Tom Scott Movies

Based on the book of the same name by Allan Slutsky, Standing in the Shadows of Motown is a historical tribute to the unsung heroes responsible for some of the greatest hits of pop music. Part documentary and part concert performance, this film is an introduction to the intriguing personas of the Hitsville studio band originally assembled by Berry Gordy in 1959. Over 40 years later, the remaining members reunited in their home base of Detroit, MI, to tell their stories, remember their departed bandmates, and put on a concert. The creation of the Motown sound is told through in-depth interviews, archival footage, and reenactments. Personal stories are intercut with live tracks from the concert performance featuring the Funk Brothers live on-stage along with popular vocalists interpreting some of their biggest hits. Some of the guest singers stick around for conversation with the musicians and offer a contemporary perspective, including Joan Osborne, Me'Shell NdegéOcello, and Ben Harper. The film follows the group's contributions through the '60s up until Gordy moved the label to Los Angeles in 1972. ~ Andrea LeVasseur, Rovi

An ex-championship boxer (James Earl Jones) sees a chance at recapturing a taste of his former glory after discovering that Thunder (Courtney B. Vance), one of the amateurs he trains, has real potential. Unfortunately, Thunder has entangled himself with crooked, gang-connected manager Ralph Tate (Billy Dee Williams), and he is not to let the young fighter go without a fight. This drama was made for cable and was aired as part of Steven Spielberg's "Screenworks" project. ~ Sandra Brennan, Rovi

This black comedy chronicles the fall of one of the world's most unlovable clowns as he plies his trade and tries to survive in Palukaville a town where everyone is more or less a Bozo. Shakes loves women and more than that, he loves his booze. Like many of his painted peers, ol' Shakes likes to hang out at The Twisted Balloon, the favorite local pub where he hoists a few, beats up on mimes (the lowest caste in Palukaville) and causes trouble with his girl friend Judy, a woman who cannot say the letter "L." Because the slovenly Shakes can't seem to make it to birthday parties sober and on time, he is fired from his booking agency, causing him to go on a big drinking binge. Later, Shakes awakens and learns that Binky, a lousy TV-clown, is framing him for beating up Shake's former boss with a juggling pin. Now poor Shakes must clear his name. He must also rescue "Juwee" who has been kidnapped by the nefarious Binky, and he must come to grips with his alcohol problem (perhaps the film could be therefore titled "Clown and Sober?"). Keep an eye peeled for cameos by Robin Williams, as a mime instructor, and Florence Henderson as one of Shake's illicit sexual conquests. ~ Sandra Brennan, Rovi

Comic actor Michael McKean delivers a powerful dramatic performance in Father's Homecoming. Long separated from his teenaged son (Jonathan Ward) and daughter (Marcianne Warman), Michael (McKean) comes into contact with them in a most unexpected fashion. He is appointed headmaster of the exclusive New England private school where they both are enrolled. Future Star Trek regular Nana Visitor has a good supporting role. Made for TV, Father's Homecoming was released with a remarkable lack of fanfare on June 19, 1988. ~ Hal Erickson, Rovi

In this detective drama, a private gumshoe takes so many little cases that he can barely afford to support his wife and kids. ~ Sandra Brennan, Rovi

Originally broadcast as an installment of ABC's Disney Sunday Movie anthology, The Leftovers marked the TV acting debut of singer John Denver. He is cast as Max Sinclair, the director f a foster-care facility for older orphans who, for various reasons, no one has ever adopted. Described themselves as "the leftovers", the six kids form a strong bond, refusing to be farmed out to separate families, even though orders have come down for Sinclair to vacate his facility within five weeks. Amidst the seriocomic intrigue, Max falls in love with widow Heather Drew (Cindy Williams), the facility's housekeeper--and an orphan herself. A few potential stars can be glimpsed among the supporting players, notably a pre-Urkel Jaleel White as wisecracking "leftover" Jake. The Leftovers debuted on November 16, 1986. ~Saw Film/TV Guide/Internet/Marrill/Expert ~ Hal Erickson, Rovi

The first feature-length animated film to come out of New Zealand's movie industry, this drama is based on a popular cartoon strip originating in this country, but also published in Australia, Scandinavia, and Japan. The heroes are Dog (voice of Peter Rowley) who has to guard his owner Wal (voice of John Clarke) and fight off the nasties who inhabit the Murphy's house down the road and across the river. Dog nurses a lingering passion for the nearby Jess, but in order to win her over he also has to save her from the varmints and croco-pigs that infest the Murphy's holdings. Meanwhile, Wal has an aggravating attraction to the winsome Cheeky Hobson (voice of Fiona Samuel) who works at a beauty parlor in the small town of Raupo. Dog has his work cut out for him. ~ Eleanor Mannikka, Rovi

Director Rob Reiner's The Sure Thing is essentially It Happened One Night for the 1980s, but its lack of surprise in no way impedes its entertainment value. John Cusack plays Walter "Gib" Gibson, a self-involved college freshman who makes plans to head to California, there to touch base (and a few other things) with a "sure thing" played by Nicollette Sheridan. Likewise planning a westward journey is coed Alison Bradbury (Daphne Zuniga), a control freak who has a wealthy, stuffy fiancé over there. Gib and Alison despise one another on sight -- so naturally, they are compelled to travel to California together. The fact that everyone in the audience knows precisely how this one will end up is inconsequential; Cusack and Zuniga deliver such engaging performances that we're pulling for them to wise up and discover one another from the very first scene. One of the best bits: the mismatched couple being bombarded with an ear-piercing rendition of "The Age of Aquarius" by their dippy traveling companions. ~ Hal Erickson, Rovi

In this uneven teen comedy, an aspiring female high-school journalist assumes a fake male identity after her essay on just that subject -- a woman posing as a male jock -- is rejected in a contest. Miffed by what she assumes is a bias against her gender in the rejection of her essay, Terry (Joyce Hyser) dons the right garb, gets a new haircut, drops her voice down to a suitable male-sounding register and passes herself off as a guy (okay, not believably, but one is willing to go along with the conceit to see what happens). As she soon discovers, moments in the locker room and at phys ed classes can be harrowing, but worse yet, she becomes seriously enamored of Rick (Clayton Rohner) a quiet, good-looking guy who does not run with either the macho or preppie pack. How can she broach the subject of her real identity? Terry's friends have their own romantic interests, all of which are resolved at the high school prom. It just had to be -- this film was followed by one titled Just One of the Girls with another director, and a male cross-dresser as the featured protagonist. ~ Eleanor Mannikka, Rovi

In Hard to Hold, pop singer Rick Springfield is cast as an immensely successful recording artist named James Roberts. As a result of a fender-bender accident, Roberts meets and falls in love with child psychologist Diana Lawson (Janet Eilber), who is not the least bit impressed with James' wealth or fame. He spends the rest of the picture following Diana all over San Francisco, much to the discomfort of his lovelorn writing partner Nicky Nides (Patti Hanson). ~ Hal Erickson, Rovi

In this comedy, a stuffy congressman is dismayed when he discovers that his beloved daughter intends to marry limousine driver John Bourgignon (John Candy). While intending to put on a good show for his father-in-law to be, John is captured by some political opponents of the congressman. His capturers attempt to brainwash him into assassinating the congressmen, but things don't go exactly as planned. ~ Iotis Erlewine, Rovi