Marian Carr Movies
Lt. Dick Chasen (Casey Adams) narrates the strange story of Charles "Butcher" Benton (Lon Chaney, Jr.), a condemned man who came back for revenge. In prison, Butcher refuses to reveal to his crooked lawyer Lowe (Ross Elliott) where he hid $600,000 from a bank robbery. Even though he's due to be executed, Butcher vows revenge on Lowe and his partners, Squeamy (Marvin Ellis) and Joe (Ken Terrell). Lowe visits stripper Eva (Marion Carr), to whom Butcher has sent a map of the spot in the Los Angeles sewer system where he hid the loot, but Lowe opens the letter first, and secretly takes the map. After the execution, Butcher's body is taken to San Francisco scientist Prof. Bradshaw (Robert Shayne) who's trying for a cure for cancer, but instead his experiments bring Butcher back to life. His cellular structure has been increased to the point where he's nearly indestructible, and he is incredibly strong. He kills the scientist and his assistant, and heads for Los Angeles. When stripper Eva turns out to be very different from the person he was expecting, Dick becomes attracted to her. Butcher, who can no longer speak, arrives and learns she doesn't have the map. Aware of Butcher's vow, he tries to inform Squeamy, but Butcher kills both Squeamy and Joe. The panic-stricken Lowe punches a cop and gets tossed in jail as a way of hiding from Butcher; when the cops threaten to release him, he talks and reveals the map. Butcher overhears Dick and the others planning to take care of him with flamethrowers, but just as he finds the loot, he's hit with a bazooka and blasted with the flamethrowers. Hideously burned, he leaves the sewers and climbs to the top of a big crane, which runs into high tension wires, and Butcher is disintegrated. And in the end, Dick and Eva get together. ~ Bill Warren, All Movie Guide
- 1956
In this crime drama, mobsters swear to get revenge upon a zealous public prosecutor as he tries to get them put into prison. The desperate mobsters try to stop him by using his innocent daughter in a blackmail scheme. ~ Sandra Brennan, All Movie Guide
An obviously ailing Humphrey Bogart made his final screen appearance in The Harder They Fall. Adapted from a novel by Budd Schulberg, the film is a thinly disguised a clef account of the Primo Carnera boxing scandal. Bogart is cast as unemployed newspaperman Eddie Willis, who sells his soul down the river when he signs on as press agent for slimy fight manager Nick Benko (Rod Steiger). It is Willis' job to stir up publicity for Benko's newest protégé, Argentinian boxer Toro Moreno (Mike Lane). Benko's boy quickly rises to the top of his profession, though everybody but Toro knows that all the fights have been fixed. Upon learning that Benko intends to bilk Toro of his earnings, Willis regains his integrity, tells the wide-eyed young pugilist the truth, then sits down to write a searing expose of the fight racket. Jan Sterling costars as Willis' estranged wife, while real-life boxers Jersey Joe Walcott and Max Baer are suitably cast as Toro's trainer and ring opponent, respectively. There is also a heartbreaking cameo appearance by ex-fighter Joe Greb, cast as a punchdrunk skid row bum. The Harder They Fall originally went out with two different endings: in one, Eddie Willis demanded that boxing be banned altogether, while in the other, Willis merely insisted that there be a federal investigation of the prizefighting business. The videotape version contains the "harder" denouement, while most TV prints end with the "softer" message. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Rod Steiger, (more)
- 1956
Jazz musician Stan Grayson (Kevin McCarthy) wakes up from a dream in which he has killed a man during a struggle in a bizarre mirrored room. However, thumbprints on his neck, a strange key in his pocket, and a haunting, otherworldly musical riff in his head quickly convince him that it was not just a dream. Afraid that he might be a murderer, yet not recalling the events of the nightmare, he confides in his brother-in-law (and New Orleans homicide detective) René Bressard (Edward G. Robinson), who tells him that he's been working too hard and drinking too much. But as Grayson is almost magnetically drawn back to the scene of the apparent crime, Bressard angrily comes to believe that Stan was lying and knew exactly what he had done. Grayson, paralyzed by his guilt, can barely find the strength to try to clear himself. McCarthy portrays a sense of overwhelming panic almost as well as he does in Invasion of the Body Snatchers (1956), and Robinson's tough cop is warmly textured with a sly sense of humor. Nightmare is a far superior remake of director Maxwell Shane's own first adaptation of the Cornell Woolrich story, Fear in the Night (1947). With a larger budget and better cast, Shane creates a shadowy, hypnotic world of seedy urban nightclubs and cheap hotels; even a picnic on the bayou evokes a feeling of dread. Woolrich would have felt right at home. ~ Steve Press, All Movie Guide
- Starring:
- Edward G. Robinson, Kevin McCarthy, (more)
With his movie career fading in 1955, Bob Hope was amenable to writer/director Mel Shavelson's suggestion that Hope try something different. The Seven Little Foys was the first of Hope's two "straight" biopics (the second was 1956's Beau James). Though not completely abandoning his patented persona, Hope does an admirable job of impersonating legendary Broadway song-and-dance man Eddie Foy, right down to the soft-shoe shuffle and affected lisp. A successful "single" in vaudeville, Foy meets and marries lovely Italian songstress Madeleine Morando (Milly Vitale). The union results in seven children, moving the Foys' priest to comment "we're running out of Holy water" after the seventh baptism. Hardly an ideal family man, Foy leaves Madeleine and her sister Clara (Angela Clarke) behind in their Connecticut home to raise the kids, while he rises to spectacular career height. Returning home after attending a testimonial for George M. Cohan (James Cagney, who played this unbilled cameo on the proviso that Hope turn over Cagney's salary to charity), Foy discovers that his wife has died of pneumonia. Months pass: Foy sulks in his rambling house, while his seven kids run roughshod. Foy's manager (George Tobias) suggests that the entire family be assembled into a vaudeville troupe called The Seven Little Foys. Though the kids are profoundly bereft of talent, the act gets by on its charm, and before long Foy is a bigger success than ever. But when Foy and the kids are booked into the Palace on Christmas Day, Aunt Clara decides that the kids are being cruelly exploited, and arranges for the authorities to arrest the act on charges of violating a state law barring children from singing and dancing. The authorities decide to drop the charges when the kids rally around their father, declaring their genuine love for him--but the deciding factor is a quick demonstration that the kids can't sing or dance to save their lives! The Seven Little Foys is a standard Hollywood whitewash job, emphasizing Eddie Foy's virtues (including his on-stage heroism during the infamous Iroquois Theatre fire of 1903) and soft-pedaling or ignoring his faults (e.g. his capacity for alcohol). Wisely, the scenes between Bob Hope and the seven children playing the Little Foys (including Father Knows Best's Billy Gray, The Real McCoys' Lydia Reed and Leave It to Beaver's Jerry Mathers) are refreshingly free of cloying sentiment. Also, Hope is a good enough natural actor to convince us that he deeply cares for his children without gooey effusions of emotion. The film's hands-down highlight is the "challenge dance" between Foy (Bob Hope) and Cohan (James Cagney)--a lasting testament of the superb terpsichorean talents of both men. The Seven Little Foys was narrated by Eddie's son Charley Foy, a fine comedian in his own right. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Hope, James Cagney, (more)
- 1955
Another of producer Howard W. Koch's TV-style budget pictures, Ghost Town is a modest western taking place during one tension-filled night. A group of stagecoach passengers are besieged by hostile Cheyenne Indians. Seeking shelter, the passengers are forced to set up camp in a deserted town. There's every possibility that the Cheyennes will be back, so no one gets a good night's sleep--but we do learn which of the passengers are heroes and which are cowards. Allen Miner, whose B westerns were usually more interesting than his TV assignments, directed Ghost Town with a minimum of waste footage. ~ Hal Erickson, All Movie Guide
- Starring:
- Kent Taylor, John Smith, (more)
- 1955
Cell 2455 Death Row is based on the autobiography of condemned prisoner and "jailhouse lawyer" Caryl Chessman. William Campbell plays the Chessman counterpart, here renamed Whit. A seriously disturbed misfit, Whit begins a life of crime, culminating in sexual assault as the "Lover's Lane Bandit." Condemned to the gas chamber at San Quentin, Whit spends six years fighting his sentence, gradually winning the support and sometimes the respect of various legal experts. The film ends in 1955 (the year of its production), some five years before Caryl Chessman's ultimate execution; accordingly, the film's "open-ended" finale has been removed from many TV prints. A more thorough and incisive study of the Chessman case was offered in the made-for-TV movie Kill Me If You Can, which starred Alan Alda. ~ Hal Erickson, All Movie Guide
- Starring:
- William Campbell, Marian Carr, (more)
Regarded by many critics as the ultimate film noir, and by many more as the finest movie adaptation of a book by Mickey Spillane, Kiss Me Deadly stars Ralph Meeker as Spillane's anti-social private eye Mike Hammer. While driving down a lonely road late one evening, Hammer picks up a beautiful blonde hitchhiker (Cloris Leachman), dressed in nothing but a raincoat. At first, Hammer assumes that the incoherent girl is an escaped lunatic; his mind is changed for him when he and the girl are abducted by two thugs. The men torture the girl to death as the semiconscious Hammer watches helplessly. He himself escapes extermination when the murderers' car topples off a cliff and he is thrown clear. Seeking vengeance, Hammer tries to discover the secret behind the girl's murder. Among those who cross his path in the film's tense, tingling 105 minutes are a slimy gangster (Paul Stewart), a turncoat scientist (Albert Dekker), and the dead woman's sexy roommate (Gaby Rodgers). All clues lead to a mysterious box -- the "Great Whatsit," as Hammer's secretary Velda (Maxine Cooper) describes it. Both the box and Velda are stolen by the villains, at which point Hammer discovers that the "Whatsit" contains radioactive material of awesome powers. The apocalyptic climax is doubly devastating because we're never quite certain if Hammer survives (he doesn't narrate the story, as was the case in most Mike Hammer films and TV shows). Director Robert Aldrich and scriptwriter Jack Moffit transcend Kiss Me Deadly's basic genre trappings to produce a one-of-a-kind melodrama for the nuclear age. ~ Hal Erickson, All Movie Guide
- Starring:
- Ralph Meeker, Albert Dekker, (more)
- 1954
World for Ransom is an unofficial extension of the popular 1950s TV series China Smith. Most of the Smith personnel, including star Dan Duryea, director Robert Aldrich and cinematographer Joseph Biroc, are on hand for this inexpensive but well-mounted melodrama. Duryea plays a mercenary adventurer who gets mixed up in a scheme by foreign spies (who wear baggy suits and speak with Slavic accents) to kidnap a nuclear scientist. Actually it isn't the whole world that's held for ransom--only the city of Singapore, which the spies threaten with nuclear annihilation. World for Ransom star Dan Duryea is solidly supported by old pros Gene Lockhart, Patric Knowles, Reginald Denny and Nigel Bruce. ~ Hal Erickson, All Movie Guide
- Starring:
- Dan Duryea, Gene Lockhart, (more)
A real "must see" for devotees of 1950s pop culture, Ring of Fear boasts a script co-written by character actor Paul Fix and a cast which includes the likes of animal trainer Clyde Beatty and pulp-fiction novelist Mickey Spillane. The story takes place in Beatty's travelling circus, where a homicidal maniac named Dublin (Sean McClory) is doing his best to wreck the show. It's all because Dublin is in love with Valerie (Marian Carr), the wife of aerialist Armond St. Denis (John Bromfield). Since the cops don't know who's behind all the trouble, they call in crime expert Spillane (cast as himself). Dublin nearly succeeds in bumping off Spillane before he himself is dispatched by a giant tiger. Representing the Law is Pat O'Brien, who delivers his silly dialogue with conviction. ~ Hal Erickson, All Movie Guide
- Starring:
- Pat O'Brien, Mickey Spillane, (more)
- 1953
A video of two television dramas: "One Way Out" and "Witness." ~ All Movie Guide
- 1953
Northern Patrol was the last entry in Monogram/Allied Artists' off-and-on "Northwest Mountie" series. Taking time off from his Sky King shooting schedule, Kirby Grant stars as mounted policeman Rod Webb, while second billing is bestowed upon Webb's faithful dog Chinook. In this one, Webb tries to prove that the suicide of a young trapper was actually murder. The film offers a dash of novelty value in having the principal baddie turn out to be a beautiful woman (Marion Carr). Scripted by actor Warren Douglas, Northern Patrol was directed by Rex Bailey, the former assistant to the series' original helmsman, Frank McDonald. ~ Hal Erickson, All Movie Guide
- Starring:
- Kirby Grant, Marian Carr, (more)
- 1947
Not by any means a great film, The Devil Thumbs a Ride nonetheless has an indefinable audience allure that sucks the viewer into its labyrinthine storyline and doesn't let go until the fade-out. Lawrence Tierney plays Steve Morgan, a charming but utterly sociopathic criminal who has just robbed and killed a movie theater cashier. Morgan hitches a ride with inebriated conventioneer Jimmy Furguson (Ted North). Later on, Furguson picks up two more hitchhikers: virginal Beulah Zorn (Nan Leslie) and good-time girl Agnes Smith (Betty Lawford). When circumstances lead Jimmy to believe that Steve is the fugitive whom the cops are looking for, Morgan sweet-talks his way into everyone's confidence. Before he knows what's happening, Jimmy is holed up in a beach house while Steve parties with Beulah and Agnes. Not even the most fervent of film noir fans will be able to predict the outcome of this one. Long ignored by movie buffs, The Devil Thumbs a Ride gained a large following through repeated TV showings in the 1960s and '70s. It is now considered so representative of its genre that one film historian used the film's title for a collection of his essays on B-melodramas. ~ Hal Erickson, All Movie Guide
- Starring:
- Lawrence Tierney, Ted North, (more)
This is director Frank Capra's classic bittersweet comedy/drama about George Bailey (James Stewart), the eternally-in-debt guiding force of a bank in the typical American small town of Bedford Falls. As the film opens, it's Christmas Eve, 1946, and George, who has long considered himself a failure, faces financial ruin and arrest and is seriously contemplating suicide. High above Bedford Falls, two celestial voices discuss Bailey's dilemma and decide to send down eternally bumbling angel Clarence Oddbody (Henry Travers), who after 200 years has yet to earn his wings, to help George out. But first, Clarence is given a crash course on George's life, and the multitude of selfless acts he has performed: rescuing his younger brother from drowning, losing the hearing in his left ear in the process; enduring a beating rather than allow a grieving druggist (H.B. Warner) to deliver poison by mistake to an ailing child; foregoing college and a long-planned trip to Europe to keep the Bailey Building and Loan from letting its Depression-era customers down; and, most important, preventing town despot Potter (Lionel Barrymore) from taking over Bedford Mills and reducing its inhabitants to penury. Along the way, George has married his childhood sweetheart Mary (Donna Reed), who has stuck by him through thick and thin. But even the love of Mary and his children are insufficient when George, faced with an $8000 shortage in his books, becomes a likely candidate for prison thanks to the vengeful Potter. Bitterly, George declares that he wishes that he had never been born, and Clarence, hoping to teach George a lesson, shows him how different life would have been had he in fact never been born. After a nightmarish odyssey through a George Bailey-less Bedford Falls (now a glorified slum called Potterville), wherein none of his friends or family recognize him, George is made to realize how many lives he has touched, and helped, through his existence; and, just as Clarence had planned, George awakens to the fact that, despite all its deprivations, he has truly had a wonderful life. Capra's first production through his newly-formed Liberty Films, It's a Wonderful Life lost money in its original run, when it was percieved as a fairly downbeat view of small-town life. Only after it lapsed into the public domain in 1973 and became a Christmastime TV perennial did it don the mantle of a holiday classic. ~ Hal Erickson, All Movie Guide
- Starring:
- James Stewart, Donna Reed, (more)
- 1946
This prison reform-minded melodrama from B-movie director Gordon Douglas opens with an introduction from Lewis F. Lawes, the real-life prison warden turned author of 20,000 Years in Sing Sing (1932). Lawrence Tierney stars as Jim Roland, one of the founding members of the Inmate's Welfare League, a prisoners' rehabilitation group operating inside the California state prison San Quentin. The League keeps internal peace at the prison and helps career criminals go straight, training them for a law-abiding life on the outside. Upon his parole, Jim became one of the program's first success stories, but the same can't be said for Nick Taylor (Barton McLane). Once a model prisoner, Taylor has broken out of the facility and gone on a violent crime spree. When San Quentin officials, including Warden Kelly (Harry T. Shannon), consider shutting down the program, the membership feels responsible and appeals to Jim for help. The ex-con, now a responsible citizen, sets out to bring Taylor to justice and save the League, putting his own life at risk. Douglas employs a brisk pace in San Quentin (1946), which is also the feature film debut of actor Raymond Burr, who appears in the supporting role of Jeff Torrance. ~ Karl Williams, All Movie Guide
- Starring:
- Lawrence Tierney, Barton MacLane, (more)
After a beauty parlor makeover, a housewife (Dorothy Granger), has a chance encounter with her husband's identical twin brother. Because she's never met the twin brother, she mistakes his behavior for infidelity by her husband and begins plotting divorce. Leon Errol plays the twins in this routine comedy short. ~ Richard Gilliam, All Movie Guide
- Starring:
- Leon Errol, Dorothy Granger, (more)
