"Grease," said the poster and the Barry Gibb song, "is the word." Transferring its setting from Chicago to sunny California, and adding a dash of disco to the ersatz '50s score, producer Allan Carr and director Randal Kleiser turned this long-running Jim Jacobs-Warren Casey Broadway smash into the biggest blockbuster of 1978. 1950s teens Danny (John Travolta) and Australian transfer Sandy (Olivia Newton-John) spend their "Summer Nights" falling in love, but once fall comes, it's back to Rydell High and its cliques. As one of the bad-boy T-Birds, Danny has to act cool for best pal Kenickie (Jeff Conaway) and their leather-clad mates Sonny (Michael Tucci) and Doody (Barry Pearl, in the role Travolta played on-stage). Despite befriending Frenchy (Didi Conn), one of the rebel Pink Ladies, virginal Sandy is "too pure to be Pink," as the Ladies' leader, Rizzo (Stockard Channing), acidly observes. Declaring their devotion in such ballads as "Hopelessly Devoted to You" and "Sandy," Sandy and Danny split, reconcile, and split again amidst a pep rally, dances, drive-ins, and a drag race, before deciding "You're the One That I Want" at the climactic carnival. With Travolta white-hot from Saturday Night Fever (1977), Grease soundtrack singles climbed the charts and summer movie crowds poured in. With the presence of Joan Blondell, Eve Arden, Sid Caesar, Edd "Kookie" Byrnes, and Frankie Avalon appealing to grown-up memories, Grease became the highest-grossing film of 1978, the highest-grossing movie musical ever, and the third most popular film of the new blockbuster '70s after Star Wars (1977) and Jaws (1975). Its sequel, Grease 2, did not exactly set the world on fire in 1982. ~ Lucia Bozzola, Rovi

Christopher Nolan steps back into the director's chair for this sequel to Batman Begins, which finds the titular superhero coming face to face with his greatest nemesis -- the dreaded Joker. Christian Bale returns to the role of Batman, Maggie Gyllenhaal takes over the role of Rachel Dawes (played by Katie Holmes in Batman Begins), and Brokeback Mountain star Heath Ledger dons the ghoulishly gleeful Joker makeup previously worn by Jack Nicholson and Cesar Romero. Just as it begins to appear as if Batman, Lt. James Gordon (Gary Oldman), and District Attorney Harvey Dent (Aaron Eckhart) are making headway in their tireless battle against the criminal element, a maniacal, wisecracking fiend plunges the streets of Gotham City into complete chaos. ~ Jason Buchanan, Rovi

Disney produced this lavish animated fairy tale, the most expensive cartoon ever made up to its release with a budget of $6 million. When the young princess Aurora is cursed at birth by the evil fairy Maleficent, the baby is kidnapped by a trio of good fairies who raise the girl themselves, hoping to avoid the spell's fulfillment. Nevertheless, at the age of 16, the beautiful Aurora falls into a deep sleep that can only be awakened by a kiss from her betrothed, Prince Phillip. Knowing that Phillip intends to save Aurora, Maleficent takes him prisoner. When the good fairies launch a rescue attempt, Maleficent transforms herself into a spectacular fire-breathing dragon, forcing Phillip to defeat her in mortal combat. Sleeping Beauty (1959) was Oscar nominated for its musical score, which featured adaptations of Tchaikovsky compositions. ~ Karl Williams, Rovi

Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson star as a quartet of Manhattan-based "paranormal investigators". When their government grants run out, the former three go into business as The Ghostbusters, later hiring Hudson on. Armed with electronic paraphernalia, the team is spectacularly successful, ridding The Big Apple of dozens of ghoulies, ghosties and long-legged beasties. Tight-lipped bureaucrat William Atherton regards the Ghostbusters as a bunch of charlatans, but is forced to eat his words when New York is besieged by an army of unfriendly spirits, conjured up by a long-dead Babylonian demon and "channelled" through beautiful cellist Sigourney Weaver and nerdish Rick Moranis. The climax is a glorious sendup of every Godzilla movie ever made-and we daresay it cost more than a year's worth of Japanese monster flicks combined. Who'd ever dream that the chubby, cheery Stay-Puft Marshmallow Man would turn out to be the most malevolent threat ever faced by New York City? When the script for Ghostbusters was forged by Dan Aykroyd and Harold Ramis, John Belushi was slated to play the Bill Murray role; Belushi's death in 1982 not only necessitated the hiring of Murray, but also an extensive rewrite. The most expensive comedy made up to 1984, Ghostbusters made money hand over fist, spawning not only a 1989 sequel but also two animated TV series (one of them partially based on an earlier live-action TV weekly, titled The Ghost Busters. ~ Hal Erickson, Rovi

In director Arthur Hiller's hit tearjerker -- based on Erich Segal's novella -- Ryan O'Neal plays Oliver Barrett IV, a comfortably off Harvard pre-law student who falls in love with Radcliffe music student Jenny Cavilleri (Ali MacGraw), a freewheeling, delightfully profane product of a blue-collar Italian-American family. Oliver's father (Ray Milland) heartily disapproves of the subsequent marriage and cuts off his son's allowance. Despite financial travails (the pampered Oliver actually has to go to work!), the couple is blissfully happy....until Jenny is diagnosed as having an unnamed disease that consigns her to an early death. The movie's tagline "Love means never having to say you're sorry" became an iconic American catchphrase, the film's theme a number one hit. One of the early products of Paramount guru Robert Evans, Love Story grossed more money than any Paramount production before it. This enormously successful film inspired a 1978 sequel, Oliver's Story. ~ Hal Erickson, Rovi

A group of intrepid humans attempts to save the Earth from vicious extraterrestrials in this extremely popular science-fiction adventure. Borrowing liberally from War of the Worlds, Aliens, and every sci-fi invasion film inbetween, director Roland Emmerich and producer and co-writer Dean Devlin present a visually slick, fast-paced adventure filled with expensive special effects and large-scale action sequences. The story begins with the approach of a series of massive spaceships, which many on Earth greet with open arms, looking forward to the first contact with alien life. Unfortunately, these extraterrestrials have not come in peace, and they unleash powerful weapons that destroy most of the world's major cities. Thrown into chaos, the survivors struggle to band together and put up a last-ditch resistance in order to save the human race. As this is a Hollywood film, this effort is led by a group of scrappy Americans, including a computer genius who had foreseen the alien's evil intent (Jeff Goldblum), a hot-shot jet pilot (Will Smith), and the President of the United States (Bill Pullman). While some critics objected to the film's lack of originality and lapses in logic, the combination of grand visual spectacle and crowd-pleasing storytelling proved irresistible to audiences, resulting in an international smash hit. ~ Judd Blaise, Rovi

When the gentle woodcarver Geppetto (Christian Rub) builds a marionette to be his substitute son, a benevolent fairy brings the toy to life. The puppet, named Pinocchio (Dick Jones), is not yet a human boy. He must earn the right to be real by proving that he is brave, truthful, and unselfish. But, even with the help of Jiminy (Cliff Edwards), a cricket who the fairy assigns to be Pinocchio's conscience, the marionette goes astray. He joins a puppet show instead of going to school, he lies instead of telling the truth, and he travels to Pleasure Island instead of going straight home. Yet, when Pinocchio discovers that a whale has swallowed Geppetto, the puppet single-mindedly journeys into the ocean and selflessly risks his life to save his father, thereby displaying that he deserves to be a real boy. Based on a series of stories by 19th century Italian author Carlo Collodi, Pinocchio came under fire for being a sugarcoated version of its original tale, but the film's moral did have a strong educational effect on children. Soon enough, a 16 mm excerpt from the picture, titled "Pinocchio: A Lesson in Honesty," was released for teachers to use in schools. ~ Aubry Anne D'Arminio, Rovi

What's that wisecracking young black guy (Eddie Murphy) in that beat-up Chevy Nova doing in lily-white Beverly Hills? He's Axel Foley, a Detroit detective who's been sent on involuntary vacation because he refuses to drop his intention of avenging his friend's murder. Warned by Beverly Hills police chief Ronny Cox to stay out of trouble, Foley nonetheless dogs the trail of above-the-law Steven Berkoff, the British crime czar who was responsible for the murder of Foley's friend. With the help of sympathetic local cops Judge Reinhold and John Ashton and lady friend Lisa Eilbacher, Foley attempts to corner Berkoff in his mansion, which leads to a wild slapsticky shootout. ~ Hal Erickson, Rovi

Airport had enough plot and enough star power in its cast for three feature films, and it only encompassed about half of the complexity or characters found in Arthur Hailey's best-selling potboiler. Essentially built around 12 harrowing hours at a major Midwestern airport, the film had everything an audience of the period could have wanted -- suspense, romance, drama, and comedy -- all spread across a vast canvas. Mel Bakersfeld (Burt Lancaster) is the manager of Lincoln Airport, facing a night beset by the worst blizzard in a decade, a wife (Dana Wynter) who announces she wants a divorce, a primary runway blocked by an airliner stuck in a snowdrift, and a governing board ready to fire him. Bakersfeld's cynical, smooth-talking brother-in-law, Vernon Demerest (Dean Martin), won't let up on his criticism of the management at Lincoln, but he has his own problems as well, mostly in the form of a young stewardess, Gwen Meighen (Jacqueline Bisset), who is pregnant by him and whom he finds he genuinely loves. Add to that the presence of an old lady stowaway (Helen Hayes) and a mentally disturbed passenger (Van Heflin) carrying a bomb, and there's more than enough plot to keep viewers engrossed for two hours plus. Airport became one of the top-grossing movies of its era, racking up seven-digit box-office numbers and spawning an entire film genre -- the disaster movie. With Jean Seberg, George Kennedy, Lloyd Nolan, Barry Nelson, and Maureen Stapleton filling out the rest of the leading roles, there was something for almost everyone in this film. The movie still has a lot to offer if only as a prime example of Hollywood at its most successfully glitzy, but, if possible, viewers should try and see the letterboxed version of Airport on DVD (released May 2001). ~ Bruce Eder, Rovi

Historically important as the first CinemaScope feature film, 20th Century-Fox's The Robe is fine dramatic entertainment in its own right. Based on the best-selling novel by Lloyd C. Douglas, the film stars Richard Burton as the wastrelly Roman tribune who is assigned by a weary Pontius Pilate (Richard Boone, who spends the whole of his single scene washing his hands) to supervise the crucifixion of Christ. After the Seven Last Words, the jaded Burton wins Christ's robe in a dice game. Gradually, the mystical influence of the holy garment transforms Burton from a roistering cynic into a True Believer--at the cost of his own life, which he willingly gives up in the service of his Lord. Also starring in The Robe are Jean Simmons as Burton's pious childhood sweetheart, Victor Mature as his Christian-convert slave Demetrius (an excellent performance--in fact, Mature is more believable than Burton!), Michael Rennie as the disciple Peter, and Jay Robinson as the raving Emperor Caligula. Mature, Rennie and Robinson would appear in the 1954 sequel to The Robe, the hurriedly assembled Demetrius and the Gladiators. Watch and listen for the unbilled contributions of Michael Ansara as Judas and Cameron Mitchell as the voice of Jesus. The film won three Academy Awards, and a special Oscar bestowed upon Fox for the development of CinemaScope. For many years, the TV prints of the Robe were struck from the "flat," standard-ratio version shot simultaneously with the widescreen version. Only recently has the CinemaScope The Robe been made available to cable TV (shown in "letterbox" format to allow home viewers the full picture). ~ Hal Erickson, Rovi

Razzle-dazzle showman Michael Todd hocked everything he had to make this spectacular presentation of Jules Verne's 1872 novel Around the World in 80 Days, the second film to be lensed in the wide-screen Todd-AO production. Nearly as fascinating as the finished product are the many in-production anecdotes concerning Todd's efforts to pull the wool over the eyes of local authorities in order to cadge the film's round-the-world location shots--not to mention the wheeling and dealing to convince over forty top celebrities to appear in cameo roles. David Niven heads the huge cast as ultra-precise, supremely punctual Phileas Fogg, who places a 20,000-pound wager with several fellow members of London Reform Club, insisting that he can go around the world in eighty days (this, remember, is 1872). Together with his resourceful valet Passepartout (Cantinflas), Fogg sets out on his world-girdling journey from Paris via balloon. Meanwhile, suspicion grows that Fogg has stolen his 20,000 pounds from Bank of England. Diligent Inspector Fix (Robert Newton) is sent out by the bank's president (Robert Morley) to bring Fogg to justice. Hopscotching around the globe, Fogg pauses in Spain, where Passepartout engages in a comic bullfight (a specialty of Cantinflas). In India, Fogg and Passepartout rescue young widow Princess Aouda (Shirley MacLaine, in her third film) from being forced into committing suicide so that she may join her late husband. The threesome visit Hong Kong, Japan, San Francisco, and the Wild West. Only hours short of winning his wager, Fogg is arrested by the diligent Inspector Fixx. Though exonerated of the bank robbery charges, he has lost everything--except the love of the winsome Aouda. But salvation is at hand when Passepartout discovers that, by crossing the International Date Line, there's still time to reach the Reform Club. Will they make it? See for yourself. Among the film's 46 guest stars, the most memorable include Marlene Dietrich, Charles Boyer, Jose Greco, Frank Sinatra, Peter Lorre, Red Skelton, Buster Keaton, John Mills, and Beatrice Lillie. All were paid in barter--Ronald Colman did his brief bit for a new car. Newscaster Edward R. Murrow provides opening narration, and there's a tantalizing clip from Georges Méliès' A Trip to the Moon (1902). Offering a little something for everyone, Around the World in 80 Days is nothing less than an extravaganza, and it won 5 Oscars, including Best Picture and Best Cinematography. ~ Hal Erickson, Rovi

Vulgar, crude, and occasionally scandalous in its racial humor, this hilarious bad-taste spoof of Westerns, co-written by Richard Pryor, features Cleavon Little as the first black sheriff of a stunned town scheduled for demolition by an encroaching railroad. Little and co-star Gene Wilder have great chemistry, and the delightful supporting cast includes Harvey Korman, Slim Pickens, and Madeline Kahn as a chanteuse modelled on Marlene Dietrich. As in Young Frankenstein (1974), Silent Movie (1976), and High Anxiety (1977), director/writer Mel Brooks gives a burlesque spin to a classic Hollywood movie genre; in his own manic, Borscht Belt way, Brooks was a central player in revising classic genres in light of Seventies values and attitudes, an effort most often associated with such directors as Robert Altman and Peter Bogdanovich . Some of this film's sequences, notably a gaseous bean dinner around a campfire, have become comedy classics. ~ Robert Firsching, Rovi

In this follow-up to director Leo McCarey's Going My Way (1944), Bing Crosby repeats his Oscar-winning characterization of happy-go-lucky priest Father O'Malley. The good father is sent to help out financially strapped St. Mary's Academy, a parochial school presided over by lovely nun Sister Benedict (Ingrid Bergman). The film is constructed in anecdotal fashion: Nun and priest gently quarrel over teaching methods; they help patch up the tottering marriage of William Gargan and Martha Sleeper; Sister Benedict plays baseball and teaches a student how to box; Father O'Malley softens the heart of the man who holds the mortgage (Henry Travers) by convincing the poor fellow that he's only got a few months to live; and the kids of St. Mary's put on a much-revised stage version of the Nativity, complete with a chorus of "Happy Birthday" on the occasion of the Virgin Birth. A huge hit at the box office, Bells of St. Mary's was nominated for nine Academy Awards. ~ Hal Erickson, Rovi