Top War Movies

A modest Polish sewer worker becomes a hero after rescuing a group of Jews from certain death during the Holocaust. Robert Wieckiewicz, Agnieszka Grochowska, and Kinga Preis star in this inspirational World War II drama from two-time Academy Award nominee Agnieszka Holland (Bittere Ernte, Europa, Europa). ~ Jason Buchanan, Rovi

Set against the final days of World War II, The Burmese Harp portrays the experiences of a group of exhausted, war-scarred Japanese soldiers as they prepare to return to Japan. The film focuses on Shoji Yasui, a soldier known to his comrades for his harp playing, who fails to convince a resistant company to surrender and is presumed dead when a battle destroys their hillside encampment. To rejoin his fellow soldiers, Shoji steals the robes of a Buddhist monk and begins to make his way across the countryside. But along the way, he becomes fixated on the hundreds of abandoned, unburied war casualties and begins to assume the duties of his costume and tend to the bodies. Meanwhile, Shoji's friends mount a search for him, eventually noticing the monk to whom he bears an uncanny resemblance. Director Kon Ichikawa's film was adapted by frequent collaborator (and wife) Nato Wada from a book by Michio Takeyama designed to introduce children to the fundamental principles of Buddhism. ~ Keith Phipps, Rovi

Wings, the first feature film to win an Academy Award, tends to disappoint a little when seen today. Too much time is afforded the wheezy old plotline about two World War I aviators (Buddy Rogers, Richard Arlen) in love with the same woman (Jobyna Ralston), while the comedy relief of El Brendel is decidedly not to everyone's taste. But during the aerial "dogfight" sequences, the film is something else again: a grand-scale spectacular, the likes of which has never been duplicated, not even by more expensive efforts like Hell's Angels (1930) and The Blue Max (1965). Twenty-eight-year-old director William Wellman, himself a wartime aviator, was fortunate enough to have the full cooperation of the US War department at his disposal (even though his legendary temper nearly lost him that cooperation on more than one occasion!) Brilliantly handled though the aerial scenes may be, they are matched by the Earthbound combat sequences, including the now-famous shot of a long trench caving in on hundreds of unfortunate doughboys. The storyline is as follows: Jack Powell (Rogers) and David Armstrong () hate each other during basic training, grow to like each other, and fall out again while competing for the affections of Sylvia Lewis (Ralston). Mary Preston (Clara Bow) sacrifices her own nursing career to save a drunken Powell from disgrace, Powell goes on a rampage when he believes his pal Armstrong has been killed, inadvertently shoots down Armstrong while decimating the German air corps, and is finally reunited with the nurse. Wrapped up in nurse's garb throughout most of the film, the ebullient Clara Bow is permitted a sequence in which, disguised as a Parisian floozie while trying to rescue a revelling Rogers, she displays a great deal of epidermis. One of the film's chief claims to fame is its "introduction" of Gary Cooper (who'd actually been in films since the early 1920s), in a brief but crucial role as veteran flyer with a cheerily fatalistic attitude. When originally released, Wings included a sequence lensed in the wide-screen "Magnascope" process; even when seen "flat", however, the film contains some of the best flying sequences ever captured on celluloid. ~ Hal Erickson, Rovi

Band of Brothers producers Tom Hanks and Steven Spielberg re-team to produce this ten-hour World War II miniseries based on the books With the Old Breed by Eugene Sledge and Helmet for My Pillow by Robert Leckie. Additional interviews conducted by the filmmakers in collaboration with Hugh Ambrose (son of late Band of Brothers author Stephen E. Ambrose) detail the arduous odysseys of U.S. Marines Sledge, Leckie, and John Basilone from their first skirmishes in Guadalcanal to their eventual return to American soil following V-J Day. ~ Jason Buchanan, Rovi

The Last Stop (original Polish title: Ostatni Etap) explores in excruciating detail the treatment of women inmates in the Nazi death camp at Auschwitz. The film is nearly impossible to watch at times; surely, you'll try (but fail) to tell yourself, no civilized nation was capable of such bestiality. Most of the story is told from the point of view of Michelle (Huguette Faget), who finally escapes the camp, more dead than alive. The fact that the film was produced only a few years after Auschwitz was liberated adds to the gruesome immediacy of the tale. The Last Stop was written by Wanda Jakubowska and Gerda Schneider--both of whom were Auschwitz survivors. ~ Hal Erickson, Rovi

The comparatively unknown Czech director Vojtech Jasny managed to earn a few industry award nominations for his nostalgic 1968 film All My Good Countrymen. The film is set in a small Moravian village in the immediate postwar years. The "countrymen" of the title look forward to freedom after nearly a decade of Nazi rule. But once more, Czech freedom has been swapped in the name of diplomacy, and now the Moravians must deal with the communists. Not surprisingly, All My Good Countrymen was banned the moment that Russian tanks rolled into Prague in 1968. ~ Hal Erickson, Rovi

During WWII, Sobibor was a notorious Nazi death camp. This gripping, fact-based drama chronicles the courage of an inmate who managed the largest escape from such a place. Thanks to him, over 300 prisoners were freed. ~ Sandra Brennan, Rovi

The Bridge on the River Kwai opens in a Japanese prisoner-of-war camp in Burma in 1943, where a battle of wills rages between camp commander Colonel Saito (Sessue Hayakawa) and newly arrived British colonel Nicholson (Alec Guinness). Saito insists that Nicholson order his men to build a bridge over the river Kwai, which will be used to transport Japanese munitions. Nicholson refuses, despite all the various "persuasive" devices at Saito's disposal. Finally, Nicholson agrees, not so much to cooperate with his captor as to provide a morale-boosting project for the military engineers under his command. The colonel will prove that, by building a better bridge than Saito's men could build, the British soldier is a superior being even when under the thumb of the enemy. As the bridge goes up, Nicholson becomes obsessed with completing it to perfection, eventually losing sight of the fact that it will benefit the Japanese. Meanwhile, American POW Shears (William Holden), having escaped from the camp, agrees to save himself from a court martial by leading a group of British soldiers back to the camp to destroy Nicholson's bridge. Upon his return, Shears realizes that Nicholson's mania to complete his project has driven him mad. Filmed in Ceylon, Bridge on the River Kwai won seven Academy Awards, including Best Picture, Best Director for the legendary British filmmaker David Lean, and Best Actor for Guinness. It also won Best Screenplay for Pierre Boulle, the author of the novel on which the film was based, even though the actual writers were blacklisted writers Carl Foreman and Michael Wilson, who were given their Oscars under the table. ~ Hal Erickson, Rovi

In this war drama set during the French Resistance of WW II, a courageous fighter escapes Gestapo headquarters and returns to Marseille. There he and his gang capture a traitor and throttle him. They then try to rescue a Resistance fighter in Lyons. As they do so, the hero is again captured and his partner killed. Again the hero escapes just before he is executed. He then finds that a female partner has been captured. To avoid having her daughter forced to work in a Nazi brothel, the woman has informed upon the others. She is then released and subsequently killed by another Resistance fighter for revenge. The screenplay is based on Joseph Kessel's novel and became filmmaker Jean Pierre Melville's magnum opus. ~ Sandra Brennan, Rovi

Robert Francis is at the center of the story as Willis Keith, a newly-minted ensign assigned to the destroyer/minesweeper U.S.S. Caine during World War II. Soon after his arrival, the ship gets a new captain, Lt. Comdr. Philip Francis Queeg Humphrey Bogart, a tough, no-nonsense veteran officer who tries to turns the crew into proper sailors and the Caine into a tight ship, engendering resentment from some of the men and several of his officers. A veteran of difficult years of service for too long, Queeg has insecurities about himself, his command, and his career that begin to manifest themselves as spells of temper over small details that cause him to make mistakes. Lt.Keefer (Fred MacMurray), the glib-tongued communications officer, begins making suggestions to the ship's sincere but overburdened first officer, Lt. Steve Maryk (Van Johnson), that Queeg may have mental problems. Maryk initially rejects these suggestions, and tries to support the captain, but conditions deteriorate to the point where Maryk is forced to relieve Queeg of command, and is charged -- along with Keith, who supported him -- with mutiny. Enter Lt. Barney Greenwald (Jose Ferrer), a lawyer in civilian life, who reluctantly agrees to help them, mostly out of sympathy for the impossible predicament in which Maryk has found himself trapped. ~ Bruce Eder, Rovi

This 1938 remake of Howard Hawks' 1930 film The Dawn Patrol is faithful to the original's basic plotline. The story is set during World War I; the scene is the French headquarters of the British Royal Flying Corps, 59th division. The corps is suffering heavy losses, a fact that ace pilot Courtney (Errol Flynn) ascribes to the supposed ruthlessness of squadron commander Brand (Basil Rathbone). What the audience knows that Courtney doesn't is that Brand is distraught at losing his men, but is forced by his own superiors to push the pilots beyond their limits. After being accused day after day of being a butcher, Brand takes grim delight in turning over his command to Courtney. Soon Courtney finds himself enduring the "butcher" tag, especially after the younger brother of his best friend Scott (David Niven) is killed. To redeem himself, Courtney gets Scott drunk and takes his place in a suicidal bombing mission. Courtney is killed, Scott assumes command, and the cycle begins again. The extensive use of combat scenes from the original Dawn Patrol has led some viewers to assume that the 1930 version is the superior of the two. In fact, the remake is far better than the original on several counts, not least of which was the star power of Errol Flynn and Basil Rathbone in their third screen teaming. ~ Hal Erickson, Rovi

A Generation is the first of Polish filmmaker Andrzej Wajda's "underground trilogy"-and also Wajda's first-ever feature film. Originally titled Pokolenie, the film dissects the impact that World War II had on the youth of Poland. Tadevsz Lomnicki plays an impressionable young Warsaw resident who falls in love with resistance leader Ursula Modrzinska. The passion they feel towards their cause is inextricably entwined with the intensity of their feelings towards one another. During several crucial moments, the director contrasts the "official" version of wartime events with the actual facts (many experienced first-hand by Wajda), partly as a means of explaining the peacetime disillusionment of so many young Poles. As a result, the film was subject to an overabundance of government interference when it was first released. Watch closely in the Underground scenes of A Generation and you'll spot a young Roman Polanski. ~ Hal Erickson, Rovi

When World War I hero Alvin York agreed to sell the movie rights to his life story to Warner Bros., it was on three conditions: (1) That the film contains no phony heroics, (2) that Mrs.York not be played by a Hollywood "glamour girl" and (3) That Gary Cooper portray York on screen. All three conditions were met, and the result is one of the finest and most inspirational biographies ever committed to celluloid. When the audience first meets young farmer Alvin York (Cooper), he's the cussin'est, hell-raisin'est critter in the entire Tennessee Valley. All of this changes when York is struck by lighting during a late-night rainstorm. Chalking up the bolt from the blue as a message from God, York does a complete about-face and finds Religion, much to the delight of local preacher Rosier Pile (Walter Brennan). Despite plenty of provocation, York vows never to get angry at anyone ever again, determining to be a good husband and provider for his sweetheart Gracie Williams (Joan Leslie). When America goes to war in 1917, York elects not to answer the call when drafted, declaring himself a conscientious objector. Forced to go to boot camp, he proves himself a born leader, yet still he balks at the thought of killing anyone. York's understanding commanding officer Major Buxton (Stanley Ridges) slowly convinces the young pacifist that violence is sometimes the only way to defend Democracy. Later on, while serving with the AEF in the Argonne Forest, Sergeant York sees several of his buddies, including his Bronxite best pal Pusher Ross (George Tobias), killed in an enemy ambush. His anger aroused, York personally kills 25 German soldiers, then single-handedly captures 132 prisoners. As a result, York becomes the most decorated hero of WW1, celebrated by no less than General John J. Pershing as "the greatest civilian soldier" of the war. The film won Gary Cooper his first Academy Award, and also picked up an Oscar for Best Film Editing. Not surprisingly, it ended up as the highest-grossing film of 1941. ~ Hal Erickson, Rovi