Period Drama Movies

One of the best Ismail Merchant/James Ivory films, this adaptation of E. M. Forster's classic 1910 novel shows in careful detail the injuriously rigid British class consciousness of the early 20th century. The film's catalyst is "poor relation" Margaret Schlegel (Emma Thompson), who inherits part of the estate of Ruth Wilcox (Vanessa Redgrave), an upper-class woman whom she had befriended. The film's principal characters are divided by caste: aristocratic industrial Henry Wilcox (Anthony Hopkins); middle-echelon Margaret and her sister Helen (Helena Bonham Carter); and working-class clerk Leonard Bast (Sam West) and his wife (Nicola Duffett). The personal and social conflicts among these characters ultimately result in tragedy for Bast and disgrace for Wilcox, but the film's wider theme remains the need, in the words of the novel's famous epigram, to "only connect" with other people, despite boundaries of gender, class, or petty grievance. Filmed on a proudly modest budget, Howards End offers sets, spectacles, and costumes as lavish as in any historical epic. Nominated for 9 Oscars, including Best Picture and Best Director, the film took home awards for Thompson as Best Actress, Ruth Prawer Jhabvala's adapted screenplay, and Luciana Arrighi's art direction. ~ Hal Erickson, Rovi

The costume drama Clarissa stars Saskia Wickham as the title character. An unethical cad named Lovelace (Sean Bean) becomes obsessed with bedding the young woman, and soon ends up being responsible for her. However, his own libertine lifestyle takes its toll on him, physically and emotionally. ~ Perry Seibert, Rovi

Adapted from William Boyd's 2002 novel Any Human Heart: The Intimate Journals of Logan Mountstuart, this BBC miniseries follows the tumultuous and colorful experiences of the title character, an English belletrist. Because Mountstuart begins life in 1906 and dies in 1991, his history is essentially that of the 20th Century, with all of its quirks, milestones and unexpected surprises, both positive and negative. The program begins with octogenarian Logan (Jim Broadbent) rebuilding his life in the wake of a nearly-fatal heart attack. As he combs through his diaries, they evoke vivid memories of decades prior, beginning with the Briton's experiences at University in the 1920s with pals Ben Leeping (Freddie Fox) and Peter Scabius (James Musgrave) - where he landed in the awkward position of being forced to tell a pretty co-ed that her relationship with Peter was over. The narrative then moves forward in time to such events as: the chance meeting with Ernest Hemingway that propelled Logan down his chosen career path; the publication of his first book, The Girl Factory; his relationship with, and marriage to, socialite Lady Lottie Cassell (Emerald Fennell); and, eventually, a meeting in 1930s Portugal with soulmate Freya Deverall (Hayley Atwell) as the shadow of World War II slipped over Europe. Sam Claflin and Matthew Macfadyen play the collegiate Logan and the young adult Logan, respectively; the cast also includes Gillian Anderson, Kim Cattrall and Tom Hollander. ~ Nathan Southern, Rovi

On the 1st of January in 1900, Danny Boodmann (Bill Nunn), the mechanic of the transatlantic liner Virginian bound for America, finds an abandoned baby on board and decides to keep him. Nicknamed Novecento (1900), the boy grows up on the ship hidden from everyone. His presence is revealed when Danny dies in an accident. The young '1900' manages to hide again despite threats from the captain. Discovering a passion for music, he teaches himself to play the piano without being able to read the notes, and he soon becomes a virtuoso whose reputation spreads beyond the confines of the ship. Even the famous jazz piano player, Jelly Roll Morton (Clarence Williams III), gets on board for a challenge because he has heard rumors about the greatest piano player in the world living on a ship. The story is told by Max Tooney, Novocento's old trumpeter friend, who reminisces about the incredible pianist who never set foot on land. After two films about cinema, Giuseppe Tornatore comes up with the story of a highly imaginative artist who lives only for and through his art. Tornatore was inspired by a theatre monologue written in 1994 by Alessandro Baricco, and the film was shot partly in Odessa, on a sixty-year-old Russian freighter, and partly in the Cinecitta studios in Rome. Tim Roth's performance as the talented but reserved Novocento is remarkable, and the music of Ennio Morricone plays a vital role in the film. La leggenda del pianista sull'oceano, which was retitled The Legend of 1900 for US distribution after forty-five minutes have been cut, was originally two hours and forty minutes when it was shown to great success in Italy in autumn of 1998. The US version had its world premiere at the 1999 Locarno International Film Festival. ~ Gönül Dönmez-Colin, Rovi

Thomas Hardy's classic 19th century novel Tess of the d'Ubervilles was expansively adapted to television in this two-part British miniseries. Justine Waddell stars as Tess D'Urbeyfield, the poor relation to the prosperous D'Ubervilles, a rural family. Sent to work on the farm of her distant relatives, Tess stirs up an intense romantic rivalry between her cousin Alec D'Uberville (Jason Flemyng) and handsome "local" Angel Clare (Oliver Milburn). Tragedy ensues when the rapacious Alec "has his way" with Tess, inaugurating a chain of events that will ultimately find the heroine on trial for her life. A production of ITV's London Weekend Television, Tess of the d'Ubervilles was originally presented in one two-hour and one 90-minute installment beginning March 8, 1998. The program debuted in America on September 13 of that same year. ~ Hal Erickson, Rovi

A romantic and sentimental comedy set at the turn of the 19th century, An Ideal Husband delves into themes of love, passion, and betrayal among the aristocracy. Sir Robert Chiltern (Jeremy Northam), a brilliant politician and a perfect gentleman, is the ideal husband for the charming Lady Chiltern (Cate Blanchett). They have a widely envied marriage until charming Mrs. Cheveley (Julianne Moore) appears with the intention of revealing a dark secret from Chiltern's past. When his world seems to be falling apart, Chiltern turns to his lifelong friend Lord Arthur Goring (Rupert Everett), the most eligible bachelor in town. Goring soon finds himself caught up in a web of lies, temptations, and secret liaisons. Furthermore, the persistent charms of Sir Robert's sister Mabel (Minnie Driver) are becoming a serious threat to his much-cherished bachelorhood. Using political intrigue and clever wit, An Ideal Husband draws a picture of a society struggling with issues still valid today. ~ Gönül Dönmez-Colin, Rovi

A seemingly simple assignment sends a warrior for hire into a labyrinth of danger and intrigue in this intelligent and expressive action vehicle from filmmaker Masahiro Shinoda. In Japan in the year 1614, Sasuke Sarutobi (Koji Takahashi) is a retainer of the Sanada Clan who has grown weary of the constant warfare that has become a fact of life in his country. Tatewaki Koriyami (Eiji Okada) is a lieutenant with the Tokugawa Clan who has fled his commanders and thrown his alliances behind a rival clan, and Sarutobi is ordered to discover his whereabouts. However, as Sarutobi sets out in search of his quarry, two people he meets en route -- a charming but amoral thug and a beautiful woman -- both wind up dead shortly after he establishes friendship with them, making it clear to the samurai that someone is out to get him. As a strange and deadly assassin follows Sarutobi's trail, he finds himself drawn deeper into a web of dangerous alliances and bitter conflicts, with the warrior meeting almost no one he can trust short of a beautiful dancer also hoping to escape the violence around her. Sarutobi was loosely adapted from a novel by Japanese author Koji Nakada. ~ Mark Deming, Rovi

After the Oscar-winning The English Patient, writer/director Anthony Minghella attempted another tricky literary adaptation with The Talented Mr. Ripley, which features heartthrob Matt Damon cast against type as a psychopathic bisexual murderer. Tom Ripley (Damon) is a bright and charismatic sociopath who makes his way in mid-'50s New York City as a men's room attendant and sometimes pianist, though his real skill is in impersonating other people, forging handwriting, and running second-rate scams. After being mistaken for a Princeton student, Tom meets the shipping tycoon father of Dickie Greenleaf (Jude Law), who has traveled to the coast of Italy, where he's living a carefree life with his father's money and his beautiful girlfriend, Marge (Gwyneth Paltrow). Dickie's father will pay Ripley 1,000 dollars plus his expenses if he can persuade Dickie to return to America. As Ripley and Dickie become friends, Tom finds himself both attracted to Dickie and envious of his life of pleasure. In time, he decides that he would rather be Dickie Greenleaf than Tom Ripley, so rather than go back to his life of poverty, Ripley impulsively murders Dickie and assumes his identity. The Talented Mr. Ripley was based on the first of a series of novels featuring Tom Ripley written by Patricia Highsmith; the story was previously filmed in 1960 as Purple Noon, with Alain Delon as Ripley. ~ Mark Deming, Rovi

Ismail Merchant, best known as a producer for his work with director James Ivory (including Howards End and A Room With a View), takes possession of the director's chair in this drama. In 1954, seven years after India has gained independence from Great Britain, many Indians still feel like second-class citizens in their own country, as the nation's sovereignty has not immediately erased the perception that the British are superior to the Indian-born natives. Such a woman is Cotton Mary (Madhur Jaffrey), who works as a nurse for Lily Macintosh (Greta Scacchi), the wife of a BBC correspondent. Mary claims she's the daughter of a British regiment officer (although she has no firm evidence), and she sees herself as more British than Indian. While she takes offense at racist comments, she often states her belief that most of her people are unclean and dishonest, and her personal philosophy is informed by Christianity as much as the Hindu teachings with which she was raised. When Lily gives birth prematurely, Mary has to find a wet nurse for the child, and she uses this to win greater trust and confidence from Lily; in time, Mary persuades Lily to fire Abraham (Prayag Raaj), the household's loyal but proudly Indian cook, while she hides the fact that her sister Blossom (Neena Gupta) is nursing Lily's child. When not acting, Madhur Jaffrey is an acclaimed Indian chef and author, who has written a series of books on Indian cuisine; her daughter, Sakina Jaffrey, also appears in the film. ~ Mark Deming, Rovi

Following on the heels of director Zhang Yimou's Not One Less (1999), which won the top prize at the 1999 Venice Film Festival, comes this sensitively-wrought portrait of a young woman's unshakable love. The film opens in the present, shot in gritty black and white, as businessman Luo Yusheng (Sun Honglei) returns to his hometown in the rural Hebei province to attend the funeral of his father. When Luo suggests that the coffin should be brought home from the hospital on a tractor, his aging mother Zhao Di (Zhao Yuelin) rebuffs him, insisting that they conform to custom and have it carried home by local men. Later, as Luo recalls his parent's courtship, the film switches to color and travels back in time about 40 years. A young, beautiful Zhao Di (Zhang Ziyi) find herself falling for the village's handsome new teacher Luo Changyu (Zheng Hao). As the males in the village join together to build a school for the burg, Zhao Di helps the other women prepare food, waiting patiently to meet the strapping educator. Just as their romance begins, Luo is suddenly ordered to leave by the Communist authorities. As Luo packs up and leaves the village, Zhao Di races hither and thither carrying his favorite steamed dumplings, hoping to catch him before he departs. Though the odds of reunion seem slim, Zhao Di steadfastly holds vigil for her lover until miraculously, Luo returns under the cover of the night only to be once again ordered to the city where he has been commanded to stay. The pair are forced to wait another two years until they can be together. This film won the prestigious Silver Bear at the 2000 Berlin Film Festival and the World Cinema Audience Award at the 2001 Sundance Film Festival; the victories were all the more sweet for the director, as The Road Home was rejected outright from the 1999 Cannes Film Festival, prompting Zhang to angrily withdraw his Not One Less from competition. ~ Jonathan Crow, Rovi

Adapted for the screen from Edith Wharton's much-loved novel of the same name, House of Mirth follows the fortunes -- or lack thereof -- of Lily Bart, an ambitious but financially imperiled young woman looking for a rich husband in early 20th century New York. The story opens as Lily (Gillian Anderson) takes tea at the apartment of Lawrence Selden (Eric Stoltz), a young bachelor lawyer to whom Lily is attracted but cannot marry because he is not wealthy enough for her liking. Lily stops at Selden's apartment en route to Bellomont, where she is planning to husband-hunt at the country home of shifty businessman Gus Trenor (Dan Aykroyd) and his wife. Gus agrees to invest some money for Lily, but his intentions toward her quickly turn carnal, and when she rebuffs his advances, she finds herself $9,000 in debt. Help arrives in the form of financier Sim Rosedale (Anthony LaPaglia), who extends to Lily a businesslike proposition of marriage; though she is tempted, Lily refuses his offer because he is nouveau riche rather than blueblood society. Soldiering on, Lily journeys to the Mediterranean, where she has been invited to the home of Bertha Dorset (Laura Linney), an alpha socialite who schemes to use Lily as an unwitting decoy for an affair under the nose of her husband George (Terry Kinney). When the trip starts to go bad, George tells Lily that he wants to divorce the slatternly Bertha, but needs some solid proof of her affairs in order to do so. Lily knows that one of Bertha's previous lovers was Selden, but her loyalty to him prevents her from speaking up to George. So, still in debt to Gus and given only a paltry inheritance by her aunt (Eleanor Bron), Lily endures a slew of unsuccessful jobs and, tragically, gradually sinks into the mire of genteel poverty. Directed by Terence Davies, House of Mirth premiered at the 2000 Locarno Film Festival. ~ Rebecca Flint Marx, Rovi

Set in the early 1900s, this film follows a young man named Devdas (Shah Rukh Khan) on his way home to India after having spent the past ten years in London. As the news reaches Devdas and his ex-love Paro's (Aishwarya Rai) respective households, the family matriarchs remember when the young couple were still children. When Devdas' mother found out the two wanted to get married, she refused to give her consent, and in doing so, set off a sequence of events which would lead Devdas into alcoholism. Though Paro has agreed to an arranged marriage with a wealthy landowner, she still loves Devdas, and is determined to lure him away from his constant drinking. Devdas is based on a classic Indian novel by Sarat Chandra Chattopadhye, and is the third feature directed by Sanjay Leela Bhansali. ~ Tracie Cooper, Rovi

The 1974 BBC adaptation of David Copperfield -Charles Dickens's 1850 bildungsroman about a young Brit's coming of age in mid-nineteenth century London - sports David Yelland in the title role, alongside such luminaries as Arthur Lowe (O' Lucky Man, Sweet William) as Wilkins Macawber, Anthony Andrews (Brideshead Revisited, Under the Volcano) as James Steerforth), and Patricia Routledge (Keeping Up Appearances) as Mrs. Micawber. The story sees Copperfield working through hardship after hardship, including a sadistic boarding school, an abusive stepfather, and estrangement from the warmth of his mother, to fulfill his destiny and be all that he can. Julian Aymes directs this acclaimed five-and-a-half hour miniseries, from a script by William Trevor. ~ Nathan Southern, Rovi