Western

Upon drifting into a troubled Western outpost and discovering that the helpless locals are being terrorized by a ruthless rancher and his brutish hired hands, two rugged, straight-shooting peacemakers decide to stick around and put things right in this Western adapted from the novel by Robert B. Parker, and directed by Ed Harris. Bragg (Jeremy Irons) is a rancher who believes himself to be above the law, a stance that's forever cemented when he guns down the town sheriff and his deputy in cold blood. Horrified, the defenseless townspeople pray for the day a savior will arrive in town to free them from Bragg's suffocating grasp. Soon thereafter, Virgil (Harris) and Everett (Viggo Mortensen) stride into town atop two mighty steeds, their confident presence signaling the beginning of a new era if the locals will only grant Virgil the complete power he needs to bring Bragg to justice. After pinning on his new sheriff's badge, Virgil appoints Everett his deputy and ushers in an era of uneasy peace. Later, when the local stagecoach arrives in town, a woman named Allison (Renée Zellweger) catches Virgil's eye, prompting a die-hard renegade to consider a calm life of domestication. As Virgil's feelings for Allison grow, both begin to wonder if a life together is truly in the cards. Meanwhile, a temporarily subdued Bragg begins to display signs that he may not be finished with this town just yet. ~ Jason Buchanan, All Movie Guide

Derived from the classic 1951 Japanese film Rashomon, director Martin Ritt's The Outrage attempts to modernize the original story of rape and murder, transporting from medieval Japan to the American Southwest of the 1870's. The story is told within the framework of three men waiting at a railway station. A con-man (Edward G. Robinson) listens to the account of a trial held recently in the town as told by a prospector (Howard Da Silva) and a preacher (William Shatner) suffering from a crisis of faith in humanity. Three witnesses at the trial of a Mexican outlaw give conflicting testimony. Each version is shown in flashback. The outlaw, Juan Carrasco (Paul Newman), confesses that he bound the husband (Laurence Harvey), raped the wife, and killed the husband in a duel of honor. The wife (Claire Bloom) claims that the outlaw raped her, and then she stabbed her husband when he contemptuously blamed her for inviting the assault. The third witness, an old Indian (Paul Fix), declares that he found the dying husband who stated that he stabbed himself because he couldn't live with the humiliation. As the story continues to unfold, the validity of each of the stories is questioned before the truth is finally revealed. ~ Matthew Tobey, All Movie Guide

Having struck pay dirt with his 1958 western Rio Bravo, Howard Hawks more or less remade the picture twice in the 1960s. The first of these rehashes was El Dorado, with Rio Bravo star John Wayne back for more. Wayne plays a gunfighter who rides into El Dorado to link up with his old pal, sheriff Robert Mitchum ("It's the big one with the big two!" declared the film's advertisements). Wayne has turned down a job with evil land baron Ed Asner, who'd hoped to drive a family off the land that he needed for its water. That family, headed by R.G. Armstrong, is convinced that Wayne is working with Asner; when Armstrong's son Johnny Crawford dies, Wayne is held responsible, earning him a bullet in the spine from Crawford's sister Michele Carey. A year passes: Wayne returns to El Dorado, in the company of his new saddle pal James Caan. They find that Asner is still up to his old tricks, and that Mitchum has descended into alcoholism. Several plot twists and power shifts ensue, leading to the slam-bang climax, with the partially paralyzed Wayne, the newly crippled Mitchum (on crutches), and the concussion-suffering Caan battling together to stave off Asner's minions. The final long-shot, of Wayne and Mitchum limping off together arm-in-arm, is one of the most enduring images in the entire Hawks canon. If they loved it twice they'll love it thrice: in 1969, John Wayne and Howard Hawks teamed up for a third Rio Bravo derivation, Rio Lobo--which, like the first two films, was scripted by Leigh Brackett. Incidentally, that's famed artist Olaf Weighorst (whose paintings appear in the title sequence) in a cameo as the gunsmith. ~ Hal Erickson, All Movie Guide