Sci-Fi & Fantasy Classics Movies

In this terrifying science fiction drama, a Marine platoon is assigned to a desert island, where as part of their mission they're told of a terrible secret. The government has not only been aware of visits by creatures from other worlds for years, they have several aliens in captivity and have been performing brutal medical experiments on them. One of the aliens escapes, however, and is now determined to get revenge on his tormentors. ~ Mark Deming, Rovi

One of special-effects wizard Ray Harryhausen's pre-Seventh Voyage of Sinbad efforts, 20 Million Miles to Earth borrows a few pages from King Kong. An American spaceship crashlands off the coast of Sicily. The rescue party discovers that the astronauts have inadvertently brought back a curious gelatinous mass from the planet Venus. This lump of goo rapidly evolves into be a living reptilian creature, which scientists label an "Ymir". While being subjected to laboratory experimentation, the Ymir begins growing by leaps and bounds, and before long the gigantic monstrosity has escaped and is wreaking havoc in Rome. After battling a zoo elephant and taking a swim in the Tiber, the gargantuan creature holes up in the Colosseum, where the film's pyrotechnic finale occurs. ~ Hal Erickson, Rovi

As everyone on earth (to say nothing of everyone in the United Federation of Planets) must know by now, the debut episode of Star Trek's first season, "The Man Trap", was not the first episode filmed. Nor was the series' "official" pilot episode, "Where No Man Has Gone Before", the first one to go before the cameras. The real launching pad for Star Trek was "The Cage", which stars not William Shatner as James T. Kirk, but instead Jeffrey Hunter as Captain Christopher Pike of the Starship Enterprise. Though Hunter was replaced by Shatner, producer Gene Roddenberry wasn't about to let the costly "The Cage go to waste: thus, the episode was reedited as a two-part "flashback" titled "The Menagerie", with an added wraparound sequence in which the Enterprise's first officer Mr. Spock (Leonard Nimoy) explains at his court-martial why he attempted to kidnap the now-enfeebled and demented Captain Pike. With this out of the way, it can be said that Season One of Star Trek--or more specifically, year one of the Enterprise's five-year mission to "boldly go where no man has gone before"--contains several of the series' best and best-loved episodes, with the ensemble cast--Shatner, Nimoy, DeForest Kelley (Dr. "Bones" McCoy), James Doohan (Engineer Scott), Nichelle Nichols (communications officer Uhura), George Takei (helmsman Lt. Sulu) and Majel Barrett (Nurse Christine Chapel)--in peak form. In fact, the casting falls short of perfection in only one respect: Walter Koenig as ensign Chekov would not join the show until Season Two. This season represents the first series contributions of Richard Matheson ("The Enemy Within"), Jerry Sohl ("The Corbomite Maneuver"), Robert Bloch ("What Are Little Girls Made Of?"), Theodore Sturgeon ("Shore Leave") and Star Trek story editor D.C. Fontana ("Tomorrow is Yesterday"). Perhaps the most memorable--and certainly the most controversial--of the season's offerings is Harlan Ellison's Hugo-award winning "City on the Edge of Forever" (Alas, Ellison would never write again for Star Trek, the result of a well-publicized feud between the author and producer Roddenberry which has been exhaustively chronicled elsewhere). Finally, let us take note of two unforgettable guest star turns in Season One. First there's Roger C. Carmel, making his first appearance as intergalactic con artist Harry Mudd in "Mudd's Women". And last but not least, Ricardo Montalban plays the evil Khan, a genetically engineering superman who endeavors to take over the Enterprise in "Space Seed." Sixteen years later, Khan (again played by Montalban) would be up to his old tricks in the theatrical-movie spinoff Star Trek II: The Wrath of Khan! ~ Hal Erickson, Rovi

Season two of Highlander begins as handsome 400-year-old Immortal Duncan MacLeod (Adrian Paul) leaves Paris and returns to Vancouver, determined to destroy the killers of his mentor Darius at the end of Season One. The trail leads Duncan to a bookstore run by Joe Dawson (Jim Byrnes), who turns out to be a member of The Watchers, a secret organization that has been hunting down and eliminating evil mortals for centuries. Tragedy trikes Duncan when his mortal sweetheart Tessa (Alexandra Van der Noot) and his friend Richie Ryan (Stan Kirsch) are shot down by a mugger. Tessa dies, but Richie survives, thus revealing something he had never known: He too is an Immortal, unable to be killed unless beheaded by another Immortal. Giving up his antique shop, Duncan purchases a martial-arts store owned by a mercenary named Charlie DeSalvo (Philip Akin) but sells it back to Charlie upon making his annual pilgrimage to Paris. By the end of the season, Duncan, weary of four centuries of death and violence, prepares to embark on a worldwide odyssey of self-discovery with Charlie as his traveling companion -- but this may not be possible when an old enemy of Duncan's resurfaces foresworn to destroy the Immortal and everyone and everything he holds dear. ~ Hal Erickson, Rovi

Set in the 24th century and decades after the adventures of the original crew of the starship Enterprise, this new series is the long-awaited successor to the original "Star Trek" (1966). Under the command of Captain Jean-Luc Picard, the all new Enterprise NCC 1701-D travels out to distant planets to seek out new life and to boldly go where no one has gone before.

Set in the 24th century and decades after the adventures of the original crew of the starship Enterprise, this new series is the long-awaited successor to the original "Star Trek" (1966). Under the command of Captain Jean-Luc Picard, the all new Enterprise NCC 1701-D travels out to distant planets to seek out new life and to boldly go where no one has gone before.

The third and final season of Star Trek is frequently written off as the series' nadir, if only because creator Gene Roddenberry had relinquished a great deal of his creative control to the NBC executives and to new producer Fred Freiberger). Another reason given for the series' decline was the decision to cut the budgets to the bone, and to depend more on "house" writers than established science-fiction specialists. Also, there was a heavier reliance upon gimmickry and gadgetry than in previous years, upsetting those purists who preferred strong characterizations and story values to the standard sci-fi/fantasy cliches. But while Season Three was overall the weakest, especially in terms of ratings, several of the individual episodes are among the finest that Star Trek has to offer. We get off to a good start with the opener, "Spock's Brain", in which the titular organ is "kidnapped" from its owner Mr. Spock (Leonard Nimoy). Attorney Melvin Belli makes his acting debut as a sinister, corruptive life force (not a lawyer, but close!) in "And the Children Shall Lead". The crew of the Starship Enterprise is forced to sacrifice themselves during the Gunfight at the OK Corral in "Spectre of the Gun". "Let That Be Your Last Battlefield" is an allegorical drama in which the fate of a civilization is determined by a duel to the death between its two last survivors (Frank Gorshin, Lou Antonio), whose faces are half-black and half-white. And in the series finale "Turnabout Intruder", the mind of Captain Kirk (William Shatner) is exchanged with that of his embittered ex-lover (Sandra Smith)--and vice versa. The season's most controversial episode was "Plato's Stepchildren", originally telecast November 22, 1968, in which Kirk and officer Uhura (Nichelle Nichols) share the first interracial kiss ever seen on network television. ~ Hal Erickson, Rovi

Set in the 24th century and decades after the adventures of the original crew of the starship Enterprise, this new series is the long-awaited successor to the original "Star Trek" (1966). Under the command of Captain Jean-Luc Picard, the all new Enterprise NCC 1701-D travels out to distant planets to seek out new life and to boldly go where no one has gone before.

The conspiracy spiraled even further in the third season of The X-Files, which picks up with FBI Agent Dana Scully (Gillian Anderson) on a desperate search for her missing partner, Agent Fox Mulder (David Duchovny). Though Mulder was left for dead after having suffered serious bodily harm in a train explosion, a group of Navajo Indians nursed him back to health and offered what help they could to the agents' quest to find the ever-elusive truth. Considered one of the strongest seasons of The X-Files, the 24 episodes in the third season contain some of the most complex and integral aspects of the series' far-reaching mythology, including a heavily encrypted digital tape which may hold the key to government knowledge of intelligent extraterrestrial life, and perhaps even insight into Scully's own abduction. Alien life does, indeed, make an appearance on this season, though not in the form of a little green man. Rather, an insidious, ancient, and alien black oil is unearthed, leaving Mulder and Scully to question its potential impact on humankind, and what the government may already know. Of course, The X-Files wouldn't be complete without its stand-alone, or "monster-of-the-week," episodes, and this season is no exception -- from evil spirits to astral murder and killer cockroaches, The X-Files: Season Three has more than its fair share of earthly, if bizarre, occurrences to its name. ~ Tracie Cooper, Rovi

Set in the 24th century and decades after the adventures of the original crew of the starship Enterprise, this new series is the long-awaited successor to the original "Star Trek" (1966). Under the command of Captain Jean-Luc Picard, the all new Enterprise NCC 1701-D travels out to distant planets to seek out new life and to boldly go where no one has gone before.

Set in the 24th century and decades after the adventures of the original crew of the starship Enterprise, this new series is the long-awaited successor to the original "Star Trek" (1966). Under the command of Captain Jean-Luc Picard, the all new Enterprise NCC 1701-D travels out to distant planets to seek out new life and to boldly go where no one has gone before.

"You're traveling to another dimension...a dimension not only of sight and sound but of mind...a journey into a wondrous land whose boundaries are that of imagination. Your next stop: The Twilight Zone." Originally telecast on CBS from October 2, 1959, to September 18, 1964 (not counting a brief spate of network reruns in the summer of 1965), The Twilight Zone was one of the foremost filmed dramatic anthologies on TV and one of a precious few that specialized in fantasy and science fiction. Created by Rod Serling, whose previous TV writing credits included such classic live dramas as Patterns and Requiem for a Heavyweight, the series specialized in concise, economical playlets dealing with the offbeat andsupernatural, many of them with surprising and ironic climactic twists. Many of the individual episodes have stood the test of time as indisputable classics, among them "Eye of the Beholder," "The Monsters are Due on Maple Street," "The Invaders," "It's a Good Life," "To Serve Man," "The Invaders," and "Nightmare at 20,000 Feet." Rod Serling served as the series' host and narrator, and also wrote most of the dramas. Other noteworthy contributors included Richard Matheson, Charles Beaumont, and, on one memorable occasion (the episode "I Sing the Body Electric"), Ray Bradbury.

A veritable constellation of guest stars brought the stories to life; among those making multiple appearances were Burgess Meredith, Jack Klugman, William Shatner, Martin Landau, Anne Francis, Bill Mumy, Ed Wynn, and Lee Marvin, while many more showed up for memorable single performances including Charles Bronson, Elizabeth Montgomery, Robert Redford, Robert Duvall, James Coburn, Mickey Rooney, and Dennis Hopper. The series' famous theme music (heard from the second season onward) was composed by Marius Constant with unforgettable incidental music provided by the likes of Bernard Herrmann and Jerry Goldsmith. Although the series' title has become a household word and many of its episodes are acknowledged masterpieces, Twilight Zone was never a huge ratings attraction during its network run. Indeed, after only three seasons, CBS decided to yank the show. It was saved at the last minute and brought back as a mid-season replacement, expanded from 30 to 60 minutes per week in the process. For its fifth and final season, Twilight Zone returned to its familiar half-hour format, still playing to appreciative but comparatively small audiences. It was not until the series went into off-network reruns that Twilight Zone truly built its fan following, which has increased many times over in the ensuing years. Twilight Zone was revived twice with new, full-color episodes, first as a CBS (and later syndicated) weekly in 1985, then on UPN in 2002. Rod Serling was not involved with these revivals, having passed away in 1975; the 1985 version had no host, though its narrators included Charles Aidman and Robin Ward, but the 2002 version was hosted by Forest Whitaker. In addition, a theatrical feature, Twilight Zone: The Movie, was released in 1983. ~ Rovi

Season One of the lavishly produced sci-fi series War of the Worlds begins with a two-hour pilot episode, establishing the fact that the Earth had first been visited by aliens from the planet Mortax in 1938, and that the two planets waged a violent war in 1953, with the Earth emerging triumphant and the Mortaxian "casualties" entombed in steel drums and buried in various nuclear testing sites throughout the world. And why wasn't this common knowledge to the public. Well, thanks to mass hypnosis, Mankind had been convinced that the 1938 visitation was merely a radio hoax perpetrated by a young actor named Orson Welles, and the 1953 war--which ended with the aliens being killed off by bacteria--was nothing more than a Hollywood movie produced by George Pal! Unfortunately, the Mortaxians are not dead, only hibernating, and after awakening they escape to an abandoned nuclear site in Nevada, there to receive orders from their leaders, the Advocates (played this season by such actors as Richard Comar, David Calderisi, Isle Von Glatz and Michael Rudder). Those orders are simple and two the point: Proceed with the original mission to conquer the earth! Simplifying this task is the fact that the aliens can absorb the bodies of human beings and assume their identities, thereby moving about without detection--at least until the high radiation level in their systems cause them to literally melt into nothingness. Alone among his colleagues, Dr. Harrison Blackwood (Jared Martin) suspects that the "myth" of the Mortaxians is a reality, and he tries vainly to alert the world that the aliens are alive, well, and dangerously close to taking over. Expressing high skepticism over Blackwood's theories are his astrophysicist colleague Suzanne McCullough (Lynda Mason Green), a divorcee with a young daughter named Debi (Rachel Blanchard). Similarly, martinet Native American military officer Col. Paul Ironhorse (Richard Chaves) finds Blackwood's notions hard to swallow. Only when paraplegic computer whiz Norton Drake (Philip Akin), who manages to get about with the help of his computer-activated wheelchair, "Gertrude", punches up evidence that the aliens are burrowing their way towards their old warships, still held in storage, do Suzanne and Ironhorse begin to come over to Blackwood's side--and then, it still takes several violent "close encounters" to win the hearts and minds of the disbelievers. The rest of the season's 22 episodes finds Blackwood and his team coordinating their counterattack against the Mortaxians from their hidden headquarters, The Cottage. Along the way, Blackwood wins several more converts to his cause, and also crosses paths with other aliens who have either cast their lot with Mortaxians or who side with the humans. And throughout it all, it is very, very difficult to distinguish the good guys from the bad guys--even for the viewers at home! ~ Hal Erickson, Rovi