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The Man Who Came to Dinner (1941)

The Man Who Came to Dinner (1941)
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The George S. Kaufman/Moss Hart Broadway hit The Man Who Came to Dinner was inspired by the authors' mutual friend, waspish critic/author Alexander Woollcott. Generously bearded ex-Yale professor Monty Woolley, no mean curmudgeon himself, plays the Woollcott character, here rechristened Sheridan Whiteside. While on a lecture tour in Ohio, Whiteside slips on the ice outside his hosts' home; until his broken leg heals, the hosts (Grant Mitchell and Billie Burke) are forced to put up (and put up with) the imperious Whiteside. This means enduring an unending stream of Whiteside's whims, caprices and vitriolic bon mots, as well as his long-distance phone calls, eccentric guests and a variety of critters, ranging from penguins to octopi. Like the real Woollcott, Whiteside insists upon stage-managing the lives of everyone around him. He is particularly keen on discouraging a romance between his faithful secretary Maggie Cutler (top-billed Bette Davis) and local newspaper editor Bert Jefferson (Richard Travis). Once he realizes he's gone too far in this respect, Whiteside is forced to reunite the lovers. That's only one aspect of a three-ring-circus plotline that accommodates a Lizzie Bordenish axe murderess, takeoffs of Woollcott intimates Harpo Marx, Noel Coward and Gertrude Lawrence, and a general practitioner who's willing to let his patients suffer for a chance to pitch his interminable memoirs to Whiteside. Featured in the cast are Jimmy Durante as "Banjo" (the Harpo clone), Reginald Gardiner as the Noel Coward-like Beverly Carlton, Anne Sheridan as the predatory Gertrude Lawrence counterpart Lorraine Sheldon, and Mary Wickes as the long-suffering Nurse Preen ("You have the touch of a love-starved cobra!") The script, by the Epstein brothers, manages to retain most of the play's best lines and situations, even while expanding Bette Davis' role to justify her start status; it's a shame, though, that we are robbed of Sheridan Whiteside's imperishable opening line, "I may vomit!" ~ Hal Erickson, Rovi

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Starring:
Bette DavisAnn Sheridan, (more)
Director(s):
William Keighley
Theatrical MPAA Rating:
NR
Format(s):
DVD
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Synopsis of The Man Who Came to Dinner

The George S. Kaufman/Moss Hart Broadway hit The Man Who Came to Dinner was inspired by the authors' mutual friend, waspish critic/author Alexander Woollcott. Generously bearded ex-Yale professor Monty Woolley, no mean curmudgeon himself, plays the Woollcott character, here rechristened Sheridan Whiteside. While on a lecture tour in Ohio, Whiteside slips on the ice outside his hosts' home; until his broken leg heals, the hosts (Grant Mitchell and Billie Burke) are forced to put up (and put up with) the imperious Whiteside. This means enduring an unending stream of Whiteside's whims, caprices and vitriolic bon mots, as well as his long-distance phone calls, eccentric guests and a variety of critters, ranging from penguins to octopi. Like the real Woollcott, Whiteside insists upon stage-managing the lives of everyone around him. He is particularly keen on discouraging a romance between his faithful secretary Maggie Cutler (top-billed Bette Davis) and local newspaper editor Bert Jefferson (Richard Travis). Once he realizes he's gone too far in this respect, Whiteside is forced to reunite the lovers. That's only one aspect of a three-ring-circus plotline that accommodates a Lizzie Bordenish axe murderess, takeoffs of Woollcott intimates Harpo Marx, Noel Coward and Gertrude Lawrence, and a general practitioner who's willing to let his patients suffer for a chance to pitch his interminable memoirs to Whiteside. Featured in the cast are Jimmy Durante as "Banjo" (the Harpo clone), Reginald Gardiner as the Noel Coward-like Beverly Carlton, Anne Sheridan as the predatory Gertrude Lawrence counterpart Lorraine Sheldon, and Mary Wickes as the long-suffering Nurse Preen ("You have the touch of a love-starved cobra!") The script, by the Epstein brothers, manages to retain most of the play's best lines and situations, even while expanding Bette Davis' role to justify her start status; it's a shame, though, that we are robbed of Sheridan Whiteside's imperishable opening line, "I may vomit!" ~ Hal Erickson, Rovi

Theatrical Feature Running Time:
113 mins

Complete Cast of The Man Who Came to Dinner


Director(s):
William Keighley
Writer(s):
Philip G. EpsteinJulius J. Epstein
Producer(s):
Jack L. WarnerJack SaperJerry Wald
Theatrical MPAA Rating:
NR(Suitable for Children)
Categories:
Comedy
The Man Who Came to Dinner Awards:
  • 1941 - Film Daily - 10 Best Films
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    Member Reviews
     
    William P.

    It was, how to say it without being offensive, entertaining and fun without any profanity or sexual content. It was a movie I could easily watch with my grandchildren without any embarrassment.

    Yes   |   No

     
    Jon B.

    For most of the actors in this 1941 comedy, The Man Who Came to Dinner is a movie (at this point), not a play. This is apparently lost on Mr. Wooley, who hams it up (in an overwritten role) in ways peculiar to the stage. His character is more cartoon than acerbic eccentric, undermining the dialogue and investing his scenes with an unreality that plays poorly, particularly against the more genuine performance given by Bette Davis. Davis shines in this film, offering up the only multi-dimensional character in the piece. Her portrayal of Maggie Cutler is entirely appropriate and consistent, and offers the great dramatic actress a few welcomed opportunities for humor and a wonderful moment of mimickry. Jimmy Durante's vaudeville shtick, however, has not worn well over the past 65 years, and his hyper-kinetic presence is somewhat grating. On the whole, The Man Who Came to Dinner is a bust; it's the woman who should sit at the head of the table.

    Yes   |   No

     
    Robert R.

    This film looks as if it were still being directed and blocked for the stage. Yet given that, it didn't feel like an ensemble effort. Each actor seemed to be acting as if they were the only character in the story. It was kind of strange to see Billy Burke (The Wizard of Oz) running around without her Glenda the Good Witch persona. By now, this film would most be enjoyed by we true Bette Davis fans who need to see everything she has ever done. Its also great background noise for taking a nap on the couch on a snowy day.

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