Robert Shaye Movies

Disaster movie maestro Roland Emmerich and partner Michael Wimer team up to produce what many have considered an impossible adaptation -- that of Isaac Asimov's Foundation. The sprawling work of thoughtful science fiction details mathematician Hari Seldon's goal to preserve humanity after discovering that the universe will fall into a dark age through his work in psychohistory, a concept that allows one to predict the future. ~ Jeremy Wheeler, All Movie Guide

Stuart Samuels's popular documentary Midnight Movies: From Margin to Mainstream grounds itself in the thesis that six revolutionary American motion pictures - Night of the Living Dead (1968), El Topo (1970), Pink Flamingoes (1972), The Harder they Come (1972), The Rocky Horror Picture Show (1975) and Eraserhead (1976) - invented the concept of "midnight movies" and thus permanently reshaped the American film industry per se and the composition of the average U.S. film audience, creating a new "brand" of viewer. Samuels and his team tell the story of this odd subgenre as it evolved, peaked in popularity, and then faded gradually from view. The bulk of the picture consists of a myriad of interviews with the directors of these films per se (John Waters, Alejandro Jodorowsky, David Lynch, Perry Henzel, George Romero - Jim Sharman appears in archive footage only), cast members, theater owners who found their business reinvigorated by this trend, critics such as Roger Ebert who reflect on the era, and of course the films' fans. The documentary also features extended clips from the movies and period news footage about the rise in popularity of the said titles. ~ Nathan Southern, All Movie Guide

The Lord of the Rings: The Return of the King brings Peter Jackson's mammoth adaptation of J.R.R. Tolkien's classic to a close in suitably epic fashion. Instead of starting just where the previous film left off, however, it goes far back in time to the moment the tormented creature Gollum first came to possess the One Ring. In this flashback, actor Andy Serkis (who voiced Gollum and performed his movements onset prior to the final CGI effects) finally gets to appear onscreen, portraying Gollum's former self, Sméagol. This disturbing scene serves as a potent reminder that the Ring seeks to corrupt even the well-intentioned Frodo (Elijah Wood), who is increasingly struggling with the dark power of the Ring himself. Thus, the film returns to the present, following Frodo, Sam (Sean Astin), and Gollum as they journey ever closer to the foreboding land of Mordor. They pass by the terrifying dark city of Minas Morgul, watching as the dreadful army of the Witch King sets out for the human strongholds in Gondor, and move on to the rocky stairs to Cirith Ungol, where an even darker enemy lies in wait. Meanwhile, the rest of the Fellowship reunites in Rohan, having defeated the wizard Saruman on two different fronts, at Helm's Deep and Isengard. They are not together for long, though, since the hobbit Pippin (Billy Boyd) gets into trouble, making it necessary for him and Gandalf (Ian McKellen) to hastily depart for Minas Tirith, capital of Gondor. Once there, they find the steward of Gondor, Denethor (John Noble), in an unstable mental state and the city preparing for battle against the amassing forces of Sauron. Denethor unwisely sends his only remaining son, Faramir (David Wenham), back into bloody battle to prove himself. He returns nearly dead, sending Denethor over the edge of sanity.

In another realm, elf Arwen (Liv Tyler) begins her journey to immortal life in the Grey Havens, on her way to leave Middle-earth -- and Aragorn (Viggo Mortensen) -- forever, but has a vision that causes her to once again reconsider her decision. Back in Rohan, the men are preparing to ride to Gondor's aide. Éowyn (Miranda Otto) desperately wants to join the men in battle, but her uncle, King Théoden (Bernard Hill), orders her to stay and defend Rohan if necessary. The hobbit Merry (Dominic Monaghan) also desires to ride with the men, but is denied due to his small size and inexperience. Aragorn is met there by the elf Elrond (Hugo Weaving), who brings him the re-forged Sword that was Broken (in the ancient battle with Sauron) and urges him to take a different route to Gondor. Heeding Elrond's advice, Aragorn, along with elf Legolas (Orlando Bloom) and dwarf Gimli (John Rhys-Davies), takes a cavernous path through the mountains, where they meet ghoulish ghosts who betrayed Aragorn's ancestors and are doomed to eternal unrest unless they fulfill their broken oaths by aiding him. All but Frodo, Sam, and Gollum will meet on the massive battlefield of the Pelennor before the gates of Minas Tirith. The former three instead engage in a battle of wills between each other and the One Ring as they head toward the fires of Mount Doom to destroy it. Released in December 2003, The Return of the King topped even its massively successful trilogy predecessors at the box office, and went on to garner a whopping 11 Academy Awards, including Best Picture -- winning in all the categories in which it was nominated and tying the record of total awards won with Ben-Hur and Titanic. ~ Dana Rowader, All Movie Guide

The romance, intrigue, and industry politics of the world's biggest film festival -- which is also the world's biggest film marketplace -- provides the backdrop for this typically understated comedy-drama from director Henry Jaglom. Alice Palmer (Greta Scacchi) is a well-known American actress who has written a screenplay that she'd like to direct, and she arrives a the Cannes Film Festival to look for investors. Alice has her eyes on veteran star Millie Marquand (Anouk Aimee) to play the lead, but while Millie loves the script, she's been offered a better-paying supporting role in an upcoming Tom Hanks project. Meanwhile, Millie's former husband Viktor Kovner (Maximilian Schell) is a director fallen on hard times who is trying to scare up financing for his own film. Producer Rick Yorkin (Ron Silver) wouldn't mind leaving Millie in the lurch if it meant landing Alice for his next project. Kaz (Zack Norman) is a less-than-scrupulous producer hoping to put some sort of package deal together. And Blue (Jenny Gabrielle) is a young woman whose shoestring budget independent film has become an unexpected smash hit. Shot in the midst of the 1999 Cannes Film Festival, Festival In Cannes features cameos from such stars as Jeff Goldblum, Holly Hunter, Faye Dunnaway, and William Shatner. ~ Mark Deming, All Movie Guide

Known more for his dark, psychological crime thrillers Primal Fear (1996) and Fallen (1998), director Gregory Hoblit surprisingly created this Frank Capra-meets-Rod Serling-style fantasy that mixes several genres of storytelling into a likable stew. James Caviezel stars as John Sullivan, a New York police detective who has never recovered from the death of his father Frank (Dennis Quaid), a firefighter who died heroically when John was a boy. Experimenting with his dad's beloved ham radio one summer night, extreme sunspot activity allows John to contact Frank 30 years in the past. Since he's able to warn Frank away from danger, his father's death never occurs. Then the unthinkable happens: John's altered future is one in which his mother Julia (Elizabeth Mitchell) has been murdered by a serial killer. Now John in the present and Frank in the past must try to solve the riddle of the killer's identity and change the time line again. Frequency was written by Toby Emmerich, the brother of actor Noah Emmerich, who appears in a supporting role created specifically for him. ~ Karl Williams, All Movie Guide

In Blink, a woman regaining her eyesight after a double cornea transplant operation glimpses the killer of her upstairs neighbor and then must fight for her life as the killer stalks her. Emma Brody (Madeline Stowe), a musician in an Irish folk-rock band was blinded as a result of childhood abuse by her mother. Her doctor, Ryan Pierce (Peter Friedman) performs an operation to restore her vision, but soon Emma is suffering from retroactive hallucinations in which she sees things that have happened hours, or even days, before. As she was the only witness to the murder, her credibility soon comes into question, but she is believed by Detective Hallstrom (Aidan Quinn) who has been tracking what he believes to be a serial killer. Hallstrom also believes that Emma may hold the key to the murderer's motives. ~ Linda Rasmussen, All Movie Guide

The Lethal Weapon series and the rest of the buddy-cop genre receives the parody treatment in this low-brow comedy. Emilio Estevez stars as Jack Colt, the Mel Gibson-like loose cannon, while Samuel L. Jackson assumes the Danny Glover role as Wes Luger, his exasperated partner. Together, Colt and Luger investigate the murder of Luger's former partner (Whoopi Goldberg) and discover a criminal conspiracy led by the nefarious General Mortars (William Shatner). Hoping to mimic the success of the Naked Gun films, director Gene Quintano (of Police Academy 4 fame) loaded the film with broad visual gags, deadpan slapstick, and gratuitous parodies of The Silence of the Lambs, Basic Instinct, and other movies. The attempt to mimic successful parodies proved ineffective, however, as critics and viewers alike found the parody stale and the juvenile humor dreary. ~ Judd Blaise, All Movie Guide

A teenager in the '50s moves to a new neighborhood and has to deal with all the problems that come with it in this lighthearted feature--complete with a rock 'n' roll soundtrack. ~ Kristie Hassen, All Movie Guide

Upon stopping for gas and directions on the Texas back roads, bickering yuppies Michelle (Kate Hodge) and Ryan (William Butler) get harassed by leering service-station owner Alfredo (Tom Everett). When the helpful intercession of a hitchhiker named Tex (Viggo Mortensen) leads to violence, the couple flees the area. Eventually, an unknown truck forces them off the road and into an accident with the sports utility vehicle of Benny (Ken Foree), a well-armed survivalist. Pursued by unknown assailants, Benny and his fellow accident victims must abandon both vehicles and armaments. Eventually all three end up trapped on the boggy forest estate of a family of cannibalistic serial killers who range in age from a feral little girl (Jennifer Banko) to an aged matriarch (Miriam Byrd-Nethery). The clan also includes the title character, whose chainsaw-wielding rampages are among the few direct links between this installment and the earlier two films in this series. ~ Brian J. Dillard, All Movie Guide

In the fifth installment in the Nightmare on Elm Street series, Alice (Lisa Wilcox) begins the film with the notion that she is safe after she vanquished the evil Freddy Krueger (Robert Englund) by learning how to battle the dreamworld psychopath within her own unconscious mind. But somehow Freddy has survived, and Alice discovers that he's found a place where Alice can't protect herself when he taps into the dreams of her unborn child. Freddy is soon leaving a trail of destruction while the child is still in the womb, and he will become even more deadly when the child comes to term. Memorable moments include Freddy's attack on a comic book artist and his Hellish experiences when "the bastard son of a hundred maniacs" is locked in an insane asylum with a nun. A Nightmare on Elm Street 5: The Dream Child was followed by Freddy's Dead: The Final Nightmare, though Mr. Krueger popped up again in Wes Craven's New Nighmare. ~ Mark Deming, All Movie Guide

This fourth trip down Freddy Lane was the most successful at the box-office, but although it has some impressive visuals, it is mostly an empty film. Credit must go to the effects team for some fine work, but otherwise, this entry from the director of Cutthroat Island (Renny Harlin) is extremely weak. Roland Kincaid falls asleep and awakens in the Springwood junkyard, where his dog -- named "Jason" in a sad foreshadowing of the film's giggly tone -- pees fire on Freddy's grave. The pyro-urinary baptism causes Krueger (Robert Englund) to reassemble from bones outward in an admittedly impressive sequence. Predictably, Freddy guts Kincaid, then appears in Joey's waterbed as a naked pinup girl (Hope-Marie Carlton) before slicing him to ribbons. And so it goes. The film has a few interesting ideas kicking around, but no real identification points. This is a video game, not a movie, and the characters seem to exist only in order to move the film from one effects sequence to another. There is a lot to be said for special effects, and the ones here are extraordinary and vivid. However, the wonderfully grim mood and subtle performances of Chuck Russell's outstanding third entry in the series are gone, abandoned by Harlin in favor of a splashy, comic book approach which would, unfortunately, dominate the series' later installments. ~ Robert Firsching, All Movie Guide

Forever interested in the kitsch built into past eras, director John Waters chooses the TV dance show craze of the early '60s for his playful focus in Hairspray. Ricki Lake plays Tracy Turnblad, just one of several alliteratively named characters coming of age in 1962 Baltimore, where "The Corny Collins Show" is the most popular American Bandstand-type program, watched by hundreds of young dreamers each day after school. Being chosen to dance on it is the ultimate status symbol and every young girl's dream, and Tracy improbably wins a featured spot when she infiltrates a dance contest and makes a better impression than her favored rival, the catty Amber von Tussle (Colleen Fitzpatrick). Always able to have fun, even when she's being mocked by the jealous popular girls, Tracy wins the affections of Amber's boyfriend and soon begins leading a movement to integrate the dance show, which has previously featured blacks only in a once-weekly theme night. She is arrested following a demonstration at a local theme park owned by Amber's father (Sonny Bono), who subscribes to the same theory of race relations as "The Corny Collins Show." Tracy's adventures are also filtered through her loving but eccentric parents (Divine and Jerry Stiller) and involve a humorous cultural clash with pot-smoking beatniks (Ric Ocasek and Pia Zadora). ~ Derek Armstrong, All Movie Guide

The best of the Elm Street sequels, this creepy, surreal fantasy features terrific effects, a fine young cast, and an air of grim fatalism that sets it apart from its giggly successors. Patricia Arquette stars as Kristen, whose nightmare leads to a slashed wrist which looks suspiciously like a suicide attempt. She is placed in a hospital psychiatric ward with a group of six other troubled teens who all dream about the same horribly burned man (Robert Englund) trying to kill them. Perhaps the most unusual thing about this picture, however, is the unexpected depth of sadness running through it. There are some achingly sweet moments in this otherwise frightening film which, though not disruptive, are impossible to analyze. The first and most bizarre of these is Heather Langenkamp's entrance, which inexplicably causes most viewers to get misty-eyed, and there are several similar scenes throughout the film. One answer can be found in the sensitive direction of Chuck Russell, who emphasizes the tragedy and utter hopelessness in these kids' lives and manages to wring some unexpectedly perceptive turns from his cast. This is a film in which a great deal of care was obviously lavished on individual scenes (the sets are outstanding) and performances. The results are well worth repeated viewings, and prove that sequels don't necessarily have to be inferior films. ~ Robert Firsching, All Movie Guide