Combat Movies

Oliver Stone's breakthrough as a director, Platoon is a brutally realistic look at a young soldier's tour of duty in Vietnam. Chris Taylor (Charlie Sheen) is a college student who quits school to volunteer for the Army in the late '60s. He's shipped off to Vietnam, where he serves with a culturally diverse group of fellow soldiers under two men who lead the platoon: Sgt. Barnes (Tom Berenger), whose facial scars are a mirror of the violence and corruption of his soul, and Sgt. Elias (Willem Dafoe), who maintains a Zen-like calm in the jungle and fights with both personal and moral courage even though he no longer believes in the war. After a few weeks "in country," Taylor begins to see the naïveté of his views of the war, especially after a quick search for enemy troops devolves into a round of murder and rape. Unlike Hollywood's first wave of Vietnam movies (including The Deer Hunter, Apocalypse Now, and Coming Home), Platoon is a grunt's-eye view of the war, touching on moral issues but focusing on the men who fought the battles and suffered the wounds. In this sense, it resembles older war movies more than its Vietnam peers, as it mixes familiar elements of onscreen battle with small realistic details: bugs, jungle rot, exhaustion, C-rations, marijuana, and counting the days before you go home. This mix of traditional war movie elements with a contemporary sensibility won Platoon four Oscars including Best Picture and Best Director, and a reputation as one of the definitive modern war films. ~ Mark Deming, Rovi

After bringing the story of the American soldiers who fought in the battle of Iwo Jima to the screen in his film Flags of Our Fathers, Clint Eastwood offers an equally thoughtful portrait of the Japanese forces who held the island for 36 days in this military drama. In 1945, World War II was in its last stages, and U.S. forces were planning to take on the Japanese on a small island known as Iwo Jima. While the island was mostly rock and volcanoes, it was of key strategic value and Japan's leaders saw the island as the final opportunity to prevent an Allied invasion. Lt. General Tadamichi Kuribayashi (Ken Watanabe) was put in charge of the forces on Iwo Jima; Kuribayashi had spent time in the United States and was not eager to take on the American army, but he also understood his opponents in a way his superiors did not, and devised an unusual strategy of digging tunnels and deep foxholes that allowed his troops a tactical advantage over the invading soldiers. While Kuribayashi's strategy alienated some older officers, it impressed Baron Nishi (Tsuyoshi Ihara), the son of a wealthy family who had also studied America firsthand as an athlete at the 1932 Olympics. As Kuribayashi and his men dig in for a battle they are not certain they can win -- and most have been told they will not survive -- their story is told both by watching their actions and through the letters they write home to their loved ones, letters that in many cases would not be delivered until long after they were dead. Among the soldiers manning Japan's last line of defense are Saigo (Kazunari Ninomiya), a baker sent to Iwo Jima only days before his wife was to give birth; Shimizu (Ryo Kase), who was sent to Iwo Jima after washing out in the military police; and Lieutenant Ito (Shidou Nakamura), who has embraced the notion of "Death Before Surrender" with particular ferocity. Filmed in Japanese with a primarily Japanese cast, Letters From Iwo Jima was shot in tandem with Flags of Our Fathers, and the two films were released within two months of one another. ~ Mark Deming, Rovi

Steven Spielberg directed this powerful, realistic re-creation of WWII's D-day invasion and the immediate aftermath. The story opens with a prologue in which a veteran brings his family to the American cemetery at Normandy, and a flashback then joins Capt. John Miller (Tom Hanks) and GIs in a landing craft making the June 6, 1944, approach to Omaha Beach to face devastating German artillery fire. This mass slaughter of American soldiers is depicted in a compelling, unforgettable 24-minute sequence. Miller's men slowly move forward to finally take a concrete pillbox. On the beach littered with bodies is one with the name "Ryan" stenciled on his backpack. Army Chief of Staff Gen. George C. Marshall (Harve Presnell), learning that three Ryan brothers from the same family have all been killed in a single week, requests that the surviving brother, Pvt. James Ryan (Matt Damon), be located and brought back to the United States. Capt. Miller gets the assignment, and he chooses a translator, Cpl. Upham (Jeremy Davis), skilled in language but not in combat, to join his squad of right-hand man Sgt. Horvath (Tom Sizemore), plus privates Mellish (Adam Goldberg), Medic Wade (Giovanni Ribisi), cynical Reiben (Edward Burns) from Brooklyn, Italian-American Caparzo (Vin Diesel), and religious Southerner Jackson (Barry Pepper), an ace sharpshooter who calls on the Lord while taking aim. Having previously experienced action in Italy and North Africa, the close-knit squad sets out through areas still thick with Nazis. After they lose one man in a skirmish at a bombed village, some in the group begin to question the logic of losing more lives to save a single soldier. The film's historical consultant is Stephen E. Ambrose, and the incident is based on a true occurance in Ambrose's 1994 bestseller D-Day: June 6, 1944. ~ Bhob Stewart, Rovi

In this World War II action thriller, American reconnaissance agents learn that a German submarine is sinking. The doomed ship carries an Enigma Machine, a special coding device that allows high-level Axis forces to send messages that can't be read without a similar encryption mechanism. Obtaining a working Enigma device would be invaluable for the Allied war effort, so a U.S. sub is sent out to rescue the machine. However, German forces have already picked up the sub's distress signal and are en route to rescue their comrades. U-571 features a distinguished cast, including Matthew McConaughey, Bill Paxton, Harvey Keitel, and Jon Bon Jovi. ~ Mark Deming, All Movie Guide

Officially, America had no intention of entering the Second World War in 1940: Why, then, were there so many "preparedness" pictures like The Fighting 69th? This film, based on the experiences of military priest Father Duffy (Pat O'Brien), is set during World War I. The US 69th division was a national guard contingent comprised of Irish Americans, who fought with the Rainbow Division in the years 1917-1918. Into this Hibernian stronghold comes cocky Jerry Plunkett (Jimmy Cagney), a streetwise tough who is certain that he can lick the Germans single-handedly. But during his first taste of real combat, Plunkett turns coward and inadvertently reveals the 69th's position. Held responsible for the deaths of his companions, Plunkett is sentenced to a firing squad. Thanks to a conveniently dropped bomb that levels the stockade in which he is held, Plunkett redeems himself on the battlefield by sacrificing his life to save his fellow soldiers. The beauty of James Cagney's star performance is that he is as thoroughly convincing as a "yellow belly" as he is a hero. In addition to father Duffy, the real-life personages depicted in The Fighting 69th include future OSS leader Wild Bill Donovan (George Brent) and poet Joyce Kilmer (Jeffrey Lynn). Other Irish "regulars" include Alan Hale, Frank McHugh, Dennis Morgan, and Sammy Cohen. ~ Hal Erickson, Rovi

Having spent much of his directorial career emulating Don Siegel and John Ford, Clint Eastwood borrows a page from the catalogue of Sam Fuller in Heartbreak Ridge. Eastwood casts himself as an old-fashioned Marine Corps sergeant who is out of step with the new-fashioned military. He returns to his old outfit as a gunnery sergeant, where he runs afoul of 1980s-style superior officers to whom the words "Gung Ho" are foolish anachronisms. But through his tough tutelage, Eastwood's lackadaisical platoon is whipped into a first-rate fighting machine, favoring teamwork over such New Age gobbledygook as "self-fulfillment." Eastwood's men prove their mettle during the invasion of Grenada. ~ Hal Erickson, Rovi

The Desert Rats was a quickly assembled follow-up to 20th Century-Fox's successful war film The Desert Fox. Richard Burton plays an officer in the British Eighth Army, battling Rommel's forces in defense of Tobruk. Put in charge of an Australian unit, Burton rides his men ruthlessly, with laudatory results. He is briefly captured by the Nazis and questioned by General Rommel himself, but Burton escapes to lead his surviving troops to safety. James Mason, who portrayed Rommel in The Desert Fox, makes a guest appearance in the same role in The Desert Rats. ~ Hal Erickson, Rovi

In Kevin Reynolds' The Beast, George Dzundza plays a cruel Russian tank commander who gets lost in the wilderness during the war in Afghanistan. As the enemy closes in, the glazed-eyed Dzundza must rely on his survival training to see him through this crisis. Meanwhile, one of Dzundza's men (Jason Patric), abandoned and left to die by his demonic commander, joins the Afghan cause. Filmed in Israel, The Beast (aka The Beast of War) was adapted from a play by William Mastrosimone. ~ Hal Erickson, Rovi

Based on a true story, Bat 21 follows the harrowing adventures of Lt. Colonel Iceal Hambleton (Gene Hackman), whose plane is shot down over enemy territory while on reconnaissance behind enemy lines in Vietnam. Because Hambleton used to call the shots from behind a desk, he lacks combat survival experience and is forced to adapt while the enemy surrounds him on all sides. As the Air Force plans a risky rescue mission, he is befriended by pilot Bartholomew Clark (Danny Glover), who can't land to pick up Hambleton due to the enemy activity but keeps him company by radio. Hambleton's plight takes a turn for the worse once the brass decide to execute an intensive bombing mission in the area, whether or not they can rescue Hambleton. The colonel, meanwhile, confronted for the first time by the horrors of war, begins to reassess his role in the bloodshed. An overlooked film at the time of its release, Bat 21 is a smaller war picture that focuses on an ordinary man in an excruciating situation, and how it ultimately changes his life. ~ Don Kaye, Rovi

Force Z is a crack Australian military corps during World War II. When a plane carrying a high-profile Japanese defector crash-lands somewhere in the South Pacific, it's up to Force Z to find it. Complicating matters is a traitor in the good guys' midst. John Philip Law heads the cast of Attack Force Z, but some video companies have bestowed top billing upon Mel Gibson, originally listed 3rd in the cast. The film also features an early leading peformance by Sam Neill. ~ Hal Erickson, Rovi

A routine sortie turns into a struggle for survival for a U.S. patrol on assignment in Iraq in director Sidney J. Furie's action packed war film. They've gone through training, and now these young soldiers will be forced to put everything they learned in boot camp to the ultimate test when Fedayeen fighters with superior knowledge of the local landscape engage them in close quarters combat of the deadliest kind. With their ammunition dwindling and hope for back-up fading fast, the only thing keeping these desperate soldiers going is pure survival instinct. ~ Jason Buchanan, Rovi

Loosely based on a real-life operation during World War II, this action-adventure from director John Woo stars Nicolas Cage as Joe Enders, a Marine traumatized by the loss of his entire platoon in the Solomon Islands during an ambush he believes was deadlier than necessary due to his indecision. Suffering from eardrum damage in Hawaii, Joe manages to be declared fit for duty once again thanks to a sympathetic nurse (Frances O'Connor), but his new assignment isn't what he expects. Joe is ordered to safeguard a Navajo soldier named Ben Yahzee (Adam Beach) because the military has developed a new secret code based on the near-dead Navajo language that is proving unbreakable to the Japanese. Any soldier that speaks Navajo is an immediate asset, including Ben and his pal, Charlie Whitehorse (Roger Willie). Joe's orders are to "baby sit" Ben during the invasion of Saipan, protecting him if possible, but -- if the code-talker's capture becomes imminent -- to kill him before he falls into enemy hands. Meanwhile, Charlie is to be guarded by affable harmonica player Ox Henderson (Christian Slater). Joe reluctantly accepts this new duty as a way to get back into the war, and in the ensuing carnage, his nearly suicidal acts of bravery make him a hero while Ben becomes paralyzed by fear. Determined to live up to Joe's example, Ben musters up his courage, even in the face of racism from a fellow soldier (Noah Emmerich), and ends up rescuing his own protector behind enemy lines by briefly posing as a Japanese soldier. Despite their growing mutual respect, Joe is eventually forced to take an action that threatens to shatter his bond with Ben, as the war's tragic losses strike closer to home for both men. Windtalkers co-stars Peter Stormare, Jason Isaacs, and Mark Ruffalo. ~ Karl Williams, Rovi

To filmmaker and war veteran Samuel Fuller, war is about survival. You either kill or be killed. His combat films are not about politics, adventure, or home. They are about killing and staying alive. Fixed Bayonets, Fuller's second study of the Korean War, focuses on a neophyte corporal, Denno (Richard Basehart), who is afraid to take a life. When his division is forced down Korea's snowbound mountains, Denno's unit stays behind to cover its retreat. Entrenched in an icy cave, Denno watches his superiors get picked off one by one until he must take command. He soon learns of what he is truly capable and what he will do to survive: Denno learns to kill. Filmed and released during the Korean War, Fixed Bayonets offered audiences no respite from the harrowing, difficult combat. It also introduced a new arena into modern American combat films -- freezing, icy terrain. The actors were so unaccustomed to the ice (that Fuller had actually frozen onto the set), that several men injured themselves within the first week of shooting. Many of the wounded in the film are simply ailing performers who Fuller kept on set so they could still receive their paychecks! ~ Aubry Anne D'Arminio, Rovi