Sci-Fi & Fantasy Classics

When a bumbling movie lover becomes magnetized while attempting to sabotage a local power plant and accidentally erases all of the videotapes in the small video store where his best friend works, the pair attempt to keep the store's loyal customer base by remaking as many of the top-renting movies as possible. Mike (Mos Def) is an employee at Be Kind Rewind, a modest mom and pop video store that is owned by Mr. Fletcher (Danny Glover). Mike's best friend Jerry (Jack Black) works in an auto garage/junkyard directly adjacent to a local power plant. Lately Jerry has become increasingly paranoid about the effects that the power plant is having on his health. Convinced that he has developed a brain tumor from working in such close proximity to the power plant, Jerry attempts to sabotage the plant. Unfortunately for Jerry, his brain is magnetized in the process. The next time Jerry goes to visit Mike at Be Kind Rewind, the powerful magnetization emanating from his brain erases every videotape in the store. Now the only way for Mike and Jerry to be sure that Be Kind Rewind stays in business is to remake every film on the shelves before the customers notice. But when word gets out that Mike and Jerry have remade such Hollywood classics as Back to the Future, Robocop, The Lion King, and Rush Hour without permission, the store is threatened with copyright violations and forced to close its doors. In the aftermath of the closing, Mr. Fletcher and his employees discover just how loyal their customers really are when the entire neighborhood pools their resources to transform the junkyard into a legitimate movie studio and produce an entirely original film detailing the incredible adventures of a local jazz legend. ~ Jason Buchanan, All Movie Guide

Producer J.J. Abrams teams with writer Drew Goddard and director Matt Reeves for this frenetic tale of a powerful destructive force that descends upon New York City, and the four desperate people who put their lives on the line to embark on a perilous rescue mission. Rob Hawkins (Michael Stahl-David) is a young American professional who has recently been offered a coveted new job in Japan. Eager to send his older sibling off in style, Rob's younger brother, Jason (Mike Vogel), and his girlfriend, Lily (Jessica Lucas), organize a surprise going-away party to take place the night before Rob boards his Eastern-bound flight. As the party gets underway, Rob's longtime friend and current love interest, Beth (Odette Yustman), shows up with another man as the dejected guest of honor's best-pal Hud (T.J. Miller) encourages partygoer Marlena (Lizzy Caplan) to wish him an on-camera farewell despite the fact that they barely know one another. Moments after Beth storms out following a bitter skirmish with Rob, the entire New York City skyline goes dark. Power is quickly restored, prompting partygoers to turn their attention toward the news, where they learn that a freight tanker has been overturned in New York Harbor. Racing to the rooftop in hopes of getting a better look at the situation, the group is terrified to witness a massive explosion that rains debris across midtown Manhattan, causing mass chaos and unparalleled destruction. But the worst is yet to come, because it soon becomes apparent that this is not the work of a terrorist or an act of war, but a massive creature beyond human comprehension. Now, as the military moves in and the streets of New York City become a virtual war zone, Rob, Lily, Marlena, and Hud race to rescue Beth and get out of the city before the powers that be unleash the ultimate weapon of mass destruction on one of the most populated cities on the planet. ~ Jason Buchanan, All Movie Guide

Following up his blockbuster action hit Mr. and Mrs. Smith, director Doug Liman turns to an entirely new genre -- sci-fi -- for this tale of an underground world of teleporters. Based on the novel by Steven Gould, Jumper concerns David (Hayden Christensen), a young man who quite literally wills himself away from his grim family life by teleporting to another place with the power of his mind. Years later, David is using his powers to raid bank vaults, seduce girls in London, lunch on the pyramids, and surf in Fiji. But he soon discovers that he is not the only one bestowed with this unique gift, and all is not well in the world of jumpers. There are people out there, such as Roland (Samuel L. Jackson), who view jumpers as a threat to all humankind, and have made it their mission in life to eliminate them. After jumping back to Michigan to get reacquainted with his long lost love, Millie (Rachel Bilson), David makes the acquaintance of experienced jumper Griffin (Jamie Bell). Informed by Griffin of a secret between jumpers and a shadowy group that seeks to destroy them, the pair soon finds themselves facing off against a legion of murderous opponents who won't stop fighting until every last jumper has been eliminated. ~ Michael Hastings, All Movie Guide

Mark S. Waters's adaptation of the popular fantasy novels The Spiderwick Chronicles tells the tale of the Graces, a family who must adapt to their new strange surroundings. As the story begins, twin brothers Jared and Simon, along with their sister Mallory and their mother, move away from the big city to a mansion owned by their uncle. When a series of strange happenings suggest that Jared may be causing a number of disturbances, the siblings band together to figure out what is going on. Soon they discover the magical history of the property. ~ Perry Seibert, All Movie Guide

A mind-bending sci-fi symphony, Stanley Kubrick's landmark 1968 epic pushed the limits of narrative and special effects toward a meditation on technology and humanity. Based on Arthur C. Clarke's story The Sentinel, Kubrick and Clarke's screenplay is structured in four movements. At the "Dawn of Man," a group of hominids encounters a mysterious black monolith alien to their surroundings. To the strains of Strauss's 1896 Also sprach Zarathustra, a hominid invents the first weapon, using a bone to kill prey. As the hominid tosses the bone in the air, Kubrick cuts to a 21st century spacecraft hovering over the Earth, skipping ahead millions of years in technological development. U.S. scientist Dr. Heywood Floyd (William Sylvester) travels to the moon to check out the discovery of a strange object on the moon's surface: a black monolith. As the sun's rays strike the stone, however, it emits a piercing, deafening sound that fills the investigators' headphones and stops them in their path.

Cutting ahead 18 months, impassive astronauts David Bowman (Keir Dullea) and Frank Poole (Gary Lockwood) head toward Jupiter on the spaceship Discovery, their only company three hibernating astronauts and the vocal, man-made HAL 9000 computer running the entire ship. When the all-too-human HAL malfunctions, however, he tries to murder the astronauts to cover his error, forcing Bowman to defend himself the only way he can. Free of HAL, and finally informed of the voyage's purpose by a recording from Floyd, Bowman journeys to "Jupiter and Beyond the Infinite," through the psychedelic slit-scan star-gate to an 18th century room, and the completion of the monolith's evolutionary mission.

With assistance from special-effects expert Douglas Trumbull, Kubrick spent over two years meticulously creating the most "realistic" depictions of outer space ever seen, greatly advancing cinematic technology for a story expressing grave doubts about technology itself. Despite some initial critical reservations that it was too long and too dull, 2001 became one of the most popular films of 1968, underlining the generation gap between young moviegoers who wanted to see something new and challenging and oldsters who "didn't get it." Provocatively billed as "the ultimate trip," 2001 quickly caught on with a counterculture youth audience open to a contemplative (i.e. chemically enhanced) viewing experience of a film suggesting that the way to enlightenment was to free one's mind of the U.S. military-industrial-technological complex. ~ Lucia Bozzola, All Movie Guide

The final day on the Mayan calendar finds four faithful strangers convening at an ancient temple in the heart of Mexico in this apocalyptic thriller starring Cliff De Young and Dale Midkiff. Centuries ago, the Mayans set a date for the end of time: December 21, 2012. Now that date is upon us, and NASA scientists have noted that a catastrophic polar shift is about to occur. Could it be that an ancient Mexican temple holds the key to unlocking the secret that could protect humankind from total extinction? ~ Jason Buchanan, All Movie Guide

Robin Williams's dizzying and hilarious voicing of the Genie is the main attraction of Aladdin, the third in the series of modern Disney animated movies that began with 1989's The Little Mermaid and heralded a new age for the genre. After a sultan (Douglas Seale) gives his daughter, Jasmine (Linda Larkin), three days to find a husband, she escapes the palace and encounters the street-savvy urchin Aladdin (Scott Weinger), who charms his way into her heart. While the sultan's Vizier, Jafar (Jonathan Freeman), weaves a spell so that he may marry Jasmine and become sultan himself, Aladdin discovers the Genie's lamp in a cave, rubs it, and sets the mystical entity free, leading the Genie to pledge his undying loyalty to the dazzled youth. Aladdin begins his quest to defeat Jafar and win the hand of the princess, with the Genie's help. Monsters, Disney's trademark talking animals, and a flying carpet all figure into the ensuing adventures, but Williams' Genie, who can change into anything or anybody, steals the show as he launches into one crazed monologue after another, impersonating figures from Ed Sullivan to Elvis Presley. ~ Don Kaye, All Movie Guide

The classic Felix Salter story Bambi provides the basis for this near-perfect Disney animated feature. We follow the male deer Bambi from birth, through his early childhood experiences with woodland pals Thumper the rabbit and Flower the skunk, the traumatic sudden death of Bambi's mother at the hands of hunters, his courtship of the lovely doe Faline, and his rescue of his friends during a raging forest fire; we last see the mature, antlered Bambi assuming his proper place as the Prince of the Forest. In the grand Disney tradition, Bambi is brimming with unforgettable sequences, notably the young deer's attempts to negotiate an iced-over pond, and most especially the death of Bambi's mother--and if this moment doesn't move you to tears, you're made of stone (many subsequent Disney films, including Lion King, have tried, most in vain, to match the horror and pathos of this one scene). The score in Bambi yielded no hits along the lines of "Whistle While You Work", but the songs are adroitly integrated into the action. Bambi was the last of the "classic" early Disney features before the studio went into a decade-long doldrums of disjointed animated pastiches like Make Mine Music. ~ Hal Erickson, All Movie Guide

In this science fiction tale, two scientists find themselves waging war against a supernatural force that has taken hold of one of their bodies and threatens to destroy it. ~ Mark Deming, All Movie Guide

Cinderella was Walt Disney's return to feature-length "story" cartoons after eight years of turning out episodic pastiches like Make Mine Music and Three Caballeros. A few understandable liberties are taken with the original Charles Perrault fairy tale (the wicked stepsisters, for example, do not have their eyes pecked out by crows!) Otherwise, the story remains the same: Cinderella, treated as a slavey by her selfish stepfamily, dreams of going to the Prince's ball. She gets her wish courtesy of her Fairy Godmother, who does the pumpkin-into-coach bit, then delivers the requisite "be home by midnight" warning. Thoroughly enchanting the prince at the ball, our heroine hightails it at midnight, leaving a glass slipper behind. The Disney people do a terrific job building up suspense before the inevitable final romantic clinch. Not as momentous an animated achievement as, say, Snow White or Fantasia, Cinderella is a nonetheless delightful feature, enhanced immeasurably by the introduction of several "funny animal" characters (a Disney tradition that has held fast into the 1990s, as witness Pocahontas), and a host of a sprightly songs, including "Cinderelly," "A Dream is a Wish Your Heart Makes," and -- best of all -- "Bibbidi Bobbidi Boo." ~ Hal Erickson, All Movie Guide

This dark anime series takes place in the distant future, a time when overpopulation has led to interplanetary colonization. On the planet of Japones, the entire world is comprised of men. The only women who live there are androids called marionettes. These super-strong creations are devoid of emotion but saturated with strength, so when the evil Starface is freed from prison and sets his sights on taking the thrown from Junior, the pure-hearted heir, there's no one better suited to protect him than three die-hard marionettes, Cherry, Lime, and Bloodberry. ~ Cammila Albertson, All Movie Guide

The irrepressible Stargate team faces their biggest challenge yet as they set out in search of the ancient artifact with the power to defeat the villainous Ori before they launch a devastating attack on planet Earth. The Ori are determined to exterminate all traces of mankind, but not if Daniel Jackson (Michael Shanks), Teals (Christopher Judge), Vala (Claudia Black), Sam (Amanda Tapping), and Cam (Ben Browder) have anything to say about it. With a scheming I.O. operative aboard the Odyssey, the final fight for humanity begins to unfold in the deepest reaches of outer space. Beau Bridges co-stars. ~ Jason Buchanan, All Movie Guide