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The Conversation (1974)

The Conversation (1974)
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Made between The Godfather (1972) and The Godfather Part II (1974), and in part an homage to Michelangelo Antonioni's art-movie classic Blow-Up (1966), The Conversation was a return to small-scale art films for Francis Ford Coppola. Sound surveillance expert Harry Caul (Gene Hackman) is hired to track a young couple (Cindy Williams and Frederic Forrest), taping their conversation as they walk through San Francisco's crowded Union Square. Knowing full well how technology can invade privacy, Harry obsessively keeps to himself, separating business from his personal life, even refusing to discuss what he does or where he lives with his girlfriend, Amy (Teri Garr). Harry's work starts to trouble him, however, as he comes to believe that the conversation he pieced together reveals a plot by the mysterious corporate "Director" who hired him to murder the couple. After he allows himself to be seduced by a call girl, who then steals the tapes, Harry is all the more convinced that a killing will occur, and he can no longer separate his job from his conscience. Coppola, cinematographer Bill Butler, and Oscar-nominated sound editor Walter Murch convey the narrative through Harry's aural and visual experience, beginning with the slow opening zoom of Union Square accompanied by the alternately muddled and clear sound of the couple's conversation caught by Harry's microphones. The Godfather Part II and The Conversation earned Coppola a rare pair of Oscar nominations for Best Picture, as well as two nominations for Best Screenplay (The Godfather Part II won both). Praised by critics, The Conversation was not a popular hit, but it has since come to be seen as one of the artistic high points of the decade, as well as of Coppola's career. Its atmosphere of paranoia and suspicion, combined with its obsessive loner antihero, made it prototypical of the darker "American art movies" of the early '70s, as its audiotape storyline also made it seem eerily appropriate for the era of the Watergate scandal. ~ Lucia Bozzola, Rovi

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Starring:
Gene HackmanJohn Cazale, (more)
Director(s):
Francis Ford Coppola
Theatrical MPAA Rating:
PG
Format(s):
DVD  |  Blu-ray
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Synopsis of The Conversation

Made between The Godfather (1972) and The Godfather Part II (1974), and in part an homage to Michelangelo Antonioni's art-movie classic Blow-Up (1966), The Conversation was a return to small-scale art films for Francis Ford Coppola. Sound surveillance expert Harry Caul (Gene Hackman) is hired to track a young couple (Cindy Williams and Frederic Forrest), taping their conversation as they walk through San Francisco's crowded Union Square. Knowing full well how technology can invade privacy, Harry obsessively keeps to himself, separating business from his personal life, even refusing to discuss what he does or where he lives with his girlfriend, Amy (Teri Garr). Harry's work starts to trouble him, however, as he comes to believe that the conversation he pieced together reveals a plot by the mysterious corporate "Director" who hired him to murder the couple. After he allows himself to be seduced by a call girl, who then steals the tapes, Harry is all the more convinced that a killing will occur, and he can no longer separate his job from his conscience. Coppola, cinematographer Bill Butler, and Oscar-nominated sound editor Walter Murch convey the narrative through Harry's aural and visual experience, beginning with the slow opening zoom of Union Square accompanied by the alternately muddled and clear sound of the couple's conversation caught by Harry's microphones. The Godfather Part II and The Conversation earned Coppola a rare pair of Oscar nominations for Best Picture, as well as two nominations for Best Screenplay (The Godfather Part II won both). Praised by critics, The Conversation was not a popular hit, but it has since come to be seen as one of the artistic high points of the decade, as well as of Coppola's career. Its atmosphere of paranoia and suspicion, combined with its obsessive loner antihero, made it prototypical of the darker "American art movies" of the early '70s, as its audiotape storyline also made it seem eerily appropriate for the era of the Watergate scandal. ~ Lucia Bozzola, Rovi

Theatrical Feature Running Time:
113 mins

Complete Cast of The Conversation


Director(s):
Francis Ford Coppola
Writer(s):
Francis Ford Coppola
Producer(s):
Francis Ford Coppola
Theatrical MPAA Rating:
PG(Adult Language, Questionable for Children, Adult Situations)
Categories:
Mystery & Suspense
The Conversation Awards:
  • 1974 - British Academy of Film and Television Arts - Best Editing
  • 1974 - British Academy of Film and Television Arts - Best Soundtrack
  • 1974 - British Academy of Film and Television Arts - Best Soundtrack
  • 1974 - British Academy of Film and Television Arts - Best Editing
  • 1974 - British Academy of Film and Television Arts - Best Soundtrack
  • 1974 - Cannes Film Festival - International Grand Prix
  • 1994 - Library of Congress - U.S. National Film Registry
  • 1974 - National Board of Review - Best Director
  • 1974 - National Board of Review - Best Actor
  • 1974 - National Board of Review - Best Picture
  • 1974 - National Society of Film Critics - Best Director
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    Member Reviews
     
    Denis A.

    This movie really took me by surprise and actually grew on me. Gene Hackman's performance as the paranoid, hired spy is great in this role. The final scene in the movie is pretty creepy and leaves an impression that wont get this flick off your mind!

    Yes   |   No

     
    Andrea P.

    Very strange story. The twist at the end was confusing, but ultimately satisfying. Good acting on all parts. The pacing seemed to drag at times, but where there was suspense, FFC maintained it with mastery and aplomb. The theme of personal ethics versus professional ethics was hammered a little too heavily, and the protagonist's relationship with his girlfriend seemed unnecessary to the plot, but overall it was a decent film. Due to nudity and some intense scenes, this film is NOT appropriate for kids 12 or under.

    Yes   |   No

     
    Sheryl B.

    Great cinema photography. Typical Coppola. Slow in places. Hackman was great.

    Yes   |   No

     
    Read All 37 Reviews