Michael Spiller Movies

Bill (Bill Paxton) has a dream in which he's being chased, and suspects it might be a revelation. There's tension between Nicki (Chloë Sevigny) and Barb (Jeanne Tripplehorn) when Barb asks Nicki to take care of Teenie's (Jolean Wejbe) costume for a school play about the upcoming lunar eclipse, and Nicki, claiming that she has a family emergency, hands the job off to Margene (Ginnifer Goodwin), with predictably disastrous results. Nicki is facing a crippling amount of credit-card debt, and sneaks into the city to get a bit of help from Roman (Harry Dean Stanton). In desperation, she even calls Suze Orman for advice. Bill and Don (Joel McKinnon Miller) check out a promising site for a third Home Plus store, but Don is worried about Roman because he's served them with legal papers demanding to audit their books. Sarah (Amanda Seyfried) gives Heather (Tina Majorino) her version of why her parents decided to become polygamists after Barb survived cancer. "She loves my dad too much," Sarah says, "and was afraid of losing him." Donna (Lyndsy Fonseca) invites Sarah to a party at the local college. Much to Heather's chagrin, Sarah decides to go. On a hunting trip with Ben (Douglas Smith), Don, and Jason (Kyle Gallner), Bill makes a major decision about his dealings with Roman. ~ Josh Ralske, All Movie Guide

First telecast March 13, 2005, the ABC sitcom Jake in Progress starred John Stamos as Jake Phillips, a handsome, stylishly dressed celebrity publicist who worked for the Magnum PR Agency. It was Jake's function in life to handle damage control for the rich and famous -- and to endure the constant insults hurled his way by his high-strung boss Naomi (Wendie Malick), who in the earliest episodes was twice as contentious as usual because she was in the last stages of pregnancy. Although supremely in charge on the job, Jake was less fortunate in his private life, unable to sustain any sort of lasting romantic relationships. Offering comfort and advice to the protagonist were his two friends, a dentist named Adrian (Ian Gomez) and a funky (and remarkably ubiquitous) street magician named Patrick (Rick Hoffman). Almost universally panned by critics during its initial 13-week run, Jake in Progress went on a lengthy hiatus, resurfacing on January 9, 2006. Evidently taking the criticism to heart, the producers endeavored to make the somewhat abrasive Jake more likeable and the episode plotlines more credible; also, two new regular characters were added, Annie (Charlotte Ross) and Mark (Dondre Whitfield). However, the series still languished in the ratings, posting the lowest numbers of the four major networks in its time period. ~ Hal Erickson, All Movie Guide

CEO Lawrence Hammond (John Sanderford) and his trophy wife Erin (Darby Stanchfield) are murdered after being lured to a vacant lot. With only the CEO's bizarre last words as a clue, Monk (Tony Shalhoub) figures out that Erin, and not Lawrence, was the murderer's target. And there's more: Erin's death may be linked to baseball star Scott Gregorio (Christopher Wiehl), who is currently poised to break the single-season homerun record. Finding a kindred spirit in Gregorio, Monk races to reveal the killer so that the ballplayer will pull himself out of a potentially devastating slump. The detective hits upon the solution under the unlikeliest of circumstances--while he is (ineptly!) umpiring a Little League game. ~ Hal Erickson, All Movie Guide

Beauty meets the Beast, and neither is sure just what to make of the other, in a modern-dress comic variation on the ancient folk tale, written and directed by the eternally offbeat Hal Hartley. Beatrice (Sarah Polley) works with the office staff of a sleazy tabloid TV news show, run by a harridan producer (Helen Mirren) eager for something other than the usual spate of violent crimes and natural disasters that are her show's bread and butter. The producer sends her camera crew to Iceland in search of something new and unusual, and they certainly find it when they run across a village that has its own monster (Robert John Burke), a large part-mammal and part-lizard with a short temper and habit of killing people who get on his nerves. The show's camera crew (including Beatrice's boyfriend) doesn't survive their first encounter with the monster, and Beatrice is sent to find out what happened to them. En route to Iceland, Beatrice's plane crashes into the waters off the coast, and while she survives the accident, a group of unsympathetic locals decide (after a few drinks too many) to take her to the monster's lair, where a grim fate doubtless awaits her. Except that the monster is a bit depressed and Beatrice isn't in the mood to take any guff from anyone; after the monster wonders aloud why folks aren't as frightened of him as they once were, he asks Beatrice to help him find Dr. Artaud (Baltasar Kormakur), a mad scientist who might be able to cure him of the curse of eternal life. No Such Thing received its world premiere at the 2001 Cannes Film Festival, where it was screened as part of the Un Certain Regard series. ~ Mark Deming, All Movie Guide

So how far would you go to win a beauty pageant? That's the burning question of Drop Dead Gorgeous, in which the citizens of Mount Rose, Minnesota gear up for the year's biggest event, the Sarah Rose Miss Teen Princess America Pageant, in which Becky Leeman (Denise Richards) and Amber Atkins (Kirsten Dunst) are the contestants to beat. Becky's mother Gladys (Kirstie Alley), a former beauty queen herself, has instilled in her daughter a drive to succeed at any cost. And Gladys will do anything to help Becky's chances of success. Amber's mother Annette (Ellen Barkin) is devoted to her daughter but drinks, smokes, and swears like a sailor. And while Amber is ambitious and a skilled beautician (a talent that she uses in her part-time job at the local mortuary), her view of the pageant is pragmatic: while boys can get sports scholarships, this pageant may be her only ticket out of town. However, Amber and the other contestants may have underestimated just how badly Becky wants to win -- or just how good she is with a gun. Drop Dead Gorgeous was directed by Michael Patrick Jann, a founding member of the sketch comedy group The State (who had their own series on MTV), and written by Lorna Williams, a veteran of the beauty pageant circuit who claims that nearly everything in the film is based on an actual incident. ~ Mark Deming, All Movie Guide

In this hard-edged crime drama, four kids from the tough New York neighborhood of Hell's Kitchen decide to pull a robbery, but their first foray into crime does not go well. When the dust settles, Hayden (Ryan Slater) is dead, and Johnny (Mekhi Phifer) gets pinched by the cops, while Patty (Johnny Whitworth) and Gloria (Angelina Jolie) manage to get away. Johnny serves a five-year stretch in prison for the theft. Although Gloria was in love with Johnny, Hayden was her brother, so she's become susceptible to gossip that Johnny was responsible for Hayden's death, and she is eager to get revenge on her former lover. Patty has also fallen in love with Gloria, and while he is not happy about betraying his old friend, he's soon ensnared in Gloria's plot to kill Johnny. Patty also has to deal with the guilt he feels about his on-again, off-again affair with Gloria's mother Liz (Rosanna Arquette), a failed lounge singer sunk deep into drugs and alcohol. Meanwhile, as he tries to clear his name with Gloria, Johnny is trying to make a career as a boxer; Lou (William Forsythe), a veteran trainer and manager, offers to help Johnny, but the young fighter isn't so sure he wants to be linked to someone with Lou's ties to organized crime. Hell's Kitchen N.Y.C. was the feature directorial debut for Tony Cinciripini, who was formerly an assistant to famed acting coach Lee Strasberg. ~ Sandra Brennan, All Movie Guide

The focus of filmmaker Don McGlynn's fourth documentary on a musical figure is arguably one of the greatest composers of the 20th century, Charles Mingus. The mad/genius, poet/musician forever changed American popular music and jazz with his classical influence, devotion to Duke Ellington, and superb musicianship. In bittersweet tributes, fellow musicians, musical scholars, and two wives recount the life of the gentle taskmaster, while performance footage fills most of the screen time. Though his reputation as an unpredictable, rather lost soul proves not totally inaccurate, some explanation is offered for the great mental hardship and physical suffering the artist endured during his brief tenure as a musical giant, all seemingly at the hands of his gift for music. ~ Denise Sullivan, All Movie Guide

Two emotionally scarred young people find both love and tragedy as they run away together in this drama. Marcy (Robin Tunney) and Seth (Henry Thomas) meet while shoplifting at the same department store; Seth is the son of an angry, abusive father and steals out of rebellion, while Marcy suffers from Tourette's Syndrome, which causes her to compulsively curse, flail about, and indulge in anti-social behavior. The two misfits find a common ground in each other, and they decide to hit the road. Marcy has always wanted a black "You Do The Hairdo" Barbie doll head, and they drive off to Toronto to find one. However, when a pharmacy along the way refuses to refill Marcy's prescription for her Tourette's medication, she and Seth decide to rob the drugstore, and Seth is shot by the pharmacist. An aging tow truck driver named Walter (Michael Parks) shows mercy on them, but his hospitality proves short-lived thanks to Marcy's increasingly violent outbursts. Robin Tunney's performance in Niagara Niagara earned her the prize as Best Actress at the 1997 Venice Film Festival. ~ Mark Deming, All Movie Guide

A lover, an ultimatum, a phone call, and a gun: these elements are found in each segment of Hal Hartley's Flirt, an experimental comedy-drama that essentially repeats the same story three times. But while the basic narrative remains the same -- a congenital flirt must decide whether or not to commit to a current lover, who otherwise will marry someone else -- the details differ greatly, from the location of the film to the gender of the participants. The initial segment, set in New York, tells the tale with a male flirt in turmoil over his relationship with a woman. The film then moves to Berlin, where the same drama is played out amongst a gay male couple, with an added touch of self-reflexive humor. The third and final episode takes place in Tokyo, with a female flirt and a more abstract cinematic approach, including several sequences in traditional Japanese pantomime. ~ Judd Blaise, All Movie Guide

Two estranged brothers discover that family secrets can have a high value on the wrong side of the law in this crime drama. Jack McCallister (Seymour Cassel) is an aging career criminal whose luck is about to give out; Jack and his henchmen are ambushed by police in the midst of a major robbery, which leaves Jack severely injured and his accomplices dead. Jack manages to hide the $500,000 from the robbery before he makes his way to his death bed, where he speaks with his two sons, George (Treat Williams) and Michael (Paul Schulze). George has followed Jack's example as a thief, though his violent recklessness suggests that his career will not be as long as his father's, while Michael makes ends meet as a con man, selling burial plots that don't exist to the elderly and gullible. George and Michael have never gotten along and don't trust each other, but before Jack dies, he gives each of his sons an important clue as to where his final windfall is hidden. If they are to find the money, George and Michael will have to put aside their differences and help each other, but of course they're not the only ones in town looking for the missing half-million. Handgun was the first theatrical feature for television director Whitney Ransick and also features Michael Rappaport, Frank Vincent, and Michael Imperioli. ~ Mark Deming, All Movie Guide

Anton is a Polish sailor on shore leave in New York City. He is not only clueless about the city but is irritatingly obtuse about many things. He has struck up an acquaintance with two of the city's foreign residents and has moved into their tiny apartment with them, missing his ship in the process. He doesn't have a visa to stay in the U.S. but seemingly doesn't care. However, when Barbara, a French native, runs into immigration difficulties, Anton goes out of his way to find her a husband. Typically, he does this by dragging Barbara around New York and asking practically every man he meets whether they're willing to marry her. Not only does this unlikely ploy succeed, but he snares a pleasant and wealthy man as his friend's new husband. One can only imagine what that does for her relationship with her hyperactive and domineering male roommate Wadeck, another Pole. ~ Clarke Fountain, All Movie Guide

Made for PBS' American Playhouse, Surviving Desire is a very short romantic comedy starring Martin Donovan and Mary Ward. He's an uninspired college literature professor. She's a kooky student, and the only member of Donovan's class who doesn't doze off during his lectures. The comedy relies upon the inevitable pairing of two vague, aimless, but very recognizable campus types. The videocassette version of Surving Desire is filled out with two other short subjects directed by Hal Hartley. ~ Hal Erickson, All Movie Guide

Theory of Achievement, a short film by director Hal Hartley, is a droll look at a group of young Brooklynites grappling with the great issues: aesthetics, romance, and real estate. Bob, a broke, aspiring writer, takes advantage of his girlfriend's absence to enter the real estate business. He sublets her apartment to a group of struggling artists, convincing them that Williamsburg, Brooklyn is destined to be "the new art capital of the world." Amongst the tenants are Hartley regulars William Sage and Elina Lowensohn, portraying a couple arguing over the husband's refusal to quit his uninspiring job and follow his dream of becoming a songwriter. Bob and the tenants bond in their mutual poverty and ennui, discussing art, drinking beer, and playing the accordion. All is well, until Bob's girlfriend returns to town early and discovers his scheme. The short is one of three made by Hartley in 1991, along with Ambition and Surviving Desire. All are available on a single videocassette. ~ Judd Blaise, All Movie Guide