1001 Movies You Must See...1980-1994 Movies

Ghostbusters
Bill Murray, Dan Aykroyd, Harold Ramis and Ernie Hudson star as a quartet of Manhattan-based "paranormal investigators". When their government grants run out, the former three go into business as The Ghostbusters, later hiring Hudson on. Armed with electronic paraphernalia, the team is spectacularly successful, ridding The Big Apple of dozens of ghoulies, ghosties and long-legged beasties. Tight-lipped bureaucrat William Atherton regards the Ghostbusters as a bunch of charlatans, but is forced to eat his words when New York is besieged by an army of unfriendly spirits, conjured up by a long-dead Babylonian demon and "channelled" through beautiful cellist Sigourney Weaver and nerdish Rick Moranis. The climax is a glorious sendup of every Godzilla movie ever made-and we daresay it cost more than a year's worth of Japanese monster flicks combined. Who'd ever dream that the chubby, cheery Stay-Puft Marshmallow Man would turn out to be the most malevolent threat ever faced by New York City? When the script for Ghostbusters was forged by Dan Aykroyd and Harold Ramis, John Belushi was slated to play the Bill Murray role; Belushi's death in 1982 not only necessitated the hiring of Murray, but also an extensive rewrite. The most expensive comedy made up to 1984, Ghostbusters made money hand over fist, spawning not only a 1989 sequel but also two animated TV series (one of them partially based on an earlier live-action TV weekly, titled The Ghost Busters. ~ Hal Erickson, All Movie Guide

Ghostbusters 2
Ivan Reitman's sequel to the phenomenally successful Ghostbusters is looser and more self-assured than the original. The film opens with a title reading "Five Years Later" and finds the ghostbusters living in hard times. A restraining order has forbidden the boys to partake in paranormal warfare, and as a result they have had to seek other lines of work. Ray (Dan Aykroyd) and Winston (Ernie Hudson) spend their time performing at children's' birthday parties, and Egon (Harold Ramis) is busy conducting experiments investigating the effect of human emotions on the environment, leaving ghostbusting behind. Venkman (Bill Murray) and Dana (Sigourney Weaver) have split up. Venkman now hosts a local cable show called "The World of the Psychic." Dana, now divorced and the mother of a little baby named Oscar, works as an art restorer in a museum -- and this is where the plot kicks in. While Dana is restoring a portrait of a 16th-century tyrant by the name of Vigo the Carpathian, the portrait becomes hexed. The evil Vigo wants to return to life by taking over the body of Dana's little child. Vigo has enlisted Dana's boss, Janosz Poha (Peter MacNicol), to compel Dana to cooperate. Soon dirty sludge and slime flow through the streets of Manhattan, and the ghostbusters have to reunite to save the city from a funky paranormal evil. ~ Paul Brenner, All Movie Guide

Miramax Home Entertainment has done an outstanding job on this DVD box set of Krzysztof Kieslowski's "Three Colors" trilogy. The movies Blue, White, and Red have been lovingly brought to disc and each DVD provides a wealth of supplemental material that far surpasses most deluxe DVD editions in terms of quantity and quality. Each DVD houses documentaries, interviews with cast and crew, audio commentary tracks, featurettes, and even a number of Kieslowski's early short films (which have never been commercially released for home viewing before). This collection was obviously a labor of love for Miramax, and they're to be commended for releasing such a beautiful set at a low price when it would be easy to justify asking much more for it. Each original movie has been digitally remastered and comes in a pristine widescreen anamorphic transfer only. Kieslowski was a master director with a unique way of telling stories visually (long stretches of each film are without dialogue) and his collaboration with longtime colleagues was so special that Red received three Academy Award nominations (it's extremely rare for the American academy to nominate movies that aren't in English for any award that falls outside of the Foreign Language Film category). The audio transfer is splendid and features classical composer Zbigniew Preisner's extremely popular score (music is intrinsic to each movie, and figures prominently in the plot of Blue). The French female leads of each film show off their impeccable English skills in interviews done especially for this set while they discuss selected scenes in their native tongue (a nice detail about the French way of dealing these selected scenes is that the actresses can ask for a scene or shot to be repeated if they wish). Each disc also houses in-depth English language audio commentaries from Kieslowski's American translator and interviews/scene discussions with the movies' producers, cinematographers, and editors. Not only do the movies in this outstanding box set merit multiple viewings but many of the discs' extras do as well. ~ Nick Dedina, All Movie Guide

In this satirical "inside" look at the world of TV scripters, agent Danny (Tom Arnold) gives a 22-episode assignment to depressed, self-destructive writer-producer Brian (Stephen Rea), creatively spent and bereft of ideas. At his weekly poker game, Brian sees a romantic couple on a hotel balcony. When he tells the other writers about this, it triggers an impromptu story session. All four retreat across the street to the bar where Brian sees Georgia Feckler (Illeana Douglas) and decides she was the woman on the balcony. Desperate for ideas, he offers to buy the story of her life. After Brian vanishes with Georgia, his fellow scripters become concerned as to his whereabouts and decide to break into his living quarters. Shown at the AFI/Los Angeles Film Festival. ~ Bhob Stewart, Rovi

This documentary about the aspirations of high-school basketball players from inner city Chicago won awards from the Sundance film festival, the New York Film Critics Circle, and the Academy Award (Oscar) for best editing. Two young men are followed during their entire high-school career, beginning with their participation in playground games and ending with their being recruited by colleges. The obstacles these young men face include parental drug addiction, family poverty, and inner-city violence, as well as the usual obstacles that arise in competition, including physical injuries. While each aspires to leave the ghetto, there are many reasons to suppose they may not be able to, despite each beating the odds against them by winning college scholarships. ~ Clarke Fountain, Rovi

In 1946, a banker named Andy Dufresne (Tim Robbins) is convicted of a double murder, even though he stubbornly proclaims his innocence. He's sentenced to a life term at the Shawshank State Prison in Maine, where another lifer, Ellis "Red" Redding (Morgan Freeman), picks him as the new recruit most likely to crack under the pressure. The ugly realities of prison life are quickly introduced to Andy: a corrupt warden (Bob Gunton), sadistic guards led by Capt. Byron Hadley (Clancy Brown), and inmates who are little better than animals, willing to use rape or beatings to insure their dominance. But Andy does not crack: he has the hope of the truly innocent, which (together with his smarts) allow him to prevail behind bars. He uses his banking skills to win favor with the warden and the guards, doing the books for Norton's illegal business schemes and keeping an eye on the investments of most of the prison staff. In exchange, he is able to improve the prison library and bring some dignity and respect back to many of the inmates, including Red. Based on a story by Stephen King, The Shawshank Redemption was the directorial debut of screenwriter Frank Darabont. ~ Mark Deming, Rovi

A Hong Kong fast food restaurant acts as the link between two unusual stories of police officers in love in this eccentric, stylish comedy-drama. Director Wong Kar-Wai plays freely with traditional narrative structure, dividing his film into two loosely connected segments. The first centers on a depressed cop struggling to come to terms with a recent break-up. His sad isolation is transformed when he encounters a beautiful, mysterious femme fatale, whose involvement with the criminal underworld proves troublesome for both. The second story explores the odd relationship between a female restaurant worker and another recently jilted police officer. The strange woman decides to regularly clean and redecorate the man's apartment in his absence, allowing the two to form a close intimacy without meeting face to face. Both stories present a beautifully atmospheric look at modern urban life and romance, with its combination of isolation and casual, unexpected meetings. Chungking Express came to the attention of American audiences thanks to the efforts of director Quentin Tarantino, whose own brand of fractured storytelling and urban cool owes a debt to Wong Kar-Wai. ~ Judd Blaise, Rovi

An opportunistic Italian swindler heads to Albania and finds himself involved with the life of an impoverished local in this somber political drama. Gino (Enrico Lo Verso) and his partner in crime Fiore (Michele Placido) come to Albania with a money-making scheme designed to capitalize on the surrounding political chaos. For the con to work, however, they need an easily exploitable native Albanian, and they recruit Spiro (Carmelo Di Mazzarelli). Easily confused and utterly impoverished, this elderly former political prisoner seems the perfect choice, until he unexpectedly disappears. Gino is assigned to find him, setting out on a journey that leads him to discover Spiro's tragic personal history and become intimately acquainted with the full extent of Albanian poverty. ~ Judd Blaise, Rovi

This powerful drama was a major hit in its native New Zealand, outgrossing Jurassic Park in Kiwi cinemas. Jake and Beth Heke (Temurea Morrison and Rena Owen) are a couple of Maori descent who are living in a slum in Aukland. While it's obvious that they still love each other, Jake's alcoholism has driven a wedge into their relationship and has left their children emotionally scarred. Jake is charming while sober, but when drunk, he's a violent psychopath given to blink-of-an-eye mood changes and terrible cruelty against his loved ones. Liquor has also made it difficult for Jake to hold onto a job, leaving him dependent on the dole to feed his family. Nig (Julian Arahanga), Jake's oldest son, has turned his back on his father and joined a gang of Maori youths whose initiation rituals include tattooing and torture. Jake's 13-year-old daughter Grace (Mamaengaroa Kerr-Bell) prefers to spend her time with her drug-addicted boyfriend -- rather than stay home and fight off the advances of her father's friends. And Boogie (Taungaroa Emile) ends up in juvenile hall when Jake's drinking prevents him from going to court to speak on Boogie's behalf. Once Were Warriors was based on an acclaimed novel by Alan Duff. ~ Mark Deming, Rovi

When Dante Hicks (Brian O'Halloran) is reluctantly put in charge of the Quick Stop market on his day off, he tries, though half-heartedly, to perform his minimum-wage duties as efficiently as possible. This gets tough amidst the on-going fight with his girlfriend, Veronica (Marilyn Ghigliotti), and his attempt to get back together with his ex-girlfriend, Caitlyn Bree (Lisa Spoonhauer). Meanwhile, his friend and alter ego Randall (Jeff Anderson) is working behind the counter of the adjacent video store -- at least when he feels like it. Randall's unabashed disdain of his place of employment, a long with his self-admitted hatred towards its customers is a sharp contrast to Dante's feeble attempts at the niceties of customer service. Much of the film consists of Randall and Dante's criticism of their customers, their lives, and the world in general. Clerks, filmed in black-and-white on a budget of only $27,000, began the career of writer director Kevin Smith, who would go on to make Mallrats (1995), Chasing Amy (1997), Dogma (1999), and Jay and Silent Bob Strike Back (2001). ~ Hal Erickson, Rovi

"Stupid is as stupid does," says Forrest Gump (played by Tom Hanks in an Oscar-winning performance) as he discusses his relative level of intelligence with a stranger while waiting for a bus. Despite his sub-normal IQ, Gump leads a truly charmed life, with a ringside seat for many of the most memorable events of the second half of the 20th century. Entirely without trying, Forrest teaches Elvis Presley to dance, becomes a football star, meets John F. Kennedy, serves with honor in Vietnam, meets Lyndon Johnson, speaks at an anti-war rally at the Washington Monument, hangs out with the Yippies, defeats the Chinese national team in table tennis, meets Richard Nixon, discovers the break-in at the Watergate, opens a profitable shrimping business, becomes an original investor in Apple Computers, and decides to run back and forth across the country for several years. Meanwhile, as the remarkable parade of his life goes by, Forrest never forgets Jenny (Robin Wright Penn), the girl he loved as a boy, who makes her own journey through the turbulence of the 1960s and 1970s that is far more troubled than the path Forrest happens upon. Featured alongside Tom Hanks are Sally Field as Forrest's mother; Gary Sinise as his commanding officer in Vietnam; Mykelti Williamson as his ill-fated Army buddy who is familiar with every recipe that involves shrimp; and the special effects artists whose digital magic place Forrest amidst a remarkable array of historical events and people. ~ Mark Deming, Rovi

One of the most popular Disney animated musicals, The Lion King presents the story of a lion cub's journey to adulthood and acceptance of his royal destiny. Simba (voiced first by Jonathan Taylor Thomas, then by Matthew Broderick) begins life as an honored prince, son of the powerful King Mufasa (voiced by James Earl Jones). The cub's happy childhood turns tragic when his evil uncle Scar (voiced by Jeremy Irons) murders Mufasa and drives Simba away from the kingdom. In exile, the young lion befriends the comically bumbling pair of Pumbaa the warthog (voiced by Ernie Sabella) and Timon the meerkat (voiced by Nathan Lane) and lives a carefree jungle life. As he approaches adulthood, however, he is visited by the spirit of his father, who instructs him to defeat the nefarious Scar and reclaim his rightful throne. Borrowing elements from Hamlet, classical mythology, and African folk tales, The Lion King tells its mythic coming-of-age tale with a combination of spectacular visuals and lively music, featuring light, rhythmic songs by Elton John and Tim Rice, and a score by Hans Zimmer. Embraced by children and adults alike, the film also spawned hit songs ("Can You Feel the Love Tonight", "Circle of Life") and a hit Broadway musical. In late 2002, The Lion King was re-released in the large-screen IMAX format. ~ Judd Blaise, All Movie Guide