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Family Classics
Drama Classics
When an heiress to a major hotel chain is abducted by sex traffickers, her assistant races to the rescue. ~ Jason Buchanan, Rovi
In this modern noir from director Allen Hughes, his first fiction feature-length film in over a decade, Mark Wahlberg stars as Billy Taggart, a New York City private eye struggling to get his deadbeat clients to pay when he gets a call from Mayor Hostetler (Russell Crowe). His honor remembers Billy from seven years ago when, as a cop, the young man shot a rapist who had been exonerated on a technicality. Back then, the Mayor told Billy he was a hero, but Billy was still forced off the job due to the public outcry and some incriminating evidence that never saw the light of day. Now the mayor needs someone he can trust to find out if his wife (Catherine Zeta-Jones) is having an affair - a fact that could cause him considerable trouble seeing as Election Day is just a week away. As Billy digs for the truth, he uncovers layers of political corruption, and discovers he himself is nothing more than a pawn in a much bigger game. The film co-stars Jeffrey Wright as a police commissioner, Kyle Chandler as a political consultant, and Barry Pepper as the mayor's political rival. ~ Perry Seibert, Rovi
Foreign Classics
Bernardo Bertolucci's 255-minute 1900 was a gargantuan undertaking, requiring the resources of three European countries and a trio of American movie studios. Set in the Italian town of Parma, the film's continuity backtracks from Liberation Day in 1945 to the occasion of composer/patriot Giuseppe Verdi's death in 1901. We follow the lives of two men born on that day in 1901, who grow up to be Alfredo Berlinghieti (Robert De Niro) and Olmo Dalco (Gérard Depardieu). Wealthy Alfredo sinks into dissipation, while poverty-stricken Olmo becomes a firebrand labor leader and communist. After WWI, Alfredo is allowed to peacefully retain his land holdings by playing nice with the burgeoning fascists; Olmo, on the other hand, engages in a long-standing battle against the minions of Mussolini. The two protagonists are reunited when Alfredo returns to Parma to preside over Olmo's trial for "political crimes." Co-star Burt Lancaster is cast as Alfredo's wealthy grandfather, who hates to see the old values buried beneath the social travails of the 20th century. Many American prints of 1900 were shortened to 243 minutes, rendering the story hard to follow at times. ~ Hal Erickson, Rovi
For his feature-film debut, critic-turned-director François Truffaut drew inspiration from his own troubled childhood. The 400 Blows stars Jean-Pierre Léaud as Antoine Doinel, Truffaut's preteen alter ego. Misunderstood at home by his parents and tormented in school by his insensitive teacher (Guy Decomble), Antoine frequently runs away from both places. The boy finally quits school after being accused of plagiarism by his teacher. He steals a typewriter from his father (Albert Remy) to finance his plans to leave home. The father angrily turns Antoine over to the police, who lock the boy up with hardened criminals. A psychiatrist at a delinquency center probes Antoine's unhappiness, which he reveals in a fragmented series of monologues. Originally intended as a 20-minute short, The 400 Blows was expanded into a feature when Truffaut decided to elaborate on his self-analysis. For the benefit of Truffaut's fellow film buffs, The 400 Blows is full of brief references to favorite directors, notably Truffaut's then-idol Jean Vigo. The film won the 1959 Best Director prize at the Cannes Film Festival, even though Truffaut had been declared persona non grata the year before for his inflammatory comments about the festival's commercialism. ~ Hal Erickson, Rovi
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