Sylvester Stallone Movies
An icon of machismo and Hollywood action heroism,
Sylvester Stallone is responsible for creating two characters who have become a part of the American cultural lexicon: Rocky Balboa, the no-name boxer who overcame all odds to become a champion, and John Rambo, the courageous soldier who specialized in violent rescues and revenge. Both characters are reflections of Stallone's personal experiences and the battles he waged during his transition from a poor kid in Hell's Kitchen to one of the world's most popular stars.
According to Stallone, his was not a happy childhood. On July 6, 1946, in the aforementioned part of Manhattan, Sylvester Enzio Stallone was born to a chorine and an Italian immigrant. A forceps accident during his birth severed a facial nerve, leaving Stallone with parts of his lip, tongue, and chin paralyzed. In doing so, the accident imprinted Stallone with some of the most recognizable components of his persona: the distinctively slurred (and some say often nearly incomprehensible) speech patterns, drooping lower lip, and crooked left eye that have been eagerly seized upon by caricaturists. To compound these defects, Stallone was a homely, sickly child who once suffered from rickets. His parents were constantly at war and struggling to support Stallone and his younger brother,
Frank Stallone (who became a B-movie actor). The elder brother spent most of his first five years in the care of foster homes. Stallone has said that his interest in acting came from his attempts to get attention and affection from those strangers who tried to raise him. When he was five, his parents moved their family to Silver Spring, MD, but once again spent their time bickering and largely ignored their children. Following his parents' divorce in 1957, the 11-year-old Stallone remained with his stern father. The actor's teen years proved even more traumatic. As Stallone seemed willing to do just about anything for attention, however negative, he had already been enrolled in 12 schools and expelled several times for his behavior problems. His grades were dreadful and his classmates picked on him for being different. Stallone coped by becoming a risk taker and developing elaborate fantasies in which he presented himself as a brave hero and champion of the underdog. At age 15, Stallone moved to Philadelphia to be with his mother and her new husband. By this time, he had begun lifting weights and was enrolled in Devereaux High School, a facility for emotionally disturbed children. There he took up fencing, football, and the discus. He also started appearing in school plays. Following graduation, Stallone received an athletic scholarship for the American College of Switzerland. While there he was a girls' athletic coach and in his spare time starred in a school production of
Arthur Miller's Death of a Salesman. The experience inspired him to become an actor and after returning stateside, he started studying drama at the University of Miami until he decided to move to New York in 1969.
While working a variety of odd jobs, Stallone auditioned frequently but only occasionally found stage work, most of which was off-Broadway in shows like the all-nude Score and Rain. He even resorted to appearing in the softcore porn film, Party at Kitty's and Studs, which was later repackaged as
The Italian Stallion after Stallone became famous. Stallone's face and even his deep voice were factors in his constant rejection for stage and film roles. He did nab a bit role in
Woody Allen's
Bananas (1971), but after he was turned down for
The Godfather (1971), Stallone became discouraged. Rather than give up, however, Stallone again developed a coping mechanism -- he turned to writing scripts, lots of scripts, some of which were produced. He still auditioned and landed a starring role in
Rebel (1973). During his writing phase, he married actress Sasha Czack in late 1974 and they moved to California in the hopes of building acting careers. His first minor success came when he wrote the screenplay for and co-starred in the nostalgic
Lords of Flatbush (1974) with
Henry Winkler. The film's modest success resulted in Stallone's getting larger roles, but he still didn't attract much notice until he penned the screenplay for
Rocky. The story was strong and well written and studios were eager to buy the rights, but Stallone stipulated that he would be the star and must receive a share of the profits. Producers
Irwin Winkler and
Robert Chartoff accepted Stallone's terms and
Rocky (1976) went on to become one of the biggest movie hits of all time. It also won several Oscars including ones for Best Picture, Best Director for
John Avildsen, and a Best Actor nomination for Stallone.
Suddenly Stallone found himself on Hollywood's A-list, a status he has largely maintained over the years. In addition to writing four sequels to
Rocky, he penned three Rambo films (First Blood, Rambo: First Blood Part II, and
Rambo 3) and
F.I.S.T. (1979). Stallone made his directorial debut with Paradise Alley, which he filmed in Hell's Kitchen. He also wrote and directed but did not appear in the sequel to
Saturday Night Fever,
Staying Alive (1983). In addition, Stallone has continued to appear in the films of other directors, notably
Demolition Man (1993),
Judge Dredd (1995), and
Copland (1997), a film in which he allowed himself to gain 30 pounds in order to more accurately portray an aging sheriff. Occasionally, Stallone has ventured out of the action genre and into lighter fare with such embarrassing efforts as Stop! Or My Mom Will Shoot (1992) and
Oscar (1991), which did not fare well at the box office. Following these missteps, Stallone found greater success with the animated adventure
Antz (1998), a film in which his very distinctive voice, if not his very distinctive physique, was very much a part. Stallone was back in shape for the 2000 remake of Get Carter and hit the race tracks in the following year in the CART racing thriller Driven.
Though the early 2000s found his career sputtering along with such forgetable duds as D-Tox and Avenging Angelo, Stallone took his career into his own hands by returning to the director's chair to resurrect two of his most iconic characters. Lacing his boxing gloves up once again for Rocky Balboa, the veteran action star proved he still had some fight left in him, and venturing into the jungles of Burma as John Rambo just two years later, he proved that hard "R" action could still sell in the era where most filmmakers were playing it "PG-13"safe. That trend continued with Stallone's all-star action opus The Expendables in 2010, with the success of that film leading to a sequel (with Simon West taking over directorial duties) featuring even more action icons in 2012. Incredibly, not even a broken neck suffered during production of The Expendables proved capable of slowing Stallone down, and 2013 found him teaming with Walter Hill for Bullet to the Head -- which followed a cop and a killer as they teamed up to take down a mutual enemy.
Despite his great professional success, Stallone has still had his share of personal grief. With his first wife Sasha, Stallone had two sons, Sage (who launched his own acting career in addition to co-founding Grindhouse Releasing with Oscar-winning film editor Bob Murawski) and Seargeoh, the second of whom was diagnosed as autistic in 1982. The stress of the situation caused Stallone's marriage to end in 1985. Afterwards, Stallone began dating many women and became a favorite topic of the tabloids, especially when less than a year after the breakup, he married statuesque model
Brigitte Nielsen and then divorced her in a well-publicized battle 18 months later. In the late '80s, Stallone met 19-year-old model
Jennifer Flavin. The two lived together for three years and married in May, 1997. By summer's end, they had a baby girl, Sofia, who was born with a hole in her heart. In October it was repaired and the now healthy girl has proven to be a fighter, just like her famous dad. ~ Sandra Brennan, Rovi

- 1978
- PG
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Film auteur Sylvester Stallone wrote, directed, and stars in this re-working of Rocky to fit an old-fashioned Hollywood formula, depicting three brothers from New York's Hell's Kitchen of the 1940s who want to claw their way out of poverty. Lee Canalito is the muscle-brained iceman Victor, and Armand Assante is the embittered, crippled war veteran Lenny. But the smooth-talking con man brother Cosmo (Sylvester Stallone), sees beef-cake Victor's fists as their ticket out of the slums. Cosmo, ever the manipulator, convinces the dull-witted Victor to participate in a series of bone-crunching wrestling matches as Kid Salami. Cosmo and Lenny exploit Victor's brute strength to grab the fast money on the wrestling circuit. But their climb to success is halted when the local gangster Stitch (Kevin Conway) puts up his malicious and dangerous wrestler Frankie the Thumper (Terry Funk) to fight against Kid Salami in a 22-round meat-pounder. ~ Paul Brenner, Rovi
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- Starring:
- Sylvester Stallone, Kevin Conway, (more)

- 1978
- PG
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F.I.S.T. is author Norman Jewison's chronicle of an innocent and idealistic young man corrupted by power and success as seen through the rise of the United States labor movement. Sylvester Stallone plays a Jimmy Hoffa-inspired figure who rises through the union ranks during turbulent labor times. The film begins in 1937 during the burgeoning of the labor movement. Johnny Kovak (Sylvester Stallone) works on the dock unloading trucks for Win Talbot's (Henry Wilcoxon) trucking company. He turns to organizing the truckers for union representative Mike Monahan (Richard Herd). When Monahan is killed in a fight by strong-arm men hired by the company, Johnny becomes involved with Vince Doyle (Kevin Conway), the local gangster. After an angry response by the union, culminating in a massive riot, Johnny firmly aligns himself with Doyle, and the mob gets its meathooks further into the union. Thanks to the infusion of mob support, the union grows rich and powerful, along with Johnny. By the end of the 1950s, Johnny has so much power that he even manages to blackmail international union leader Max Graham (Peter Boyle) out of his job. Johnny is sitting on top of the world -- that is, until crusading United States senator Andrew Madison (Rod Steiger) targets Johnny's union for a federal investigation. ~ Paul Brenner, Rovi
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- Starring:
- Sylvester Stallone, Rod Steiger, (more)

- 1976
- PG
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Rocky Balboa (Sylvester Stallone), a Philadelphia boxer, is but one step removed from total bum-hood. A once-promising pugilist, Rocky is now taking nickel-and-dime bouts and running strongarm errands for local loan sharks to survive. Even his supportive trainer, Mickey (Burgess Meredith), has given up on Rocky. All this changes thanks to Muhammad Ali-like super-boxer Apollo Creed (Carl Weathers). With the Bicentennial celebration coming up, Creed must find a "Cinderella" opponent for the big July 4th bout -- some unknown whom Creed can "glorify" for a few minutes before knocking him cold. Rocky Balboa was not the only Cinderella involved here: writer/director Sylvester Stallone, himself a virtual unknown, managed to sell his Rocky script (one of 35 that he'd written over the years) on the proviso that he be given the starring role. Since the film was to be made on a shoestring and marketed on a low-level basis, the risk factor to United Artists was small. For Stallone, this was a make-or-break opportunity -- just like Rocky's million-to-one shot with Apollo Creed. Costing under a million dollars, Rocky managed to register with audiences everywhere, earning back 60 times its cost. The film won several Academy Awards, including Best Picture. ~ Hal Erickson, Rovi
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- Starring:
- Sylvester Stallone, Talia Shire, (more)

- 1976
- R
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Paul Bartel rips off his own Death Race 2000 in this mindless car-crash saga, containing more twisted metal than a bombed-out steel mill. The nominal storyline concerns an illegal auto race from Los Angeles to New York that promises the winner 100,000 dollars. David Carradine is Coy "Cannonball" Buckman, the race leader who drags his girlfriend, Linda (Veronica Hamel), along for the ride. Cade Redman (Bill McKinney) tools around in a loud red Trans Am, while Cannonball's nemesis barrels along in a big, black Plymouth, trying to outsmart Cannonball at every turn and exit ramp. The pile-ups keep building, and the cameos (Roger Corman, Martin Scorsese, Sylvester Stallone, Joe Dante, Paul Bartel) keep coming, but Cannonball must make it to New York to collect his winnings. ~ Paul Brenner, Rovi
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- Starring:
- David Carradine, Bill McKinney, (more)

- 1975
- PG
No, Oliver Stone did not invent the Cinema of Paranoia. In 1975, for example, long before Stone first yelled "Cue the conspirators!", we were offered No Place to Hide. A group of idealistic, pure-hearted hippie activists are targeted by the evil, demonic FBI. The insidious law-enforcement minions plant a spy in the midst of the angelic flower children; this dirty rat fink goads Our Heroes (and Heroines) into committing a murderous act of radicalism that will result in life sentences for all the beautiful people. No Place to Hide is as bad as it sounds, but you'll watch anyway just to see a pre-Rocky Sylvester Stallone in the role of "Jerry." ~ Hal Erickson, Rovi
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- 1975
- R
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Cult hero Paul Bartel directed this low-budget satire in which America's passion for cars, violence, and sporting events are finally brought together in one convenient package. In the not-so-distant future, the United States has become a totalitarian regime overseen by the charming but sinister Mr. President (Sandy McCallum), who, in order to satisfy the masses' need for entertainment (and to quench their thirst for violence), has created a new national sport -- the Death Race, a nationwide road rally in which the winner is not determined by who finishes first, but by who scores the most points along the way by running over hapless pedestrians. Aspiring champions Machine Gun Joe Viterbo (Sylvester Stallone), Calamity Jane (Mary Woronov), Nero the Hero (Martin Kove), and Matilda the Hun (Roberta Collins) are all looking to take the top honors away from Frankenstein (David Carradine), a half-man/half-machine who has been built to be the best racer on Earth and can outrun and outkill anyone on the circuit. However, not everyone likes the Death Race, and revolutionary leader Thomasina Paine (Harriet Medin) wants to sabotage the event in the name of restoring democracy; her plan is to foil Frankenstein's expected victory by smuggling her daughter Annie (Simone Griffeth) into Frankenstein's race car as his navigator. Featuring David Carradine at the height of his Kung Fu fame (and Sylvester Stallone a year before Rocky), Death Race 2000 was a major drive-in hit in 1975; Bartel and Carradine teamed up for another road race movie, Cannonball, a year later, and a semi-sequel, Death Sport, appeared in 1978. ~ Mark Deming, Rovi
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- Starring:
- David Carradine, Simone Griffeth, (more)

- 1975
- R
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Ben Gazzara stars in this low-level depiction of legendary gangster Al Capone, who rose to command the mob underworld in 1920's Chicago. Born in Brooklyn, Capone joins his first gang at the age of 11. From there, he graduates to the infamous "Five Points Gang" run by Johnny Torrio (Harry Guardino). After moving to Chicago a few years later and wiping out Torrio's crimeboss uncle, Capone becomes Torrio's right hand man. Capone becomes head of the area's prostitution and racketeering business, but, as his mind deteriorates from syphillis, so does his empire. There's not much to recommend here, aside from a surprisingly good appearance by Sylvester Stallone as fellow gangster Frank Nitti. Gazzara is frankly awful in the title role and producer Roger Corman uses stock shootout footage from other gangster films, including footage of the St. Valentine's Day Massacre from his own, earlier movie on the subject. ~ Don Kaye, Rovi
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- Starring:
- Ben Gazzara, Susan Blakely, (more)

- 1975
- R
Previously filmed in 1942 as The Falcon Takes Over and in 1944 as Murder, My Sweet, Raymond Chandler's Farewell My Lovely was given its third cinematic go-round under its original title in 1975. Spouting the Chandlerish prose as if it were second nature, Robert Mitchum stars as 1940s private eye Philip Marlowe, hired by the goonish Moose Malloy (Jack O'Halloran) to locate his former girl friend. This involves Marlowe in the theft of a jade necklace, which in turn leads to murder. All roads seemingly lead to adventuress Mrs. Grayle (Charlotte Rampling), wealthily married but far from satisfied. ~ Hal Erickson, Rovi
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- Starring:
- Robert Mitchum, Charlotte Rampling, (more)

- 1975
-
A pre-Rocky Sylvester Stallone is prominently featured in this episode as young detective Rick Daley, who accidentally shoots a boy while on duty. Daley claims that shots were being fired all around him at the time of the tragedy, and that he is innocent. Pressured by the higher-ups to protect Daley, Kojak (Telly Savalas) refuses to accept the young cop's story without positive proof--while certain members of the Internal Affairs division seem willing to throw Daley to the wolves whether he's guilty or not. ~ Hal Erickson, Rovi
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- 1974
- PG
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This low-budget independent film by novice directors Stephen F. Verona and Martin Davidson is a slice-of-life elegy from the leather-jacket, bobby-soxer era of 1957, set in a Brooklyn high school. The film stands out for the appearance of up-and-coming actors (circa 1974) Sylvester Stallone, Henry Winkler, and Perry King (even Armand Assante has a bit role). Stallone, Winkler, King, and Paul Mace are members of a local neighbor social club called "The Lords of Flatbush," and they spend their time exercising their hormones, hot-wiring a car, playing pool, and quaffing egg creams at the local candy store. The film finally focuses its interest on two of the "lords." Chico (Perry King), owns a motorcycle and wheels over to see Jane Bradshaw (Susan Blakely), the daughter of an army colonel who, despite Chico's motorcycle, gives him the brush-off. Then there is the muscle-headed Stanley Rosiello (Sylvester Stallone), who, like Marlon Brando in On the Waterfront, loves pigeons. He also loves Frannie (Maria Smith), with whom he has bedded down under the boardwalk one too many times, and now finds that she is pregnant and wants to get married. Skirting along the edges of the frame are Butchey Weinstein (Henry Winkler) and Wimpy Murgalo (Paul Mace), who, as second bananas, go along with Chico and Stanley as they adjust their testosterone to adult living. ~ Paul Brenner, Rovi
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- Starring:
- Perry King, Sylvester Stallone, (more)

- 1974
- PG
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A lesser but still entertaining Neil Simon work, The Prisoner of Second Avenue was adapted to film in 1974. Jack Lemmon takes over the role played on Broadway by Peter Falk: Mel is a New York-based advertising man who goes through hell when he loses his job. The gods seem to conspire against him as he tries to cope with his unemployed status; he is particularly depressed over the fact that he must now subsist on the income of his wife (Anne Bancroft). There are laughs in The Prisoner of Second Avenue, but it's the laughter of desperation and despair; it might not be advisable to watch this film after a bad day at the office. Watch for Sylvester Stallone as the "human punch line" of an old urban legend about a pickpocket. ~ Hal Erickson, Rovi
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- Starring:
- Jack Lemmon, Anne Bancroft, (more)

- 1973
- PG
In this early Sylvester Stallone vehicle, a radical student is forced to decide whether to be with his gentle lady love, or continue working for terrorists during the 1960s. ~ Sandra Brennan, Rovi
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- 1971
- PG13
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One of Woody Allen's earlier, more slapstick-oriented efforts, Bananas tells the story of Fielding Mellish (Allen), a neurotic New Yorker who follows the object of his affections, Nancy (Louise Lasser), to the fictional Central American country of San Marcos, where she is involved in a revolution. Nancy wants nothing to do with Fielding, but he soon becomes a guest of the country's dictator (Carlos Montalban), before accidentally becoming the leader of San Marcos himself. Fielding is eventually shipped back to the US and tried as a subversive, but being that this is a comedy, and an especially light one at that, everything works out in the end. A far cry from Allen's later, more somber films, Bananas still works as an often hilarious amalgam of sight gags, one-liners, and bizarre asides. ~ Don Kaye, Rovi
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- Starring:
- Woody Allen, Louise Lasser, (more)

- 1970
-
This pornographic film was notable largely for the early presence of then-struggling New York actor Sylvester Stallone in a lead role. Stallone stars as Stud, a well-muscled resident of an apartment to which he brings a variety of women for various sexual acts. So oversexed is Stud that after he continually spies a woman flashing him from across the street, he smashes the window of his apartment. All of this occurs during a party and orgy featuring lots of skin, sex, and marijuana smoking, which has been thrown by Stud's roommate Kitty (Henriette Holm), who is in love with her macho pal. The work of writer and director Morton M. Lewis, the film exists in several differently edited forms, each featuring more or less explicit material depending on the venue in which the film is appearing. Its title, a reference to the nickname of Stallone's far better known character in Rocky (1976), was changed for the film's embarrassing re-issue after the actor became famous. ~ Karl Williams, Rovi
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- 1967
-