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Last Tango in Paris (1972)

Last Tango in Paris (1972)
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In Bernardo Bertolucci's art-house classic, Marlon Brando delivers one of his characteristically idiosyncratic performances as Paul, a middle-aged American in "emotional exile" who comes to Paris when his estranged wife commits suicide. Chancing to meet young Frenchwoman Jeanne (Maria Schneider), Paul enters into a sadomasochistic, carnal relationship with her, indirectly attacking the hypocrisy all around him through his raw, outrageous sexual behavior. Paul also hopes to purge himself of his own feelings of guilt, brilliantly (and profanely) articulated in a largely ad-libbed monologue at his wife's coffin. If the sexual content in Last Tango is uncomfortably explicit (once seen, the infamous "butter scene" is never forgotten), the combination of Brando's acting, Bertolucci's direction, Vittorio Storaro's cinematography, and Gato Barbieri's music is unbeatable, creating one of the classic European art movies of the 1970s, albeit one that is not for all viewers. ~ Hal Erickson, Rovi

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Starring:
Marlon BrandoMaria Schneider, (more)
Director(s):
Bernardo Bertolucci
Theatrical MPAA Rating:
NC17
Format(s):
DVD
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Synopsis of Last Tango in Paris

In Bernardo Bertolucci's art-house classic, Marlon Brando delivers one of his characteristically idiosyncratic performances as Paul, a middle-aged American in "emotional exile" who comes to Paris when his estranged wife commits suicide. Chancing to meet young Frenchwoman Jeanne (Maria Schneider), Paul enters into a sadomasochistic, carnal relationship with her, indirectly attacking the hypocrisy all around him through his raw, outrageous sexual behavior. Paul also hopes to purge himself of his own feelings of guilt, brilliantly (and profanely) articulated in a largely ad-libbed monologue at his wife's coffin. If the sexual content in Last Tango is uncomfortably explicit (once seen, the infamous "butter scene" is never forgotten), the combination of Brando's acting, Bertolucci's direction, Vittorio Storaro's cinematography, and Gato Barbieri's music is unbeatable, creating one of the classic European art movies of the 1970s, albeit one that is not for all viewers. ~ Hal Erickson, Rovi

Complete Cast of Last Tango in Paris


Director(s):
Bernardo Bertolucci
Writer(s):
Bernardo BertolucciFranco Arcalli
Producer(s):
Alberto Grimaldi
Theatrical MPAA Rating:
NC17(Strong Sexual Content, Not For Children)
Categories:
Independent Films
Last Tango in Paris Awards:
  • 1973 - National Society of Film Critics - Best Actor
  • 1973 - New York Film Critics Circle - Best Actor
Warning:  This product is intended for mature audiences only. It may contain violence, sexual content, drug abuse and/or strong language. You must be 17 or older to purchase it. By ordering this item you are certifying that you are at least 17 years of age.

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Member Reviews
 
Helena M.

This story is very unique, but not because of the overt sexuality; it's the way the writer put the pieces together that makes it so powerful. You don't know who these people really are until the very end of the movie, at which time everything else makes sense. This movie has one of the best screenplays (and dialogue) I have ever seen, you must watch it for that alone. Marlon Brando is incredible too. This is an European art movie, so evidently don't expect to watch the typical Hollywood recipe.

Yes   |   No

 
Ronald D.

I wasn't very impressed at all. The most frustrating part for me was not being able to hear Brando speaking some of his lines - whether they were in French or English. At times I thought the girl was talking to herself rather than conversing. I didn't hate it, but I didn't see why people made such a big deal for this movie. The "butter" scene is way overrated.

Yes   |   No

 
Angela P.

Very French, very artsy, very Bartolucci. Brando does a good job of making Paul demonic, yet human. Schneider is believable as Jeanne, a naive youth who, in trying to be a free spirit, discovers her conformity. The much-talked about sexuality is not very graphic by today's standards, though it seems that way because it is depicted as unfettered and non-romanticized -- the coupling of human animals instead of humane lovers. The truest connections are those the protagonists have outside of their carnally explicit/reality lacking relationship where their actions (as in the tango) are artfully performed without the dancers ever really looking at one another.

Yes   |   No

 
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