Fred Smith Movies

The inner-workings of a corrupt Las Vegas casino are exposed in Martin Scorsese's story of crime and punishment. The film chronicles the lives and times of three characters: "Ace" Rothstein (Robert De Niro), a bookmaking wizard; Nicky Santoro (Joe Pesci), a Mafia underboss and longtime best friend to Ace; and Ginger McKenna (Sharon Stone, in a role she was born to play), a leggy ex-prostitute with a fondness for jewelry and a penchant for playing the field. Ace plays by the rules (albeit Vegas rules, which, as he reminds the audience in voiceover, would make him a criminal in any other state), while Nicky and Ginger lie, cheat, and steal their respective ways to the top. The film's first hour and a half details their rise to power, while the second half follows their downfall as the FBI, corrupt government officials, and angry mob bosses pick apart their Camelot piece by piece. ~ Jeremy Beday, All Movie Guide

In this arch sci-fi sex comedy-cum-action extravaganza, a hard-nosed female mercenary helps a hapless yuppie find a new body for his robot girlfriend in the post-industrial wasteland of the American Southwest. In the year 2017, what little remains of civilization feeds off the scrap heap of 20th century waste, while even casual sex has become a matter of regulations and contracts. Like many other members of the L.A. white-collar elite, Sam Treatwell (David Andrews) takes refuge in a quasi-marriage with his beloved sex robot, Cherry (Pamela Gidley). After a soft-focus, bubbly sexcapade short circuits Cherry's body, Sam considers replacing her, but the shoddy production values of modern robots make it obvious that the vintage appliance is irreplaceable. To put it simply, the guy's in love. The wistful romantic therefore heads out to The Zone, a forbidding no man's land, where he hopes to find a new "chassis" in which to insert Cherry's unique personality chip. To do so, he needs the help of a "tracker," and E. Johnson (Melanie Griffith) is just the woman for the job. The gun-toting, red-headed road warrior leads Sam through a dystopian desert landscape full of psychopaths and opportunists toward their final destination: an abandoned warehouse full of antique androids. Along the way, Sam learns what it's like to interact with a woman who has brains and a heart instead of a microchip. Filmed in 1986, Cherry 2000 didn't receive its limited theatrical release until 1988, the same year star Griffith received an Oscar nomination for her role in Working Girl. Griffith and director Steven de Jarnatt previously worked together on the pilot for the 1980s revival of Alfred Hitchcock Presents. Ben Johnson, veteran of many a Hollywood Western, appears as E. Johnson's mentor, Six Finger Jake. ~ Brian J. Dillard, All Movie Guide

Death of a Centerfold: The Dorothy Stratten Story is a surfacy TV-movie rehash of the same real-life events which inspired the 1980 theatrical feature Star 80. Jamie Lee Curtis stars as Dorothy Stratten, here depicted as an ingenuous, highly vulnerable Canadian girl who aspires to show business stardom. Decked out with a generous toupee, Bruce Weitz co-stars as Paul Snyder, the "fringie" who married Dorothy and managed her career. The girl is discovered by Playboy publisher Hugh Hefner, who features Dorothy in a nude foldout spread. As Dorothy's fame grows, Snyder becomes more obsessive and difficult to control. Dorothy tries to make a clean break from Snyder, which culminates in tragedy. Death of a Centerfold initially aired on November 1, 1981. ~ Hal Erickson, All Movie Guide

Woody Allen's Love and Death is purportedly a satire of all things Russian, from Leo Tolstoy and Fyodor Dostoyevsky novels to Sergei Eisenstein films, but it plays more like a spin on Bob Hope's Monsieur Beaucaire. Allen plays Boris, a 19th century Russian who falls in love with his distant (and married) cousin Sonja (Diane Keaton). Pressed into service with the Russian army during the war against Napoleon, Boris accidentally becomes a hero, then goes on to win a duel against a cuckolded husband (Harold Gould). He returns to Sonja, hoping to settle down on the Steppes somewhere, but Sonja has become fired up with patriotic fervor, insisting that Boris join a plot to kill Napoleon. Intellectual in-jokes abound in Love and Death, and other gags are basic Allen one-liners; for instance, after being congratulated for his lovemaking skills, Boris replies nonchalantly, "I practice a lot when I'm alone." The pseudo-Russian ambience of Love and Death is comically enhanced by the Sergey Prokofiev compositions on the musical track. ~ Hal Erickson, All Movie Guide

The gestation of Arctic Fury is more interesting than the film itself. In 1936, pioneer cinematographer Norman Dawn joined forces with Universal head Carl Laemmle to produce Tundra, a semidocumentary account of the life of Alaska's "flying doctor," Thomas Barlow. When the Laemmle regime collapsed at Universal, cameraman/co-director Dawn received funding from Burrough-Tarzan productions, an independent firm set up by Tarzan creator Edgar Rice Burroughs. After seven months' location filming in the Yukon and Arctic Ocean region, Dawn filled the gaps in the film's continuity with snippets from SOS Iceberg (1933) and newly-shot scenes of former football coach Del Cambre (as Dr. Barlow) and trained bears Tom and Jerry. In 1949, 13 years after the release of Tundra, the film was purchased by Plymouth Productions. Most of the location footage and the Del Cambre re-enactments were retained, but a new subplot, directed by Dan Riss and featuring Eve Miller and Gloria Petroff as Dr. Barlow's wife and daughter, was grafted onto the proceedings. Merrill McCormick, who'd played a crusty old trapper in Tundra, was rehired to repeat his role and provide linking narration. This "new" film, retitled Arctic Fury, was distributed by RKO Radio Pictures. ~ Hal Erickson, All Movie Guide