reversals amongst the three women. This story tends to take a backseat to the elliptical, spooky imagery, particularly the desert landscapes, and the quirky performances -- not surprising, given that the film was reportedly shot without a full screenplay and inspired by Altman's own dreams. ~ Judd Blaise, Rovi

Theatrical Feature Running Time:
124 mins

Complete Cast of 3 Women


Director(s):
Robert Altman
Writer(s):
Robert Altman
Producer(s):
Robert AltmanScott Bushnell
Theatrical MPAA Rating:
PG(Questionable for Children, Adult Situations, Mild Violence, Brief Nudity)
3 Women Awards:
  • 1977 - Cannes Film Festival - Best Actress
  • 1977 - Los Angeles Film Critics Association - Best Actress
  • 1977 - New York Film Critics Circle - Best Supporting Actress
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Member Reviews
 
Carm G.

I can understand how some people may be put off by this film. The music, characters and art are weird, no question, but to me it's a searing look at loneliness and how people work so hard to fit in. The acting is superb. Duvall and Spacek convey so much with a longing look at those they want to impress. Janice Rule speaks volumes without uttering a word. I consider Robert Altman one of the all-time greats and his commentary is worth the rental. You'll learn a whole lot about his iconoclastic approach and how he manages to get so much from all his actors. If you're a serious student of film or just someone who loves movies, watch this film, then listen to Altman's commentary.

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Keith G.

Lionized by most critics as a neglected masterpiece, I certainly liked it. The two lead performances by Sissy Spacek and Shelly Duvall are wonderful, and the film has more than its share of powerful and creepy moments. But the film is based on a dream, and ends up feeling overly self-conscious at times. A lot of the symbolism, like the paintings that run through the film, feels bit heavy handed and obvious. Alternately some plot twists feel arbitrary. This is often compared to David Lynch's dream films Mulholland Drive and Lost Highway. But I found both of those a little more fun, and they felt more cohesive in their dream worlds. Having said all that, I look forward to seeing it again. I've often found some of my very favorite films are complex and challenging works that don't jell on 1st viewings, only to have those petty annoyances fall away on a second look. If you're up for something challenging, this is a terrifically acted and brave film, and certainly worth a look.

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Glenn G.

Still don't understand the point to this movie or how it won any awards at all, critics must have seen something I did not. Watching Sissy Spacek was the only redeeming quality for this movie, and it wasn't enough to carry it. Don't waste your time.

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