Indian Western Movies

A historical drama about the relationship between a Civil War soldier and a band of Sioux Indians, Kevin Costner's directorial debut was also a surprisingly popular hit, considering its length, period setting, and often somber tone. The film opens on a particularly dark note, as melancholy Union lieutenant John W. Dunbar attempts to kill himself on a suicide mission, but instead becomes an unintentional hero. His actions lead to his reassignment to a remote post in remote South Dakota, where he encounters the Sioux. Attracted by the natural simplicity of their lifestyle, he chooses to leave his former life behind to join them, taking on the name Dances with Wolves. Soon, Dances with Wolves has become a welcome member of the tribe and fallen in love with a white woman who has been raised amongst the tribe. His peaceful existence is threatened, however, when Union soldiers arrive with designs on the Sioux land. Some detractors have criticized the film's depiction of the tribes as simplistic; such objections did not dissuade audiences or the Hollywood establishment, however, which awarded the film seven Academy Awards, including Best Picture. ~ Judd Blaise, Rovi

John Ford's last western film, Cheyenne Autumn was allegedly produced to compensate for the hundreds of Native Americans who had bitten the dust in Ford's earlier films (that was the director's story, anyway). Set in 1887, the film recounts the defiant migration of 300 Cheyennes from their reservation in Oklahoma territory to their original home in Wyoming. They have done this at the behest of chiefs Little Wolf (Ricardo Montalban) and Dull Knife (Gilbert Roland), peaceful souls who have been driven to desperate measures because the US government has ignored their pleas for food and shelter. Since the Cheyennes' trek is in defiance of their treaty, Captain Thomas Archer (Richard Widmark), who agrees with the Indians in principle, reluctantly leads his troops in pursuit of the tribe. While there was never any intention to shed blood, the white press finds it politically expedient to distort the Cheyennes' action into a declaration of war. Thanks to the cruelties of such chauvinistic whites as Captain Oscar Wessels (Karl Malden), the Cheyennes are forced to defend themselves--and whenever Indians take arms against whites in the 1880s, it's usually misrepresented as a massacre. Only the intervention of US secretary of the interior Carl Schurz (Edward G. Robinson) prevents the hostilities from erupting into wholesale bloodshed. Based on a novel by Mari Sandoz, Cheyenne Autumn is a cinematic elegy--not only for the beleaguered Cheyennes, but for John Ford's fifty years in pictures. It is weakest when arbitrarily throwing in a wearisome romance between Richard Widmark and pacifistic schoolmarm Carroll Baker, who out of sympathy for the Indians has joined them in their 1500-mile westward journey. When the Warner Bros. people decided that the film ran too long, they chopped out the wholly unnecessary but very funny episode involving a poker-obsessed Wyatt Earp (James Stewart). Contrary to popular belief, this episode was included in the earliest non-roadshow prints of Cheyenne Autumn; the scene was excised only when the film went into its second and third runs in 1966 (it has since been restored). ~ Hal Erickson, Rovi

Walter Hill directs John Milius's script (co-written by Larry Gross) depicting a revisionist perspective on the "Geronimo Campaign" and how Geronimo, with 34 men, managed to elude 5000 U.S. cavalry men between 1885 and 1886 before his surrender at the Canyon of the Skeletons in September 1886. The film centers upon Charles Gatewood (Jason Patric), the U.S. Cavalry lieutenant who is charged with capturing the elusive Apache leader. Gatewood is torn by a grudging respect for Geronimo and his people and his duty to his country. But then all the white men in the film have a respect for Geronimo, even as they are trying to hunt him down and kill him. General Charles Crook (Gene Hackman), charged with overseeing the forced settlement of the Apaches on reservations, has nothing but admiration for Geronimo. ~ Paul Brenner, Rovi

Apache was based on Paul I. Wellman's novel Broncho Apache, which in turn was inspired by a true story. Burt Lancaster plays Massai, a lieutenant of the great Apache warrior Geronimo (here depicted as an old man, played by Monte Blue). Though his tribe has signed surrender terms with the conquering whites, Massai refuses to do so. He escapes from a prison train and conducts a one-man war against the white intruders-and against some of his own people. Along the way, he claims Nalinle (Jean Peters), whom he previously regarded as a traitor to his cause, as his wife. John McIntire plays famed Indian scout Al Sieber, who-in this film, if not in real life-is sympathetic to the Indians' plight and Massai's single-purposed cause. The real-life counterpart to Massai was killed by Sieber's minions after agreeing to call off the hostilies; United Artists objected to this, forcing producer/star Burt Lancaster to shoot an unconvincingly happy ending. ~ Hal Erickson, Rovi

Adapted from a novel by Theodore V. Olsen, The Stalking Moon opens in the Arizona of the Old West, as the U.S. calvary is in the process of relocating Native Americans to reservations. One of the calvary men is Sam Varner (Gregory Peck), an aging scout who is ready to retire to his New Mexico home after this mission. Varner is called upon to sneak into a small Apache camp in order to disarm the guards before the rest of his troupe rides in to round up the whole tribe. After the round-up, a white woman is discovered among the Americans. Her name is Sarah Carver (Eva Marie Saint), and she was captured ten years ago by a mysterious and vicious warrior named Salvaje (Nathaniel Narcsisco), who is not among those captured in the round-up. Held against her will, she now has a nine-year-old son by Salvaje. Although her English is very rusty from disuse, she lets Varner know that she and her son would like to be taken away from the tribe. He agrees to transport her to his home, and they set out together for New Mexico, having to overcome obstacles such as a sandstorm to get there. Along the way, they seem to sense that someone is following them, and after they arrive at Varner's cabin, they find themselves set upon by the vengeful Salvaje. Enlisting the aid of a half-breed scout Robert Forster that he raised from childhood, Varner tries to fend off Salvaje, who seems to be toying with them before moving in for the final kill. ~ Craig Butler, Rovi

Originally conceived as a Gary Cooper western, Only the Valiant reached the screen with Gregory Peck in the lead. Peck plays Richard Lance, a strictly by-the-book Army captain. Though hated by his men, Lance is respected for his military know-how. This comes in very handy when Lance and a detachment of troops attempt to reach, and then hold, an unguarded Army garrison in the middle of Apache Country. Among the film's he-man contingent are Ward Bond, Gig Young, Lon Chaney Jr., Neville Brand, Jeff Corey and Steve Brodie, all delivering topnotch performances. The nominal leading lady is Barbara Payton, whose real-life tragedies were far more dramatic than any film she appeared in. Only the Valiant was based on a novel by Charles Marquis Warren. ~ Hal Erickson, Rovi

Adapted from a story by James Fenimore Cooper, Chingachgook: The Great Snake concerns a Mohican named Chingachgook who stands up to the settlers whose actions are wiping his people out. He finds a surprisingly sympathetic partner in a white man who goes by the name Deerslayer. ~ Perry Seibert, Rovi

After the success of his three Billy Jack films, actor, director, and screenwriter Tom Laughlin decided to expand his range a bit with this Western, which was adapted from Goyokin, a popular Japanese samurai film. However, since Finley (Laughlin's character here) is trained in martial arts and often defends himself (and others) by violence, while frequently espousing a nonviolent philosophy, it could be said that this wasn't much of a stretch for the once and future Billy Jack. Don Santiago (Richard Angarola) is a vicious man who helps provoke an Indian massacre that will allow him to steal the Indians' land and claim it as his own. However, his son-in-law, Finley (Tom Laughlin), is an expert hand with both guns and swords and will not allow him to push around the peace-loving Indians or fellow settlers of the West. The supporting cast features Ron O'Neal and Barbara Carrera, who received a Golden Globe nomination for her work in this film. As with his first two films, Tom Laughlin directed The Master Gunfighter but didn't take screen credit, in this case listing the director as Frank Laughlin, who happened to be Tom's son. ~ Mark Deming, Rovi

Lyedecker (Jim Brown) is the Arizona lawman who travels to Mexico in search of Yaqui Joe (Burt Reynolds). Joe has made an illegal withdrawal of $6,000 from the band in Phoenix to help finance his tribes's uprising against the Mexican government. Sarita (Raquel Welch) is the local woman who is friendly towards the Indian leaders. Both men are tracked by General Verdugo (Fernando Lamas), the career-minded military man who realizes a victory could boost his station in high-society and politics. Also on hand is the American railroad agent Grimes (Dan O'Herlihy). The battle ensues between the Indians and the government troops as Lyedecker and Joe form a temporary alliance to survive. They are captured by the troops, but the Indians instead of the calvary come to the rescue in this routine western taken from a novel by Robert MacLeod. ~ Dan Pavlides, Rovi