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I Vitelloni (1953)

I Vitelloni (1953)
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Italian maestro Federico Fellini's first international success is a nakedly autobiographical film that bears many of the formal and thematic concerns that recur throughout his work. Set in the director's hometown of Rimini, I Vitelloni follows the lives of five young vitelloni, or layabouts, who while away their listless days in their small seaside village. Fausto (Franco Fabrizi), the leader of the pack, marries his sweetheart, but finds himself constantly distracted by other women. Meanwhile, would-be playwright Leopoldo (Leopoldo Trieste) continues work on his dreary plays, dreaming of staging them one day. Clownish Alberto (Alberto Sordi) still lives at home with his mother and sister, Olga (Claude Farell), while boasting of preserving the family honor by watching over her. While the movie seems to pay little attention to Riccardo (Riccardo Fellini) and Moraldo (Franco Interlenghi), the latter eventually emerges as its key character, plainly serving as Fellini's alter ego. Stuck in adolescence, the five friends stumble into various misadventures, as they seek to spice up their uneventful provincial lives. Ultimately, one of them breaks free from their self-imposed paralysis and moves on, leading to one of the most poignant farewell sequences in film history. A hit in Italy upon its release, I Vitelloni secured Fellini's reputation as an up-and-coming talent, while also introducing its title into Italian vernacular. ~ Elbert Ventura, Rovi

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Starring:
Alberto SordiFranco Interlenghi, (more)
Director(s):
Federico Fellini
Format(s):
DVD
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Synopsis of I Vitelloni

Italian maestro Federico Fellini's first international success is a nakedly autobiographical film that bears many of the formal and thematic concerns that recur throughout his work. Set in the director's hometown of Rimini, I Vitelloni follows the lives of five young vitelloni, or layabouts, who while away their listless days in their small seaside village. Fausto (Franco Fabrizi), the leader of the pack, marries his sweetheart, but finds himself constantly distracted by other women. Meanwhile, would-be playwright Leopoldo (Leopoldo Trieste) continues work on his dreary plays, dreaming of staging them one day. Clownish Alberto (Alberto Sordi) still lives at home with his mother and sister, Olga (Claude Farell), while boasting of preserving the family honor by watching over her. While the movie seems to pay little attention to Riccardo (Riccardo Fellini) and Moraldo (Franco Interlenghi), the latter eventually emerges as its key character, plainly serving as Fellini's alter ego. Stuck in adolescence, the five friends stumble into various misadventures, as they seek to spice up their uneventful provincial lives. Ultimately, one of them breaks free from their self-imposed paralysis and moves on, leading to one of the most poignant farewell sequences in film history. A hit in Italy upon its release, I Vitelloni secured Fellini's reputation as an up-and-coming talent, while also introducing its title into Italian vernacular. ~ Elbert Ventura, Rovi

Theatrical Feature Running Time:
107 mins

Complete Cast of I Vitelloni


Director(s):
Federico Fellini
Writer(s):
Tullio PinelliFederico FelliniEnnio Flaiano
I Vitelloni Awards:
  • 1953 - Venice International Film Festival - Silver Lion
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Member Reviews
 
Andrea P.

One of the better Fellini films, perhaps because it hardly resembles one at all. "I Vitelloni" has a very nice linear narrative and is rooted in reality, unlike almost everything else that Fellini directed. It is amusing to follow the exploits of these irresponsible 30-year-old men and easy to feel pity or even contempt for them -- especially Fausto, the womanizer. While Moraldo says little during the entire film, he is quietly observant and seemingly the most sensitive of the bunch. Of all the vitelloni, he may be most possessive of a moral character. This film is a good portrait of sexual and other mores in 1950's provincial Italy, particularly in its disturbing depiction of how macho men treated women. (Fellini focused on this machismo and how it hurt women in his films "8-1/2", "La Strada" and "Juliet of the Spirits", as well.) This is a fine choice of film if you seek to improve your Italian by watching Italian cinema, as the diction and subtitles are excellent.

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Robert P.

A bit softer than the normal Fellini edge... but worth watching the character development of the 4 ragazzi in this small Italian town

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Matthew M.

This movie was well done...though not my favorite Fellini so far. To me, it had a good character development, good story, dialogue, etc... but as far as typical "artistic" movements with camera, lights, and ambiance, this falls a little short of his other works, such as "8 1/2". All in all, it was enjoyable, and especially the final farewell scene...that was brilliantly shot.

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