Chinese Movies

For his first film since the 1997 Hong Kong handover, auteur filmmaker Wong Kar-wai directs this moody period drama about unrequited love that, like his earlier work, swoons with romantic melancholy. Set in a Shanghaiese enclave in Hong Kong in 1962, the film centers on two young couples who rent adjacent rooms in a cramped and crowded tenement. Li-zhen (Maggie Cheung) works as a secretary in an export company while her husband's job at a Japanese multinational keeps him away on extended business trips. Across the hall, Chow (Tony Leung Chiu-wai) works as a newspaper editor and is married to a woman who is also frequently out of town. Neither respective spouse is ever shown in full, instead they are shot from the back or obscured by walls and furniture. Li-zhen and Chow soon strike up a cordial -- if tenative -- friendship. Chow begins to suspect that his wife's long absences are not entirely business related when he stops in unannounced at her office to discover that she is not there. Later, a colleague tells him that he saw his wife with another man. The icing on the cake comes when Chow notices that Li-zhen's handbag is identical to his wife's while Li-zhen discovers that Chow is wearing a tie that she gave her husband; it doesn't take long for them to realize that their spouses are sleeping together. Drawn together by shame and anger, Chow and Li-zhen reveal nothing of their discoveries to their partners. While working through their guilt by imagining how their adulterous spouses first hooked up and rehearsing interrogations, the pair slowly fall in love in spite of their determination to uphold their end of their marital vows. In the Mood for Love, which was screened in competition at the 2000 Cannes Film Festival, barely made it to the fest's final slot; Wong Kar-wai was reportedly shooting scenes in Cambodia a week prior to the festival. ~ Jonathan Crow, Rovi

A deadly car accident threatens to cause a violent gang war on the crowded streets on Hong Kong's Mongkok district in writer/director Derek Yee's thriller One Night in Mongkok. Officer Milo (Alex Fong)'s task force is assigned to the case when a gangster's son is accidentally killed during a drunken dispute with a rival gang. He soon learns that a hitman has been hired to take out the rival gang leader. While Milo and his crew desperately try to find and stop the hired gun, fearing all-out war in the streets, Lai Fu (Daniel Wu), a smart but inexperienced killer from a small town in the mainland, arrives in Hong Kong to do his job. A decent sort, he intercedes when he sees a thug threatening a prostitute at his hotel. She turns out to be Dan Dan (Cecilia Cheung from Running on Karma), from a small town not far from his own. Dan Dan is a very practical young woman, and when she sees the wad of cash Lai Fu is carrying (half of his payment for the job), she pretty much latches onto him. Since she knows her way around town, this turns out to be a help to Lai Fu when he finds out that the contractor who hired him has ratted him out to the cops. As it turns out, Lai Fu isn't really that interested in killing for money, and has an ulterior, more benign motive for his trip into town. But the cops and assorted bad guys are closing in anyway. One Night in Mongkok, winner of the 2004 Hong Kong Film Award for Best Director and Best Screenplay, had its New York premiere at the 2005 New York Asian Film Festival, presented by Subway Cinema. ~ Josh Ralske, Rovi

Made famous in Ang Lee's 2000 Academy Award-winning film, the story of Crouching Tiger, Hidden Dragon was reimagined and expanded for this Chinese made-for-television film. Revolving around the fabled Green Destiny Sword, the film follows four people, two women and two men, as their lives intertwine. One woman seeks to escape an arranged marriage with the help of a martial arts master, while the other woman falls in love with an expert swordsman while plotting to enact revenge for the death of her parents. Also entering the fold, is Jade Fox, a mysterious criminal. New Crouching Tiger, Hidden Dragon clocks in at a full 228 minutes, over an hour and a half longer than Lee's film. ~ Matthew Tobey, Rovi

A top celebrity cop finds his ability to solve a series of kidnappings and white collar crimes sidelined by the grief he harbors for his long-missing girlfriend in this dramatic Hong Kong action entry from director Benny Chan. Ever since Suen Sui-yan (Aaron Kwok)'s girlfriend went missing without a trace ten years ago, everything just seemed to fall apart for the high profile policeman who could once do no wrong. These days Suen is investigating a lucrative money laundering scheme, but upon being assigned the task of escorting a crooked accountant named Hung (Patrick Chow) to the Hong Kong airport, his luck takes an even darker turn when an assassin's bullet kills his unfortunate charge. Suen's suspicions that something is amiss are soon confirmed when a barrister acting on behalf of powerful businessman Yiu (Lo Ka-leung) denies that his client played any part in the killing and Yiu's assets are freed-up since the potential police witness has been permanently silenced, and before long the suspicious suit is struggling to pay off a sizable debt to the triads. Soon after triad boss Jim (Lau Siu-ming) admits to a fondness for Yiu's pop-star son Yiu Ha (Tommy Yuen), the adolescent singing sensation is suddenly kidnapped. Now, as Suen struggles to make a connection between all the events and reveal the identity of the mysterious assassin, the resemblance between Barrister To (Ekin Chang)'s beautiful wife Amy (Angelica Lee) and Suen's own long-missing girlfriend fast begins to cloud the determined cop's head and complicate the case. ~ Jason Buchanan, Rovi

It is 1895 in Canton, China. The Europeans are still milking the country for every dollar they can and claiming special privileges in it, as well. Meanwhile, the virulently anti-foreign White Lotus Society is mounting attacks on the generally clueless British, with the very obvious but low-key support of the government. If somebody doesn't protect the idiotic foreigners, things could get so far out of hand that they will bring in their armies for some really debilitating reprisals. This is all going on just at a time when China has some other serious problems, like the democratic agitations of Sun Yat Sen and the imperialist inroads of the Japanese, who have just stolen Taiwan from China. Fortunately, Wong Fey Hong (Jet Li) is a crafty and effective man and a wonderfully skilled martial artist. He is prepared to do what he can to protect the widely resented foreigners for reasons which are quintessentially Chinese. This is the second of four martial arts historical epics, all with the same basic title. ~ Clarke Fountain, Rovi

Following on the heels of director Zhang Yimou's Not One Less (1999), which won the top prize at the 1999 Venice Film Festival, comes this sensitively-wrought portrait of a young woman's unshakable love. The film opens in the present, shot in gritty black and white, as businessman Luo Yusheng (Sun Honglei) returns to his hometown in the rural Hebei province to attend the funeral of his father. When Luo suggests that the coffin should be brought home from the hospital on a tractor, his aging mother Zhao Di (Zhao Yuelin) rebuffs him, insisting that they conform to custom and have it carried home by local men. Later, as Luo recalls his parent's courtship, the film switches to color and travels back in time about 40 years. A young, beautiful Zhao Di (Zhang Ziyi) find herself falling for the village's handsome new teacher Luo Changyu (Zheng Hao). As the males in the village join together to build a school for the burg, Zhao Di helps the other women prepare food, waiting patiently to meet the strapping educator. Just as their romance begins, Luo is suddenly ordered to leave by the Communist authorities. As Luo packs up and leaves the village, Zhao Di races hither and thither carrying his favorite steamed dumplings, hoping to catch him before he departs. Though the odds of reunion seem slim, Zhao Di steadfastly holds vigil for her lover until miraculously, Luo returns under the cover of the night only to be once again ordered to the city where he has been commanded to stay. The pair are forced to wait another two years until they can be together. This film won the prestigious Silver Bear at the 2000 Berlin Film Festival and the World Cinema Audience Award at the 2001 Sundance Film Festival; the victories were all the more sweet for the director, as The Road Home was rejected outright from the 1999 Cannes Film Festival, prompting Zhang to angrily withdraw his Not One Less from competition. ~ Jonathan Crow, Rovi

Wan Tin-sau (Stephen Chiau) is a struggling actor who has devoted his life to the study of his craft, but unfortunately the moment he gets on a film set, disaster usually strikes. However, Wan refuses to give up, and is busy trying to stage a traditional Asian drama, "Thunderstorm," when he gets an unusual job offer. Piu-piu (Cecilia Cheung) is a bar girl who wants to be able to feign a greater interest in her customers, so she hires Wan to give her private acting lessons. The longer they work together, the more they find they have in common, and before long Wan and Piu-Piu are in love. Heikek Chi Wong was a major box-office success in Hong Kong, where it was the top money maker for the Chinese New Year season; Jackie Chan makes a cameo appearance as an extra, and Stephen Chiau in turn had a bit part in Chan's romantic comedy Bolei Cheun, released at the same time. ~ Mark Deming, Rovi

In this classic martial arts film from Hong Kong, Yuen Biao plays the effete son of a wealthy man who is halfheartedly studying kung fu, though his father has to pay ringers to fight him (and, of course, lose). When he finds out that his father has been deceiving him, Biao decides he must learn the true ways of the martial arts, and tries to convince a noted kung fu expert to take him on as a pupil. Prodigal Son was directed by Sammo Hung, who also plays a supporting role. ~ Mark Deming, Rovi

An influential martial arts film and an acknowledged influence on Ang Lee's amazing Crouching Tiger, Hidden Dragon, King Hu's A Touch of Zen opens with young scholar Ku Shen-chai working at his portraiture stand in a small frontier town. He lives with his nagging mother in a supposedly haunted, rundown house at the edge of the abandoned Ching Liu estate. One day, a stranger named Ou-Yang Yin asks for his picture to be painted, and then suddenly leaves. Soon, another stranger -- this time a beautiful woman named Yang Hui-Ching -- suddenly moves into the complex next door. The presence of these strangers has an increasingly unnerving effect on Ku, and he rightfully comes to believe that the entire town is involved in some bizarre political intrigue. After a night of passion between Ku and Yang, Ou-Yang Yin stages a surprise attack on the compound, which Yang surprisingly thwarts with dazzling aplomb. Yang reveals to him that her father was an honorable general executed due to the nefarious doings of the powerful Eunuch Wei. With the aid of General Shih and Lu (who pose as the town's blind beggar and herb vendor respectively), Yang was spirited away first to a monastery where she learned martial arts and then to Ku's remote corner of China. Ou-Yang Yin, Eunuch Wei's henchman, has in turn vowed to pursue her to the ends of the earth. As Ou-Yang Yin rallies Wei's army to the walled estate, Ku -- having spent a lifetime researching military history -- devises a brilliant strategy to crush the siege and win the heart of this most unusual woman. Though his plan works, he fails to win the loyalty of Yang; she flees into the night as Ku slept. After searching desperately, Ku finds her in the same monastery where she learned kung-fu. Now a Buddhist nun, she hands over their child to him and sends him packing. Realizing that Ku is in danger, Yang and her mentor -- a saintly abbot -- then set out to protect him. Suddenly out of nowhere, Hsu Hsien-Chen -- the profoundly evil army commander of Eunuch Wei -- confronts the abbot and an all-out battle between good and evil ensues. Screened at the 1975 Cannes Film Festival and winning a technical prize, this was the first Chinese language film ever to win a major western film festival award. ~ Jonathan Crow, Rovi

The third filmization of the Chinese version of Phantom of the Opera, this Hong Kong operatic melodrama is set in the fatastical burned-out husk of a once glorious opera house located near 1937 Beijing. The tale begins as a homeless theater troupe arrives there and listens to the caretaker describe the theater's demise. It happened a decade ago when the enemies of former famous actor Song Danping, who built the place, torched it for revenge after his affair with the already betrothed Yunyan was discovered. Unfortunately, Song was in the theater at the time and his body was never found. The troupe makes the theater their new home and as they rehearse, actress Wei Quing makes the acquaintance of a ghostly figure who turns out to be Song. He shares with her his plan for vengeance. Those plans involve a brilliant restaging of Romeo and Juliet designed to help him bring back his beloved Yunyan and restore the sanity she lost after he was murdered. ~ Sandra Brennan, Rovi

A young athlete desperate to support his girlfriend is inadvertently drawn into the dangerous world of underground fighting. As the oppressive greed and ruthless of the underground prizefighting circuit transform a once-naïve contender into a hardened fighting machine, this noble young warrior enters into a battle in which both his life, and his soul, are on the line. ~ Jason Buchanan, Rovi

SPL power duo Wilson Yip and Donnie Yen re-team for this raucous action film about a loose-cannon cop on the trail of three drug-dealing brothers. Jun (Yen) is the kind of cop who always gets his man, but may set a whole city block ablaze in the process. Though his superiors are constantly on his case, Jun knows how to get the job done and never hesitates to innovate in times of crisis. Archer (Lui Leung Wai), Tony (Collin Chou), and Tiger (Xing Yu) are three dope slingers who supply the product for much of the local drug trade, and Jun is determined to take them down at all costs. Assisting Jun in his task is undercover cop Wilson (Louis Koo), a seasoned veteran capable of infiltrating the gang and gaining their trust. Though Wilson is at first successful in his mission, his cover is soon blown and a fierce battle leaves him unable to walk on his own. Fortunately for the good guys, Archer is captured in the violent fracas. While at first this seems like a major coup for law enforcement, the small victory takes a grim turn when vengeful brother Tiger vows to eliminate sole witness Wilson before the case ever goes to trial. ~ Jason Buchanan, Rovi