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If... (1968)

If... (1968)
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Rebellious students at an English private school plan a violent revolt against their repressive environment in director Lindsay Anderson's highly acclaimed but extremely controversial drama. Centering on a small group of non-conformists led by Mick Travis (Malcolm McDowell), the film paints a distinctly negative picture of the British school system and, by extension, English society. Seeing the powers-that-be as humorless, bureaucratic, and needlessly restrictive, Mick and his cohorts indulge in small acts of rebellion, including sneaking into town to romance a local waitress. Their actions are discovered and punished with harsh beatings, leading the students to plot revenge. This effort culminates in the film's most famous sequence, a surrealistic depiction of a bloody uprising by the students against the adult world. Daring and unpredictable in content and form, If... mixes color and black-and-white cinematography as easily as it mingles satire with dark fantasy. The film's ambiguous attitude toward violence caused controversy at the time, as many commentators saw the film as a potential incitement to violence. It became a great success among younger, counter-culture audiences who appreciated the audacious shock tactics and embraced the satirical, anti-establishment message. Often compared to Jean Vigo's French classic Zéro de conduite, which also featured surrealistic boarding-school rebellion, If... has become a high point in the cinema of youth rebellion. Anderson and McDowell later collaborated on O Lucky Man! (1973), Look Back in Anger (1980), and Britannia Hospital (1982). ~ Judd Blaise, Rovi

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Starring:
Malcolm McDowellDavid Wood, (more)
Director(s):
Lindsay Anderson
Theatrical MPAA Rating:
R
Format(s):
DVD  |  Blu-ray
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Synopsis of If...

Rebellious students at an English private school plan a violent revolt against their repressive environment in director Lindsay Anderson's highly acclaimed but extremely controversial drama. Centering on a small group of non-conformists led by Mick Travis (Malcolm McDowell), the film paints a distinctly negative picture of the British school system and, by extension, English society. Seeing the powers-that-be as humorless, bureaucratic, and needlessly restrictive, Mick and his cohorts indulge in small acts of rebellion, including sneaking into town to romance a local waitress. Their actions are discovered and punished with harsh beatings, leading the students to plot revenge. This effort culminates in the film's most famous sequence, a surrealistic depiction of a bloody uprising by the students against the adult world. Daring and unpredictable in content and form, If... mixes color and black-and-white cinematography as easily as it mingles satire with dark fantasy. The film's ambiguous attitude toward violence caused controversy at the time, as many commentators saw the film as a potential incitement to violence. It became a great success among younger, counter-culture audiences who appreciated the audacious shock tactics and embraced the satirical, anti-establishment message. Often compared to Jean Vigo's French classic Zéro de conduite, which also featured surrealistic boarding-school rebellion, If... has become a high point in the cinema of youth rebellion. Anderson and McDowell later collaborated on O Lucky Man! (1973), Look Back in Anger (1980), and Britannia Hospital (1982). ~ Judd Blaise, Rovi

Theatrical Feature Running Time:
112 mins

Complete Cast of If...


Director(s):
Lindsay Anderson
Writer(s):
David Sherwin
Producer(s):
Lindsay AndersonRoy BairdAlbert Finney
Theatrical MPAA Rating:
R(Adult Situations, Violence, Not For Children, Brief Nudity)
If... Awards:
  • 1969 - Cannes Film Festival - International Grand Prix
Warning:  This product is intended for mature audiences only. It may contain violence, sexual content, drug abuse and/or strong language. You must be 17 or older to purchase it. By ordering this item you are certifying that you are at least 17 years of age.

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Member Reviews
 
Michael K.

Groundbreaking counter-cultural British film of trio of boarding school misfits, who rebel against the class sytem and corporal punishment practices of their Academy. Many surreal episodes including the violent conclusion, which is staged in a nearly comical way. Film introduced movie audiences to Malcolm McDowell who would make his mark two years later in A Clockwork Orange.

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Karl B.

I saw this movie when it came out during my formative college years. It was great then and great now. It exposes the hypocracy of the ruling class by following three dissaffected students at a British public school. They play at rebelioseness and idolize distant revolutionaries while having no politcial idealism at all. The acting and direction are superb. Each sceen has a tinge of surrealism. The ending is the revenge fantasy of these misfit youths. See the next movie in the trilogy "O Lucky Man."

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Keith G.

Incredibly brave filmmaking. A mix of naturalism, surrealism, dark humor and social commentary in an examination of an English all boy public school (the equivalent of a 'private' school in the US). Terrific acting, and some unforgettable moments and visuals. But there are some pretentious moments as well, and the ending is not as powerful as it should be. However, I find I like it more with each viewing, the flaws bothering me less, the strengths seeming more special. Perhaps not quite an all time great film, but a very good, and historically important and influential one.

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