Top Westerns Movies

Having ended its third season as America's top-rated TV series, Gunsmoke managed to retain that title throughout Season Four, not only because of its own innate excellence but also because of its unusually strong lead-in show on CBS' Saturday-night schedule, Have Gun: Will Travel. Even though the series' "adult western" trappings which had been regarded as daring and innovative back when it first aired in 1955 were now considered commonplace and even cliché-ridden, the show remained a viewer favorite even among non-western fans. Inevitably, however, a bit of friction had developed internally on Gunsmoke. Whereas during the series' first three seasons the leading actors were more than willing to follow the scripts as written, by the fall of 1958 those same actors--James Arness (Matt Dillon), Dennis Weaver (Chester), Milburn Stone (Doc), Amanda Blake)--were now full-fledged stars, and acted accordingly. Without going into further detail, we offer this rueful observation from series coproducer Charles Marquis Warren, as originally published in TV Guide: "It reached the point when I'd arrive on the set in the morning only to have Arness tell me that 'Matt Dillon wouldn't say a thing like that!' Everybody suddenly got to be a self-appointed authority." Small wonder that Warren was no longer associated with the series come Season Four, relinquishing the producing chores to his partners Norman McDonnell and John Meston. Having pretty much exhausted the scripts from the radio version of Gunsmoke (which was still running as of 1958), the series began featuring more and more "originals" during its fourth season, many of them penned by producer John Meston. Among the noteworthy actors making guest appearance this season are Martin Landau, Dan Blocker, Charles Bronson, Ross Martin, Warren Oates, Jack Elam and James Drury. ~ Hal Erickson, Rovi

Having ended its third season as America's top-rated TV series, Gunsmoke managed to retain that title throughout Season Four, not only because of its own innate excellence but also because of its unusually strong lead-in show on CBS' Saturday-night schedule, Have Gun: Will Travel. Even though the series' "adult western" trappings which had been regarded as daring and innovative back when it first aired in 1955 were now considered commonplace and even cliché-ridden, the show remained a viewer favorite even among non-western fans. Inevitably, however, a bit of friction had developed internally on Gunsmoke. Whereas during the series' first three seasons the leading actors were more than willing to follow the scripts as written, by the fall of 1958 those same actors--James Arness (Matt Dillon), Dennis Weaver (Chester), Milburn Stone (Doc), Amanda Blake)--were now full-fledged stars, and acted accordingly. Without going into further detail, we offer this rueful observation from series coproducer Charles Marquis Warren, as originally published in TV Guide: "It reached the point when I'd arrive on the set in the morning only to have Arness tell me that 'Matt Dillon wouldn't say a thing like that!' Everybody suddenly got to be a self-appointed authority." Small wonder that Warren was no longer associated with the series come Season Four, relinquishing the producing chores to his partners Norman McDonnell and John Meston. Having pretty much exhausted the scripts from the radio version of Gunsmoke (which was still running as of 1958), the series began featuring more and more "originals" during its fourth season, many of them penned by producer John Meston. Among the noteworthy actors making guest appearance this season are Martin Landau, Dan Blocker, Charles Bronson, Ross Martin, Warren Oates, Jack Elam and James Drury. ~ Hal Erickson, Rovi

Although it never quite escapes the pitfalls of pretension, this film was Kirk Douglas's bid for the affections of the art house crowd, and it remains one of his best efforts. The star plays unreconstructed "rugged individual" Jack Burns, who rides throughout the modern west knocking down man-made fences. Visiting his equally rebellious friend Paul Bondi (Michael Kane), Burns deliberately gets himself thrown in jail to be nearer his pal. Frustrated that Bondi doesn't want to join Burns on the road, Burns breaks out of jail, thereby becoming a fugitive. His trail is dogged by Sheriff Johnson (Walter Matthau), a frustrated frontiersman who secretly admires the freewheeling Burns. Meanwhile, a truck driver (Carroll O'Connor) is ominously driving down the highway with a truckload of toilets. If you think there's supposed to be some symbolism in this seemingly peripheral character, you're absolutely right. Bill Raisch, a genuine amputee who played the one-armed man on TV's The Fugitive, is Douglas' surly opponent in the café brawl sequence. Filmed on location in New Mexico, Lonely are the Brave was adapted by Dalton Trumbo from Edward Abbey's novel Brave Cowboy. ~ Hal Erickson, Rovi

After a shaky start opposite NBC's George Gobel Show during its first season, TV's foremost "adult" western Gunsmoke steadily accrued new viewers throughout Season Two, ending the year as America's 8th most popular program. And by the end of Season Three, Gunsmoke was TV's top-rated series--a fact not lost on the other networks, as witness the veritable flood of new westerns series during the next two years. Few if any changes were been made in Gunsmoke's format during its third year on the air. Certainly, nothing was done to dampen the popularity of its stars: Matt Dillon as Dodge City's taciturn marshal Matt Dillon, Dennis Weaver as Matt's bucolic-but-brave deputy Chester Good, Amanda Blake as attractively tarnished saloonkeeper Kitty Russell and Milburn Stone as crotchety Doc Adams. By this time, many of the series' familiar trademarks were not only firmly in place, but were rich sources of satire and parody on the various comedy shows of the period: Kitty's ubiquitous "Be careful, Matt" whenever Dillon went out on a dangerous mission; Chester's pronounced limp and spectacular inability to make a decent cup of coffee; the ongoing battle of wits between Chester and Doc; and of course the famous opening sequence, with Dillon squaring off against an unidentified gunslinger in the middle of Dodge's Main Street. Incredibly, although 78 episodes had already been filmed and 39 more were offered during Season Three, the series was still relying heavily upon scripts adapted from the radio version of Gunsmoke, which ran from 1952 through 1961 (some of these were "visualized" by no less a writer than Sam Peckinpah). And as in the past two seasons, the supporting casts of those 39 episodes were filled to overflowing with familiar names, notably John Dehner, Jeanette Nolan, Robert Vaughn, Pernell Roberts, Jack Lord, Rose Marie, Morey Amsterdam, Jack Klugman, Harry Dean Stanton, June Lockhart and Jack Cassidy. ~ Hal Erickson, Rovi

This Western classic stars Gary Cooper as Hadleyville marshal Will Kane, about to retire from office and go on his honeymoon with his new Quaker bride, Amy (Grace Kelly). But his happiness is short-lived when he is informed that the Miller gang, whose leader (Ian McDonald) Will had arrested, is due on the 12:00 train. Pacifist Amy urges Will to leave town and forget about the Millers, but this isn't his style; protecting Hadleyburg has always been his duty, and it remains so now. But when he asks for deputies to fend off the Millers, virtually nobody will stand by him. Chief Deputy Harvey Pell (Lloyd Bridges) covets Will's job and ex-mistress (Katy Jurado); his mentor, former lawman Martin Howe (Lon Chaney Jr.) is now arthritic and unable to wield a gun. Even Amy, who doesn't want to be around for her husband's apparently certain demise, deserts him. Meanwhile, the clocks tick off the minutes to High Noon -- the film is shot in "real time," so that its 85-minute length corresponds to the story's actual timeframe. Utterly alone, Kane walks into the center of town, steeling himself for his showdown with the murderous Millers. Considered a landmark of the "adult western," High Noon won four Academy Awards (including Best Actor for Cooper) and Best Song for the hit, "Do Not Forsake Me, O My Darling" sung by Tex Ritter. The screenplay was written by Carl Foreman, whose blacklisting was temporarily prevented by star Cooper, one of Hollywood's most virulent anti-Communists. John Wayne, another notable showbiz right-winger and Western hero, was so appalled at the notion that a Western marshal would beg for help in a showdown that he and director Howard Hawks "answered" High Noon with Rio Bravo (1959). ~ Hal Erickson, Rovi

Anthony Mann's final foray into the western genre is a disturbing examination of man's baser instincts, rising in intensity to the level of Shakespearean tragedy. The film begins as seemingly naive Link (Gary Cooper) leaves his family to take a train to Fort Worth. Also on the train is saloon singer Billie Ellis (Julie London), who is compelled by con man Sam Beasley (Arthur O'Connell) to cheat Link out of his money. But the con comes to naught when the nefarious Dock Tobin (Lee J. Cobb) and his gang rob the train. Link takes Billie and Beasley to Tobin's cabin, where it is revealed the mild-mannered Link is Tobin's nephew and a former member of his cutthroat gang. Dock Tobin draws up a plan to rob a bank which the outlaws find agreeable, but they're reluctant to have Link rejoin their group. Soon it becomes apparent why they feel this way; when Link rejoins his old gang, his shy demeanor falls away and his outlaw instincts rise to the surface. ~ Paul Brenner, Rovi

Russell Crowe plays a desperado whose accomplices stage an ambush after he is taken into custody by a determined local sheriff in this remake of the 1957 film starring Glenn Ford and Van Heflin. James Mangold directs a script based on the Elmore Leonard short story and penned by Stuart Beattie, Michael Brandt, and Derek Haas. ~ Jason Buchanan, Rovi

Last of the Pony Riders was also the last theatrical starring feature of singing cowboy Gene Autry. This time, Autry plays a troubleshooter for the Pony Express who hopes to keep the West safe for the mail riders so that a new stagecoach line can be established. He is opposed by crooked banker Clyde Vesey (Howard Wright), who wants to land the mail franchise himself and isn't above murder to accomplish his goals. Vesey enlists the aid of a band of outlaws who disguise themselves as Indians while wreaking havoc on the mail service. Featured in the cast as one of the pony riders is Dick Jones, who starred in such Autry-produced TV shows as Range Rider and Buffalo Bill Jr. While not Gene Autry's best film, Last of the Pony Riders is an immensely satisfying ride into the sunset for this personable western hero. ~ Hal Erickson, Rovi

The original radio version of Gunsmoke was in its third year on the air when the TV version made its CBS network bow on September 10, 1955. Replacing radio's William Conrad as Matt Dillon was tall-in-the-saddle James Arness, whose chief claim to fame at that time was his portrayal of the title role in the 1951 sci-fi thriller The Thing. Arness was a protégé of film superstar John Wayne, who in a good-luck gesture appeared on camera at the beginning of the opening episode, "Matt Gets It"--which like virtually all of the episodes seen during Season One was adapted from one of the original radio scripts. No sooner had this first episode gotten under way that Gunsmoke staked out its claim as TV's first "adult" western with a startling sequence in which hero Matt Dillon was shot down and nearly killed by the heavy of the piece! During its earliest episodes, the series boasts a different opening sequence than the familiar one in which Matt Dillon and an unknown assailant square off for a showdown in Dodge City's deserted Main Street. These initial episodes find Matt philosophically wandering around the town's cemetery "Boot Hill", as he introduces the story at hand via offscreen narration. Also, Milburn Stone's Doc Adams is younger and less cantankerous than he'd been in later years, while Amanda Blake's Miss Kitty is flashier and more flirtatious with Matt Dillon (Their relationship would always remain ambiguous, though it was clear from the "body language" of the two characters in the first season that they might have had something going on in the off-hours). Only deputy Chester, played by Dennis Weaver, is fully formed from the outset, though Chester's famous limp is a bit inconsistent--and, in at least one episode, he doesn't limp at all! Evidently in hopes of luring viewers away from NBC's high-rated The George Gobel Show, the producers of Gunsmoke stuffed the series' first season with no fewer than 39 first-run episodes,which were spread out over a nine-month period with but a handful of reruns. Appearing in several of these episodes are a number of actors who'd worked on the radio Gunsmoke, including John Dehner, Harry Bartell, Vic Perrin, Jeanne Bates and Lawrence Dobkin; and in the episode "The Pest Hole", Howard McNear, "Doc Adams" in the radio version, is seen as hotel keeper Mr. Bradley. Also seen on Gunsmoke's maiden season are such stars in the making as Charles Bronson, Claude Akins, William Hopper, Sebastian Cabot and DeForest Kelley. ~ Hal Erickson, Rovi

A former slave and a German bounty hunter become unlikely allies in the battle against a tyrannical plantation owner in this western from visionary director Quentin Tarantino. Two years before the Civil War pits brother-against-brother, German-born fugitive hunter Dr. King Schultz (Academy Award-winner Christoph Waltz) arrives in America determined to capture the outlaw Brittle brothers dead or alive. In the midst of his search, Dr. Schultz crosses paths with Django (Academy Award-winner Jamie Foxx), a freed slave and skilled tracker who seeks to rescue his beloved wife Broomhilda (Kerry Washington) from ruthless plantation owner Calvin Candie (Academy Award-nominee Leonardo DiCaprio). Once Django has aided Dr. Schultz in coralling the Brittle brothers, the two team up to capture some of the most wanted men in the South. Meanwhile, Django never loses sight of his mission to free Broomhilda from the treacherous slave trade before it's too late. Upon arriving at Candie's nefarious plantation, dubbed Candyland, Django and Dr. Schultz discover that slaves are being groomed for gladiator-like competitions by Candie's malevolent right-hand man Billy Crash (Walton Goggins), and together they skillfully work their way onto the compound for a closer look. But just as Django and his partner locate Broomhilda and plot a daring escape, Candie's house slave Stephen (Academy Award-nominee Samuel L. Jackson) catches wind of their plan, and informs his master of the betrayal. Now, as a clandestine organization attempts to back them into a corner, Django and Dr. Schultz will have to come out with pistols blazing if they ever hope to free Broomhilda from Candyland and the clutches of its vile proprietor. ~ Jason Buchanan, Rovi

Based on the graphic novel by Scott Mitchell Rosenberg, Cowboys & Aliens is set in 1800s Arizona, where the local cowboys, headed by gunslinger Jake Lonergan (Daniel Craig), and the indigenous Apache tribe have been feuding fiercely for quite a while. Their skirmish is interrupted, however, by the appearance of a spaceship, commanded by an alien creature that's bent on enslaving the human race. It's time for a six-gun shoot-out between these cattle rustlers and space invaders, and there might even be a temporary peace between the cowboys and Indians as they both take aim at these extraterrestrial uninvited guests. Jon Favreau directs from a script by Star Trek scribes Alex Kurtzman and Roberto Orci, with help from Lost's Damon Lindelof. Olivia Wilde, Harrison Ford, and Sam Rockwell fill out the headlining cast. ~ Cammila Collar, Rovi

Although the TV Western craze of the late '50s was running out of gas by the early '60s, several of the best Westerns remained firmly entrenched on network television. One of these was the "thinking man's Western," Have Gun, Will Travel, which launched its fifth season on CBS in the fall of 1961. Back in the saddle is Richard Boone as mysterious, erudite gun-for-hire Paladin, whose fees were almost as high as his ethics. Also returning for occasional appearances is Kam Tong as Paladin's erstwhile valet Hey Boy, after a year's absence (necessitated when Kam Tong accepted a regular role on the short-lived adventure series The Garland Touch). The fifth season opener "The Vigil" offers a full-blooded villainous performance by a pre-stardom George Kennedy. Other noteworthy guest stars this season include Harry Carey Jr. (in the episode "The Revenger"), Charles Bronson (in "Ben Jalisco"), Hans Conried (playing a Don Quixote wannabe in "A Knight to Remember"), and William Conrad (portraying a lovable boozer in "The Man Who Struck Moonshine"). While Have Gun, Will Travel had dropped from the higher ratings rungs during its fifth season, the series still had a strong following, encouraging CBS to give it one final go-round during 1962-1963. ~ Hal Erickson, Rovi