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Melinda and Melinda (2004)

Melinda and Melinda (2004)
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While Woody Allen has long fused comedy and drama in his films, he embraces the two styles in a new and unusual way in this feature. Sy (Wallace Shawn) is enjoying dinner with some friends when they begin debating the nature of the tragic and the humorous. Sy, observing that a very fine line separates the two, decides to demonstrate this notion by showing how the same essential story can be either funny or sad depending on the way certain elements are handled; for the rest of the film, we jump back and forth between two versions of the story of Melinda (Radha Mitchell), a young woman with some serious problems in her life. In the tragic version, Melinda crashes a dinner party thrown by old friends Laurel (Chloë Sevigny) and Lee (Jonny Lee Miller). When she arrives, Melinda is distraught and under the influence of pills and alcohol, much to the annoyance of Lee, an actor hoping to impress a producer who is one of his guests. After a bad breakup with her husband, Melinda lost custody of her children and came to New York City, where she became involved with Ellis Moonsong (Chiwetel Ejiofor), a handsome and well-mannered composer whose promises to her proved to be worthless. Meanwhile, on the funny side of town, Melinda shows up dazed and confused at the home of Susan (Amanda Peet) and Hobie (Will Ferrell), who are in the midst of a dinner party. Learning about the sad state of Melinda's love life after divorcing her husband and losing custody of her children, Susan decides to play Cupid and fix her friend up with a well-to-do dentist. However, neither Susan nor Melinda are aware that there is another man deeply interested in the troubled divorcée -- Hobie. Melinda and Melinda also features Josh Brolin, Vinessa Shaw, and noted theatrical director Gene Saks. ~ Mark Deming, Rovi

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Starring:
Radha MitchellChloë Sevigny, (more)
Director(s):
Woody Allen
Theatrical MPAA Rating:
PG13
Format(s):
DVD
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Synopsis of Melinda and Melinda

While Woody Allen has long fused comedy and drama in his films, he embraces the two styles in a new and unusual way in this feature. Sy (Wallace Shawn) is enjoying dinner with some friends when they begin debating the nature of the tragic and the humorous. Sy, observing that a very fine line separates the two, decides to demonstrate this notion by showing how the same essential story can be either funny or sad depending on the way certain elements are handled; for the rest of the film, we jump back and forth between two versions of the story of Melinda (Radha Mitchell), a young woman with some serious problems in her life. In the tragic version, Melinda crashes a dinner party thrown by old friends Laurel (Chloë Sevigny) and Lee (Jonny Lee Miller). When she arrives, Melinda is distraught and under the influence of pills and alcohol, much to the annoyance of Lee, an actor hoping to impress a producer who is one of his guests. After a bad breakup with her husband, Melinda lost custody of her children and came to New York City, where she became involved with Ellis Moonsong (Chiwetel Ejiofor), a handsome and well-mannered composer whose promises to her proved to be worthless. Meanwhile, on the funny side of town, Melinda shows up dazed and confused at the home of Susan (Amanda Peet) and Hobie (Will Ferrell), who are in the midst of a dinner party. Learning about the sad state of Melinda's love life after divorcing her husband and losing custody of her children, Susan decides to play Cupid and fix her friend up with a well-to-do dentist. However, neither Susan nor Melinda are aware that there is another man deeply interested in the troubled divorcée -- Hobie. Melinda and Melinda also features Josh Brolin, Vinessa Shaw, and noted theatrical director Gene Saks. ~ Mark Deming, Rovi

Theatrical Feature Running Time:
99 mins

Complete Cast of Melinda and Melinda


Director(s):
Woody Allen
Writer(s):
Woody Allen
Producer(s):
Letty Aronson
Theatrical MPAA Rating:
PG13(Substance Abuse, Adult Situations, Sexual Situations, Adult Language)
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    Go H.

    you might like this one too, only this one's more complicated, like the director...but I still enjoyed it though. I would say recently Mr. Allen's in good mood, loved his Match Point...

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    Marie F.

    This is Woody Allen at his psychobabble best. Putting comedy and tragedy on a continuum is a fascinating insight, probably coming from his own experience. But what about joy? Joy comes from the spiritual realm. The ego is quiet and love is more than chemistry. Woody, let's here about joy and sorrow next time.

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    Keith G.

    An interesting experiment: telling the same story, intercut, in both comic and serious versions. Lots of striking moments, and some good acting (although Will Ferrell - as much as I'm a fan - trying to be ˜serious™ doesn'™t really work for me). Also, the bookend device setting up the idea (two writers talking at a restaurant about the differences between comedy and tragedy) is clunky and a little on the nose. Still, a worthwhile attempt to look at how we tell stories, and by extension how we look at life. Allen's later films may not quite be at the level of his early work, but you gotta admire a filmmaker still trying to look at the big questions 40 years into his career.

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