William Sistrom Movies

The misery caused by a long-term feud between two Irish families provides the framework in this drama based on a book by Daphne du Maurier. The saga begins in 1840 as the father of the Donovan clan rebels against the Brodrick family, the owners of the copper mine located on what was formerly Donovan land. In the ensuing conflict, the mine is destroyed and the eldest Brodrick son is killed. His younger brother then becomes the clan leader. He cares not a fig for mining; instead he would rather spend his time wooing a beautiful local girl whom he marries. They have four children and when the brother dies, his eldest son succeeds him. The new patriarch and his mother are terribly greedy and eager to take control of the mine. His mother is distraught when her son suddenly rejects her. The unwanted woman goes to London where she soon gets involved with gambling and drugs to ease her broken heart. One day, her son travels to the city and runs into her. To ease his aching conscience he asks her to return home. Just as she gets there, the eldest son is killed by another Donovan during a labor dispute. She then has one Donovan arrested. An aging servant manages to talk the bereaved mother into dropping the charges so that the feud may finally end. She does. ~ Sandra Brennan, All Movie Guide

In this espionage film, a Danish double-agent is assigned by the Nazis to sneak into to England and abscond with the secret plans for a European invasion. Unbeknownst to the Nazis, the man is really and agent for the Allies. He is pursued by an English agent who exposes him. She then takes part in a plan to trick the German navy into leaving the port with fake documents. The ruse works. Unfortunately, the double-agent dies. ~ Sandra Brennan, All Movie Guide

Dangerous Moonlight was the original British title for the wartime drama Suicide Squadron. Anton Walbrook plays a famed Polish composer who refuses to leave his homeland when the Nazis march in. His friends literally have to hoodwink him into leaving so that he will avoid extermination. Still anxious to avenge his countrymen, Walbrook joins a Polish air squadron headquartered in England. The film's romantic angle is personified by Sally Gray, an American newswoman whom Walbrook marries after a whirlwind courtship. The film itself is no better or worse than most others of its kind, but has remained etched in the collective memory of wartime filmgoers thanks to its omnipresent utilization of The Warsaw Concerto on the soundtrack. Financed by RKO Radio pictures, Dangerous Moonlight was distributed by Republic Pictures during the war years, though rights reverted to RKO in 1947. ~ Hal Erickson, All Movie Guide

Little Orvie (Johnny Sheffield) is a small boy whose stern father (Ernest Truex) and by-the-book mother (Dorothy Tree) refuse to buy a dog. Orvie befriends a stray mutt, which of course follows him home and just won't leave. Failing to keep the dog's presence a secret, Orvie is ordered to give up the canine. Orvie's dad finally weakens his resolve and reveals himself to be a sentimentalist. Based on a story by Booth Tarkington, Little Orvie provided an unusually "normal" assignment for young Johnny Sheffield, best remembered for his appearances as Boy in the Tarzan pictures and his later starring stint in Monogram's "Bomba the Jungle Boy" series. ~ Hal Erickson, All Movie Guide

In an unusual move for a mere program picture, RKO Radio filmed A Saint in London on location in England, using a largely British cast and crew. George Sanders makes his second appearance as suave soldier of fortune Simon Templer, aka The Saint. This time, Templar gets mixed up with a gang of counterfeiters who've murdered and robbed a European count of 1,000,000 pounds. He is aided reluctantly by Scotland Yard inspector Teal (Gordon McLeod), who's convinced that Templar himself pulled off the heist, and less reluctantly by light-fingered Dugan (David Burns) and dizzy socialite Penny Parker (Sally Gray). The Saint in London was directed by John Paddy Carstairs, who later worked on some of the episodes of the Saint TV series. ~ Hal Erickson, All Movie Guide

Radio comedian Joe Penner, of "You Naaassty Man!" fame, was very much an acquired taste in 1938, and even more so when seen today. Nevertheless, such Penner movie vehicles as I'm From the City never failed to make a tidy profit for RKO Radio Pictures. In this one, the star plays a circus bareback rider who happens to be deathly afraid of horses. In order to perform his equestrian act, Penner must be hypnotized, whereupon he turns into a fearless, ridin' fool. This single joke is stretched across 7 reels as Penner finds himself participating in a grueling cowboy race, snapping out of his hypnotic trance at the most inopportune of moments. Former dancer Lorraine Krueger is actually funnier then Penner in the role of the hero's birdbrained girlfriend, as is Paul Guilfoyle as a comic-strip Indian. ~ Hal Erickson, All Movie Guide

In this romantic comedy a millionaire must somehow dissuade his daughter from marrying a money-grubbing social-climber. In desperation he offers to back the show of a beautiful starlet--provided she break his daughter's heart. Things don't go exactly as planned, but a lot of fun is had along the way. ~ Sandra Brennan, All Movie Guide

Poor Barry Trent (John Morley) has Too Many Wives in this RKO programmer. Actually, Barry starts out with no wife at all, which doesn't rest well with his new boss. To save his job, Barry pretends to have a spouse: now all he has to do is find the girl to fill the role. Thanks to a series of misunderstandings arising from a lost stamp worth $10,000, heiress Winifred Jackson (Anne Shirley), a wisecracking secretary (Barbara Pepper) and several total strangers come forward claiming to be Mrs. Barry Trent. Some critics compared Too Many Wives to a Charley Chase two-reeler; ironically Chase later showed up in His Bridal Fright (1940), a comedy short which also involved a missing stamp and a whole passel of would-be brides. ~ Hal Erickson, All Movie Guide

In this comedy, the shady editor of a newspaper does all he can to keep his best reporter from marrying a journalist from a rival paper. In spite of the editor, the wedding day finally comes. The happy couple is at the alter when suddenly the woman gets news of a big scoop. Without a backward glance she leaves her groom to get the story first. ~ Sandra Brennan, All Movie Guide

When Edna May Oliver decided to leave RKO Radio's "Hildegarde Withers" series, the studio came up with an unorthodox replacement in the form of the dry-witted Helen Broderick. Murder on a Bridle Path turned out to be Broderick's only appearance in the series, after which she was succeeded by ZaSu Pitts. The plot begins to thicken when flirtatious society bride Violet (Sheila Terry) is killed early one morn while riding her horse in New York's Central Park. Investigating the case is Inspector Piper (James Gleason), who once more is flustered by the well-intentioned interference of crime-solving schoolmarm Hildegarde Withers. The clues this time include a sinister ex-husband, a broken bicycle, and a phony prison pardon. As always, Hildegarde arrives at the solution before Piper does -- and, as always, nearly loses her own life in the process. ~ Hal Erickson, All Movie Guide

The multitalented James Gleason was both star and co-director of the RKO Radio programmer Hot Tip. Gleason is cast as restaurant owner Jimmy McGill, an inveterate horse player who's a sucker for every race-track tout within a hundred-mile radius. But his wife Jane (ZaSu Pitts) detests gambling, so Jimmy promises to stop playing the ponies. This promise lasts only until our hero needs 200 bucks in a hurry to help out his future son-in-law Ben (played by Gleason's real-life son Russell Gleason). James Gleason and ZaSu Pitts worked so well together that RKO later reteamed them in two "Hildegarde Withers" entries, The Plot Thickens and 40 Naughty Girls. ~ Hal Erickson, All Movie Guide

The George M. Cohan-Earl Digger Biggers theatrical comedy/mystery Seven Keys to Baldpate had already been filmed in 1915, 1917, 1925 and 1929 when this 1935 version made its appearance. It turned out to be the second of four talkie remakes of the Cohan-Diggers piece, if one includes the misbegotten 1983 adaptation House of the Long Shadows. The 1935 edition stars Gene Raymond as author William Magee, who wagers that he can write a mystery novel in 24 hours. At the suggestion of his agent, Magee heads to the remote and reportedly deserted Baldpate Inn so he can work undisturbed. Unfortunately, a steady stream of eccentric and highly suspicious characters, including a minor-league crook (Murray Alper) a duplicitous detective (Eric Blore), a damsel in distress (Margaret Callahan) and a murder victim-to-be (Erin O'Brien-Moore) converge upon the inn, all apparently in search of a cache of stolen money. The amusing double-surprise ending works just as well here as it did in all other versions of the Cohan-Diggers play. At the time of this film's release, RKO Radio issued a study guide to schoolrooms, noting with pride that all the "dated" slang in the original Seven Keys to Baldpate had been carefully weeded out -- unmindful that the "improved" rewrite would seem even more dated 60 years hence! ~ Hal Erickson, All Movie Guide