Supernatural Thriller Movies

Cristina Aroca, Guillermo Bergandi, Agustín Lozano, Ezequiel Cipols and Enrique Liporace co-star in the Spanish-language supernatural thriller The Ivory (AKA El Marfil). The picture concerns a patriarch visited by an old friend, who bequeaths to him an amulet that contains the power to grant three wishes. The friend warns the man about the potential destructiveness of the amulet, but after he leaves, the patriarch and his son decide to use it and unwittingly set loose a bevy of supernatural horrors. ~ Nathan Southern, Rovi

A drag race turns to tragedy when one car, with three young women inside, topples over a bridge and into the muddy river below. The authorities drag the river, but the search is fruitless and the girls are presumed dead until a single survivor stumbles out of the water with no recollection of how she escaped. Mary Henry (Candace Hilligoss) decides to forget her strange experience and carry on with her plan to move to Utah to accept a job as a church organist. She rejects the notion that because her profession leads her to work in the church, she is obligated to worship as part of the congregation, and this cold approach to her work unnerves many around her. While driving to the new city, she experiences weird visions of a ghoulish man who stares at her through the windshield, and passes an abandonded carnival on a desolate stretch of highway outside of town to which she feels strangely drawn. Mary tries to live her life in private, ignoring invitations to worship by the minister of her church and the leering propositions of a neighbor in her rooming house. Soon the ghostly apparition from the highway is appearing more often, and she experiences eerie spells in which she becomes invisible to people on the street. A doctor tries to help, but he too is rejected, and eventually Mary realizes that the deserted carnival holds the secret to her destiny. ~ Fred Beldin, Rovi

This staid British thriller stars John Turner as 18th-century nobleman Sir John Fordyce, whose blissful honeymoon holiday is cut brutally short by angry locals who accuse him of raping a woman from the village. Worse, they claim to have seen the ghost of his first wife riding through town on horseback, shrieking that she had died by her husband's hand. Despite Sir John's protestations of innocence, the hand of fate seems to be closing in, as more violent acts are perpetrated -- including the death of his father -- and his new bride (Heather Sears) is prepared to shoot him dead if he comes near her. All is revealed in the contrived climax -- which plays out like a Gothic version of a "Scooby-Doo" episode. The filmmakers tried to punch things up with a plethora of cheap spook-house gimmicks but fail to disguise the threadbare plot. ~ Cavett Binion, Rovi

Following the phenomenal box-office success of his seminal horror classic Halloween, director John Carpenter teamed up with producer Debra Hill for a second independent horror project, this time in the mode of an old-fashioned ghost story. The end result was The Fog, a spooky romp about a dark secret that returns to haunt the Pacific fishing community of Antonio Bay on the 100th anniversary of the town's charter. Carpenter sets the mood in the film's prologue, which features grizzled old sea salt Mr. Machen (John Houseman) spinning ghost stories for a group of local children. For his final tale, he recounts the legend of the Elizabeth Dane -- a ship which crashed 100 years ago against the very rocks upon which the children are sitting. Meanwhile, as the clock strikes midnight on the fateful anniversary of that disaster, eerie phenomena begin to plague the town as a dense fog bank creeps toward the bay. Seeming to appear from nowhere and emitting a ghostly glow, the fog surrounds a small trawler filled with drunken fishermen, who glimpse the vague outline of a decrepit sailing vessel before being brutally killed by shadowy figures brandishing hooks and swords. That morning, news of their disappearance is relayed to the town by Stevie Wayne (Adrienne Barbeau), owner and operator of the local radio station. The news reaches the wife of one of the fishermen, city councilwoman Kathy Williams (Janet Leigh) and local boy Nick Castle (Tom Atkins), who takes a trip out to the abandoned boat to investigate, accompanied by teenage drifter Elizabeth Solley (Jamie Lee Curtis). As the day progresses, a grim series of events paints a decidedly unpleasant picture of Antonio Bay's founders, and foreshadows the ghostly retribution that awaits the town's present-day residents. When Mrs. Williams visits local priest Fr. Malone (Hal Holbrook) about a benediction for that night's centennial ceremony, he relates a ghastly tale discovered in his grandfather's journal, which details the town fathers' decision to murder a group of lepers who had planned to build a commune outside of Antonio Bay. Just as the night's proceedings are haunted by the horrors of the past, the ghosts of the murdered dead have returned to seek symbolic revenge by claiming the lives of six townspeople, arriving amid the ominous fog bank which has completely engulfed Antonio Bay. Carpenter reportedly shot and inserted additional gory scenes after the original 'PG' cut failed to impress preview audiences. ~ Cavett Binion, Rovi

During a boring, routine weekend, young Glen (Stephen Dorff) and his best buddy, Terry (Louis Tripp), decide to explore Glen's backyard. Before long, the boys come across a strange hole in the ground which yields all manner of sinister prizes. Consulting one of his heavy-metal record albums, Glen comes to the correct conclusion that the hole is actually the Gate to Hell. Offering a sacrifice in the form of a dead dog, Glen further opens the portals of Hades, through which pass some of the most hideous demons imaginable. A surprise box-office hit, The Gate yielded a sequel, predictably titled Gate II. ~ Hal Erickson, Rovi

The Houston, Texas police department is thrown into an uproar when someone discovers a bag full of severed human hands. Each one has a different number tattooed on the palm and the police suspect a serial killer. Things take an even stranger turn when they enlist the aid of an unusual boy with telepathic powers. ~ Sandra Brennan, Rovi

Charlatan Frank Bannister (Michael J. Fox) has genuine psychic powers, but he doesn't use them to help people. Rather, he generates cases for his supernatural private-eye firm by harassing a group of hapless ghosts (including a dearly departed Wild West outlaw and an undead judge played by John Astin) into staging hauntings and poltergeists in the homes of likely marks. Bannister's world turns on its head when he starts noticing real hauntings around town -- ghostly assassinations that seem to be tied to the execution 20 years earlier of a brutal serial killer. Lucy Lunskey (Trini Alvarado), the wife of one unlucky victim, teams up with Bannister to get to the bottom of the killings and find out what shut-in Patricia Bradley (Dee Wallace Stone) and her witchy mother (Julia McCarthy) have to do with the sinister spree. ~ Brian J. Dillard, Rovi

In this psychological horror story from Japan, a legend circulates among teenagers that if one watches a certain video at a certain time of the night, the telephone will ring right afterward, and one week later, you will die. When Masami (Hitomi Sato) tells her friend Imako this story, she scoffs -- but a week later, Imako dies in an auto accident. Imako's aunt, a television journalist named Reiko (Nanako Matsushima), hears that not long before she died, Imako was watching a strange video with her friends -- all of whom have turned up dead. Reiko tracks down a copy of the video, and as she watches its strange, spectral images, the telephone begins to ring....The next morning, Reiko begins a desperate search to solve the mystery of the video, convinced she has only seven days to live; assisting her is Ryuji (Hiroyuki Sanada), a mathematics expert and her former husband. Ringu was a box-office success in its native Japan, and a surprise blockbuster in Hong Kong, where it became the biggest grossing film of the first half of 1999. ~ Mark Deming, Rovi

In this tense tale of psychological terror, Dr. Malcolm Crowe (Bruce Willis) is a child psychologist whose new patient has a problem far outside his usual area of expertise. Cole Sear (Haley Joel Osment) is six-years-old and claims to see the spirits of dead people all around him. It seems that Cole has psychic powers and can channel the ghosts of those who were troubled. Cole doesn't understand his powers, and he has little control over them; he's constantly terrified by what he sees, and Dr. Crowe is the only one with whom he feels he can share this secret. However, as the doctor digs deeper into Cole's strange powers, it leads to strange and unexpected consequences for both of them. M. Night Shyamalan, who wrote and directed the film, has a small role as Dr. Hill. ~ Mark Deming, Rovi

In this supernatural thriller, Tom Witzky (Kevin Bacon) is a fairly typical working-class guy living in Chicago with his wife Maggie (Kathryn Erbe) and his son Jake (Zachary David Cope). One night at a party, Tom gets into a lively discussion with his sister-in-law, Lisa (Illeana Douglas), who believes in psychic communication and the power of hypnosis. He challenges Lisa to hypnotize him, and she plants in him a post-hypnotic suggestion to be more open-minded. But the results aren't quite what Lisa or Tom expected; Tom now senses an air of terrible dread throughout his house and is convinced that evil lurks just around the corner. He also sees the spirit of a girl from the neighborhood who disappeared months ago -- and Jake sees the spirit as well. Stir of Echoes was based on a novel by Richard Matheson, whose work inspired such disparate films as Somewhere in Time and The Incredible Shrinking Man; it was written and directed by David Koepp, who wrote the screenplays for Jurassic Park and Mission: Impossible. ~ Mark Deming, Rovi

For his debut feature, filmmaker Matt Steinauer wrote, directed, edited, and photographed this 1999 independent movie that blends elements of sci-fi, fantasy, horror, and action. David Wilson stars as Lens Ozark, a man brought back from the dead and called upon to track down a mystical coin. As his search ensues, Ozark finds himself submerged into a bizarre world of crime and magic. Elliot Grey and Stephanie Matthew-Diaz also star. ~ Matthew Tobey, Rovi

The Sixth Sense and A Simple Plan by way of Martin Heidegger, this genre-bending thriller is directed by Kiyoshi Kurosawa. Katsuhiko (Koji Yakusho) is a mild-mannered sound-technician who is married to Junco (Jun Fubuki). While at first glance Junco seems to be an average hausfrau, she possesses great clairvoyant powers. Though she has slowly and quietly built a reputation as a medium, she proves to be completely incapable of working in a normal service industry job; she has the unfortunately tendency of being able to see the crimes of her patrons. Katsuhiko is aware of her unusual abilities but prefers to think of her as "normal." Young psychology graduate student Hayakawa (Teuyoshi Kusanagi) invites Junco to join his study on the paranormal. At the same time, the police are desperately searching for a young girl who was kidnapped by an ex-cop turned pervert. At Hayakawa's behest, the cops consult with Junco as to the child's whereabouts. Ironically enough, the girl escapes her captor and takes refuge in Katsuhiko's equipment case while he records sounds in the mountains. The next day, Junco's psychic sonar goes off and she discovers the missing child in their garage. This freak happenstance awakens a long-dormant ambition in Junco: convinced that her discovery was not a striking enough find, she hatches an ill-conceived scheme to make it seem more dramatic. While Katsuhiko tends to the unconscious girl, Junco scatters clues throughout the western suburbs of Tokyo and then informs the police of her psychic "insights." As the film progresses, their plan goes awry and the child meets a bad end. Junco's abilities boomerang on her, and soon she and Katsuhiko are haunted by the ghost of the girl. Noted stars Yukari Ishida and Show Aikawa make cameos. This film was screened at the 2000 Toronto Film Festival. ~ Jonathan Crow, Rovi