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Klimt (2006)

Klimt (2006)
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Raúl Ruiz's Klimt uses an amorphous, nonchronological narrative to cinematize events from the life of one of the 20th century's most profound artists: the Austrian painter Gustav Klimt (here portrayed by John Malkovich). Ruiz begins with Klimt's painful death from syphilis, and spends the remainder of the film transitioning, loosely and freely, between episodes that befell the painter. The film pays particularly strong attention to the artist's proclivity for scandalizing the European upper crust with overtly erotic subject matter and presentation, and his many affairs -- notably a lengthy one with his perpetual inspiration, Lea de Castro (Saffron Burrows). Throughout Klimt's life, a figure known as the Secretary (Stephen Dillane) comes and goes, who is actually a product of his fevered imagination -- and with whom the painter debates continually about the function of art in contemporary Western civilization, and the relevance of the artist. This enables Ruiz to create both a biographical sketch and a philosophical treatise. Visually, Ruiz and director of photography Ricardo Aronovich make the ambitious decision to recreate Klimt's style of painting on a cinematographic plane.

Unfortunately, difficulty befell this picture from the beginning, when the director (for some unascertainable reason) opted to draft the initial script in French, have it translated into German, and then have the German draft translated into English and revised by author Gilbert Adair -- rendering the dialogue stilted and unconvincing. Complications also arose on the distribution end. Still infuriated by the distributive mutilation that befell his previous film, the whopping Time Regained (and doubtless concerned that this might happen again), Ruiz pliantly struck a bargain with distributors for Klimt. He trimmed his original, 135-minute "director's cut" down to a 96-minute "producer's cut" for general consumption, which rendered much of the material less fluid and coherent. Both versions screened at the 2006 Rotterdam Film Festival. ~ Nathan Southern, Rovi

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Starring:
John MalkovichVeronica Ferres, (more)
Director(s):
Raúl Ruiz
Format(s):
DVD
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Synopsis of Klimt

Raúl Ruiz's Klimt uses an amorphous, nonchronological narrative to cinematize events from the life of one of the 20th century's most profound artists: the Austrian painter Gustav Klimt (here portrayed by John Malkovich). Ruiz begins with Klimt's painful death from syphilis, and spends the remainder of the film transitioning, loosely and freely, between episodes that befell the painter. The film pays particularly strong attention to the artist's proclivity for scandalizing the European upper crust with overtly erotic subject matter and presentation, and his many affairs -- notably a lengthy one with his perpetual inspiration, Lea de Castro (Saffron Burrows). Throughout Klimt's life, a figure known as the Secretary (Stephen Dillane) comes and goes, who is actually a product of his fevered imagination -- and with whom the painter debates continually about the function of art in contemporary Western civilization, and the relevance of the artist. This enables Ruiz to create both a biographical sketch and a philosophical treatise. Visually, Ruiz and director of photography Ricardo Aronovich make the ambitious decision to recreate Klimt's style of painting on a cinematographic plane.

Unfortunately, difficulty befell this picture from the beginning, when the director (for some unascertainable reason) opted to draft the initial script in French, have it translated into German, and then have the German draft translated into English and revised by author Gilbert Adair -- rendering the dialogue stilted and unconvincing. Complications also arose on the distribution end. Still infuriated by the distributive mutilation that befell his previous film, the whopping Time Regained (and doubtless concerned that this might happen again), Ruiz pliantly struck a bargain with distributors for Klimt. He trimmed his original, 135-minute "director's cut" down to a 96-minute "producer's cut" for general consumption, which rendered much of the material less fluid and coherent. Both versions screened at the 2006 Rotterdam Film Festival. ~ Nathan Southern, Rovi

Theatrical Feature Running Time:
97 mins

Complete Cast of Klimt


Director(s):
Raúl Ruiz
Writer(s):
Gilbert AdairRaúl Ruiz
Producer(s):
Matthew JusticeArno OrtmairAndreas Schmid
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    Gary M.

    Cinematography . . . wonderful. Sets . . . . wonderful. Costuming . . . . wonderful. Visually this is a stunning film. Screenplay, poor at best. Musical score, iritating, bi-polar, maybe it's just very poor editing. Characterization, pseudo-elitist-intellectualism seems to sum it up. Too bad. This film can be summarized as having all the tools but none of the craft. I still revere Klimt's work and his contribution to the art world.

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    Calvin H.

    The film is very beautiful, but like the other reviewee said, it jumps around a lot. It is very confusing, but I believe if I knew more about Gustav Klimt (I know very little, I just have a poster of one of his pieces) the movie would be INFINITELY better. So I recommend you do your homework of art history of his time and maybe a quick look at a biography first so you can follow the characters and the places and scandals the film often refers to. There is no narrative introduction or voice-overs. It explains little, but *expresses* lots. Very artistic filming techniques and editing.

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    Meilie M.

    I loved the cinematography, sets, costumes and the acting was decent, but the story line was incredibly confusing and did not flow well. If you don't know the story you will be quite lost. If you can research his life, then rent the movie you may be able to make sense of the scenes and therefore enjoy this film.

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