Pietro Scalia Movies

Adapted from Mark Millar's hyper-violent comic book of the same name, director Matthew Vaughn's (Layer Cake) vigilante superhero film tells the tale of an average New York teenager who decides to don a costume and fight crime. Comic book geek Dave Lizewski (Aaron Johnson) may not have good coordination or special powers, but that doesn't mean he isn't a fully capable crime fighter. After purchasing a flashy wet suit on the Internet, Dave starts busting up baddies with nothing but brute force. He calls himself Kick-Ass, and he can take a beating as good as he can dish one out. Before long, Kick-Ass has become a local sensation, and others are following his lead. Big Daddy (Nicolas Cage) and Hit-Girl (Chloe Moretz) are a father-daughter crime-fighting duo who have set their sights on local mob heavy Frank D'Amico (Mark Strong). They're doing a decent job of dismantling Frank's sizable underworld empire when Kick-Ass gets drawn into the fray. But Frank's men play rough, and his son, Chris (Christopher Mintz-Plasse), is about to become Kick-Ass' very first arch nemesis. When Chris assumes the persona of Red Mist, the stage is set for a superhero showdown that could spell the end of Kick-Ass once and for all. ~ Jason Buchanan, Rovi

Director Ridley Scott spins this yarn concerning a Harlem drug kingpin (Denzel Washington) who smuggles heroin into the country by hiding it in the bodies of U.S. soldiers killed during battle in Vietnam. There was a time when no one noticed reserved driver Frank Lucas (Washington), but when the criminal kingpin he was charged with transporting through the city streets suddenly dies, Lucas seizes the opportunity to build his own criminal empire. In the following months, Lucas solidifies his status as Harlem's most innovative drug dealer by delivering a product that is purer than the competitors' and cheaper, as well. When innovative businessman Lukas attempts to go semi-legit by becoming one of the Manhattan borough's biggest civil supporters, however, street-savvy outcast cop Ritchie Roberts (Russell Crowe) begins to sense a sizable shift in the hierarchy of the drug underworld. But Roberts is one of the few honest detectives operating within a corrupt system, and as he sets out to investigate the case, crooked detective Trupo (Josh Brolin) does everything in his power to compromise the integrity of his idealistic counterpart. Upon clearing all of the usual Mafia-connected suspects, Roberts begins to believe that a previously unknown black power player has come out of the woodwork to dominate the local drug trade. While Roberts and Lucas may be operating on opposite sides of the law, the one thing that both men have in common is a strict code of ethics that separates them from their opportunistic colleagues. Now, as a confrontation between the two men becomes inevitable and the fate of each becomes inexorably tied to the other, it gradually becomes apparent that only one of them will emerge from the conflict victorious. ~ Jason Buchanan, Rovi

Curious filmgoers looking to get better acquainted with the silver screen's most notorious cannibalistic serial killer are sure to get their fair share of shocks and thrills as director Peter Webber teams with author Thomas Harris to explore the early life of well-read psychopath Hannibal Lecter. Based on author Harris' gruesome novel of the same name, Hannibal Rising travels back in time to World War II-era Lithuania, where an impressionable, well-to-do young boy named Hannibal (Gaspard Ulliel) was forced to watch helplessly as his family was massacred and his young sister suffered a terrifying fate at the hands of desperate, famished soldiers. After seeking temporary shelter at the Soviet orphanage that was once his family's home, Hannibal later flees to Paris in search of his long-lost uncle. Though his uncle has passed away, his uncle's beautiful Japanese widow, Lady Murasaki (Gong Li), warmly accepts the frightened orphan into her home. But even the love and kindness of this generous stranger isn't enough to calm the raging storm that is brewing inside this troubled young boy. Plagued by nightmares and determined to seek vengeance on the murderous war criminals who brutalized his family, the profoundly disturbed but academically gifted Hannibal enrolls in medical school in order to hone the skills that will allow him to exact horrific justice. ~ Jason Buchanan, Rovi

John Dahl directed this war drama based on the true story of one of the most daring military actions of World War II. In the waning days of World War II, General Douglas MacArthur chose to make good on a pledge that he made in 1942 -- that he would return to the Philippines after he and his troops were forced to retreat. However, MacArthur's determination was more than a matter of pride. Over 500 American soldiers were being held in Cabanatuan, a notoriously brutal prisoner of war camp in the Philippines operated by the Japanese army, and MacArthur wanted to see to it that they made it home. MacArthur chose Lt. Col. Henry Mucci (Benjamin Bratt) to lead the Sixth Ranger Battalion on a mission 30 miles behind enemy lines to infiltrate Cabanatuan and liberate the American prisoners. With the help of Capt. Prince (James Franco), Mucci leads his men on a life-or-death raid against forces known for their savagery. The Great Raid was based on William B. Breuer's book The Great Raid on Cabanatuan: Rescuing the Doomed Ghosts of Bataan and Corregidor, and also stars Joseph Fiennes, Connie Nielsen, and Marton Csokas. ~ Mark Deming, Rovi

Enigmatic rock legend Bob Dylan stars as an enigmatic rock legend (talk about a casting coup!) in this purposefully eccentric satiric comedy. Uncle Sweetheart (John Goodman) is an unscrupulous concert promoter who has figured out a way to cash in on the feelings of doubt and uncertainty that plague his nation, which is being torn apart by civil war and political revolution. Sweetheart has decided he will stage a massive benefit concert, though the unnamed charity would appear to be his checking account. Sweetheart hires television producer Nina Veronica (Jessica Lange) to help promote the show and sell it as a nation-wide cable-cast event, while Sweetheart pulls a few strings to arrange for the perfect headliner -- Jack Fate (Bob Dylan), a legendary songwriter who is currently serving a term in prison. With Fate out from behind bars, Sweetheart and Veronica set out to sell their grand spectacle to the world, though one determined investigative journalist (Jeff Bridges) has set out to throw a spenner into the works of Uncle Sweetheart and his epic fundraiser. Marking the directorial debut of comedy writer Larry Charles, Masked and Anonymous also features Penelope Cruz and Luke Wilson; the film was shown in competition at the 2003 Sundance Film Festival. ~ Mark Deming, Rovi

Based on the controversial sequel novel of the same name, Hannibal is the much-anticipated follow-up to the Oscar-winning The Silence of the Lambs (1991). Anthony Hopkins returns as Dr. Hannibal Lecter, one of the world's most cunning and feared serial killers, who resurfaces after a decade in hiding to toy with FBI agent Clarice Starling (Julianne Moore). As Starling's career flounders thanks to a drug bust gone wrong, Lecter attempts to elude a greedy Italian police detective (Giancarlo Giannini) who's willing to alert the authorities to his presence in Florence for a price. In the meantime, a maimed but wealthy former victim of Lecter's named Mason Verger (Gary Oldman) plots to get his revenge on the doctor in a most unusual and grisly fashion. The novel by Thomas Harris was adapted for director Ridley Scott by David Mamet and Steven Zaillian. ~ Karl Williams, Rovi

A man robbed of his name and his dignity strives to win them back, and gain the freedom of his people, in this epic historical drama from director Ridley Scott. In the year 180, the death of emperor Marcus Aurelius (Richard Harris) throws the Roman Empire into chaos. Maximus (Russell Crowe) is one of the Roman army's most capable and trusted generals and a key advisor to the emperor. As Marcus' devious son Commodus (Joaquin Phoenix) ascends to the throne, Maximus is set to be executed. He escapes, but is captured by slave traders. Renamed Spaniard and forced to become a gladiator, Maximus must battle to the death with other men for the amusement of paying audiences. His battle skills serve him well, and he becomes one of the most famous and admired men to fight in the Colosseum. Determined to avenge himself against the man who took away his freedom and laid waste to his family, Maximus believes that he can use his fame and skill in the ring to avenge the loss of his family and former glory. As the gladiator begins to challenge his rule, Commodus decides to put his own fighting mettle to the test by squaring off with Maximus in a battle to the death. Gladiator also features Derek Jacobi, Connie Nielsen, Djimon Hounsou, and Oliver Reed, who died of a heart attack midway through production. ~ Mark Deming, Rovi

Kirk Wong directed this comedy actioner about mild-mannered, beleaguered hitman Melvin Smiley (Mark Wahlberg), who very much wants to be liked. However, the naive Mel is being taken advantage of by both his girlfriends and associates (who cheat him out of his bonuses). Mel and his "Odd Squad" -- Cisco (Lou Diamond Phillips), Crunch (Bokeem Woodbine), Vince (Antonio Sabato Jr.), and Gump (Robin Dunne) -- work for Paris (Avery Brooks), head of an international crime cartel and a contractor for hit jobs. Mel's mistress Chantel (Lela Rochon), who views him as a meal ticket, lives rent-free in his house, misspends his money, and is continually thinking of ways to get more from him. Her latest scheme is concocting tales about overdue mortgage and car payments, but she really wants the money to run away with her lover Sergio. Mel and his team head into a big shootout to waste some rival mobsters. One person kills the electricity; the others don night-vision goggles. Melvin handles most of the action, including shooting while bungee-bouncing near a staircase, finally making a spectacular bungee-exit from the top floors of the building just as it explodes in flames. A quick and easy weekend job backfires when their kidnap victim, a rich industrialist's teenage daughter Keiko Nishi (China Chow), turns out to be the godchild of their boss, crime czar Paris. When Cisco, mastermind of the plan, is summoned by Paris, he manages to shift blame to Mel. Meanwhile, Chantel absconds with Mel's earnings just as the disapproving parents (Elliott Gould, Lainie Kazan) of Mel's fiancee Pam (Christina Applegate) are due for a visit. Since Pam gave her parents $50,000 from Mel's bank account, they're on their way to thank him and hopefully benefit from another financial windfall. As his professional and domestic woes collide, Mel finds himself dodging bullets while trying to impress his potential in-laws. Throw in an overzealous video-store clerk demanding the return of an overdue tape (King Kong Returns), and it's not long before Mel's life starts to unravel. ~ Bhob Stewart, Rovi

Ridley Scott directed this flawed but involving study of Lt. Jordan O'Neil (Demi Moore), a Navy topographic analyst who is chosen as a test case for the presence of women in combat. Aware that she is making history and knowing that 60% of all male trainees will fail the rigorous training, Lt. O'Neil struggles to prove herself physically and mentally worthy of becoming a Navy SEAL. What she doesn't know is that she is being sold out by hardbitten Texas senator Lillian DeHaven (Anne Bancroft in an amusing turn), who is being blackmailed by the Defense Department with politically fatal base closings unless O'Neil fails the program. The complicated political subplot, however, only distracts from the film's real virtues -- the wonderfully staged scenes of CRT selection training -- and fizzles at its climactic moment. The training scenes are wonderful, however, as the central recruits are pushed to their physical limits by a grueling weeding-out process. Viggo Mortensen is outstanding as Master Chief John James Urgayle, a steely-eyed, tough-as-nails instructor who somehow finds time to quote D.H. Lawrence when he isn't making people eat garbage and beating O'Neil senseless as part of a training exercise. Mortensen and the believably-buffed Moore are terrific, and their scenes of confrontation are the film's high points. Unfortunately, the screenplay by David Twohy and Danielle Alexandra falls down every time it attempts to sidestep a cliche, and the climactic mission (involving a downed satellite in the Libyan desert) positively wallows in a predictable Top Gun muddle. Still, the characters are engaging and those looking for an enjoyable variant on the basic-training subgenre of high-octane modern action films should be pleased. ~ Robert Firsching, Rovi

Director Sam Raimi brings his trademark comic book-influenced visual panache to this post-modern Western. Sharon Stone stars as Ellen, a mysterious female gunslinger who arrives in the frontier hamlet of Redemption for a contest pitting quick-draw artists against each other. The event is the brainchild of Redemption's evil, corrupt mayor, Herod (Gene Hackman), a criminal who has taken over the town and charges a 50% tax on local businesses. The pot for Herod's deadly game has swollen, attracting numerous colorful gunfighters from around the territory. As each battle thins the ranks of players, the pasts of several participants are revealed. Ellen is seeking revenge on Herod for a heinous past injustice. The fast-talking braggart known as "The Kid" (Leonardo DiCaprio) may in fact be Herod's son. The pacifist Reverend Cort (Russell Crowe), who refuses to participate in the bloodshed, is the fastest draw in the West and a former colleague of Herod's. After several spectacular slayings, Ellen and Herod stage a final showdown, but not before he has made her an unexpected proposal. The Quick and the Dead (1995) is dedicated to veteran Western actor Woody Strode, who appears in a cameo as Redemption's coffin maker, his final performance. ~ Karl Williams, Rovi

The very young computer whizzes in this big-big budget Italian movie are beginning to lose their focus on their assignment: to create a computer-generated Eden. In order to inspire them, an innocent gardener (rock-star and comedian Adriano Celentano) is brought in. For a while, this works, as they start taking their models from nature and make some real progress. Unfortunately, a weird phenomenon sends one of the youths hurtling into the computerized world, and it is up to the gardener and a relative to haul him back out. ~ Clarke Fountain, Rovi

The November 22, 1963, assassination of U.S. President John F. Kennedy shocked the nation and the world. The brisk investigation of that murder conducted under the guidance of Supreme Court Justice Earl Warren distressed many observers, even though subsequent careful investigations have been unable to find much fault with the conclusions his commission drew, the central one of which was that the assassin, Lee Harvey Oswald, acted alone. Instead of satisfying the public, one result of the Warren Commission Report was that an unimaginable number of plausible conspiracy theories were bruited about, and these have supported a sizeable publishing mini-industry ever since. In making this movie, director Oliver Stone had his pick of supposed or real investigative flaws to draw from and has constructed what some reviewers felt was one of the most compelling (and controversial) political detective thrillers ever to emerge from American cinema. Long before filming was completed, Stone was fending off heated accusations of artistic and historical irresponsibility, and these only intensified after the film was released. In the story, New Orleans District Attorney Jim Garrison (Kevin Costner) is convinced that there are some big flaws in the investigation of Oswald (Gary Oldman), and he sets out to recreate the events leading up to the assassination. Along the way, he stumbles across evidence that a great many people had reason to want to see the president killed, and he is convinced that some of them worked in concert to frame Oswald as the killer. Among the suspects are Lyndon Baines Johnson (the next president), the CIA, J. Edgar Hoover, and the Mafia. Over the course of gathering what he believes to be evidence of a conspiracy, Garrison unveils some of the grittier aspects of New Orleans society, focusing on the shady activities of local businessman Clay Shaw (Tommy Lee Jones). Garrison's investigations culminate in his conducting a show trial that he knows he will lose and which he is sure will ruin his career in order to get his evidence into the public record where it can't be buried again. This movie won two of the many Academy Awards for which it was nominated: one for Best Photography (Robert Richardson) and the other for Editing (Joe Hutshing). ~ Clarke Fountain, Rovi